X
- FOX
- Nov 5, 2000
- FOX
- Nov 5, 2000
Summary The X-Files is a Peabody, Golden Globe and Emmy Award-winning American science fiction television series created by Chris Carter, which first aired on September 10, 1993, and ended on May 19, 2002. The show was a hit for the Fox Broadcasting Company network, and its main characters and slogans (e.g., "The Truth Is Out There", "Trust No O...
Created By: Chris Carter
- FOX
- Nov 5, 2000
- FOX
- Nov 5, 2000
The X-Files
Season 8
11 Seasons
Season Premiere: Nov 5, 2000
Metascore
Available after 4 critic reviews
7.3
Where to Watch
Summary The X-Files is a Peabody, Golden Globe and Emmy Award-winning American science fiction television series created by Chris Carter, which first aired on September 10, 1993, and ended on May 19, 2002. The show was a hit for the Fox Broadcasting Company network, and its main characters and slogans (e.g., "The Truth Is Out There", "Trust No O...
Created By: Chris Carter
Where to Watch
Season Episodes
View All Seasons
11 Seasons
Top Cast
All this tension turns out to be great for the show's pulse, which had been fluttering last season. In too many of season 7's adventures, Duchovny and Anderson looked as if they'd been asked to go investigate who shot J.R. Ewing; their boredom was showing. ... [This season's first two episodes discover] a new force field of energy.
Once hot show sliding toward X-tinction.
User Score
Generally Favorable
Based on 65 User Ratings
7.3
68% Positive
44 Ratings
44 Ratings
26% Mixed
17 Ratings
17 Ratings
6% Negative
4 Ratings
4 Ratings
User Score
Generally Favorable
Based on 65 User Ratings
7.3
68% Positive
44 Ratings
44 Ratings
26% Mixed
17 Ratings
17 Ratings
6% Negative
4 Ratings
4 Ratings
Following David Duchovny’s decison to only appear in eight episodes of the eighth season the writers were forced to write around his absence by having his character disappear and introducing a new character to take up the reigns at The X-Files.
That new character is John Doggett, a character that many fans seemed to instantly dislike fearing he was being lined up as Mulder replacement. To be fair Robert Patrick, who is probably best remembered for his iconic role in Terminator 2, does an excellent job of quickly establishing Doggett as an interesting character but his introduction only highlights just how important the chemistry between Duchovny and Anderson is to this show. The Mulder/Scully dynamic had a way of lifting even the most average of scripts to something better and as good as both Patrick and Anderson are as actors that chemistry just simply isn’t the same. When Duchovny returns for the final third of the season it’s amazing just how quickly he and Anderson are able to find that old groove.
What this eighth season does have going for it however is arguably the clearest overarching plot since the shows inception. Many of the old dangling threads from the 150+ episodes are forgotten with the the first half of the season focusing on the search for Mulder (in amongst the usual stand alone episodes of course) before switching to the mystery behind Scully’s baby. As with a few of the previous seasons this could easily have served as a satisfying ending for the show, but that’s a discussion best saved for my season nine review......
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SEASON 8
Within A-. Without A-. Patience B. Roadrunners B+. Invocation B.
Redrum A-. Via Negativa B. Surekill C+. Salvage C+. Badlaa C+.
The Gift B+. Medusa B-. Per Manum B+.
This Is Not Happening A-. Deadalive B+. Three Words B+.
Empedocles B-. Vienen B+. Alone B+. Essence A-. Existence A.
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SEASON 8
Even though its final episodes are white-knuckle intense - enough to please any hardcore fan of the series - season eight still represents a dip down in quality, but it doesn't succumb to its wounds either, thanks in part to the overwhelming amount of new faces that are supplied with just the right amount of character development needed to properly introduce them.
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SEASON 8
The eighth season of The X-Files would be the perfect last season of the show, and a pretty solid first season of a new show born from the ashes.
In many ways, television is a conservative medium – more in an artistic sense than a political one. Network television is largely built around churn, a conveyor belt model that is designed to generate product according to tight schedules and oppressive deadlines. Routine and familiarity make the production schedule easier to manage, particularly for shows with large season orders. More than that, if a show has figured out an approach that has worked, it makes no sense to deviate from that pattern.
Why risk changing something that has been proven to work and to which the audience has responded? For all the (deserved) praise The X-Files gets for popularising (or repopularising) serialised storytelling in prime-time television, it was just as conservative as any other show. The production team were working under incredible pressure, so it makes sense they would not want to change a formula that made sense. As such, the really big changes to the show were largely driven by external factors.
The mythology largely developed from Scully’s abduction in Duane Barry and Ascension, an attempt by the writers to work around Scully’s abduction. The decision to film The X-Files: Fight the Future between the fourth and fifth seasons was at the behest of Fox rather than the production team. David Duchovny forces the move to Los Angeles in the sixth season. The eighth season represents the most seismic shift in the creative life of The X-Files, and – as with those other big decisions – it was largely driven by choices outside the production team.
In hindsight, it seems obvious that the show could not continue forever. Duchovny and Anderson were headlining a show that filmed twenty-odd episodes a season. The show had begun diffusing its focus in the fourth and fifth seasons by focusing on members of the supporting cast, but it was still effectively a two-lead show. That is a tremendous strain. Something had to give. It turned out that something was Duchovny. At the end of the seventh season, with everything coming down to the wire, Duchovny made it clear he would not appear in a full eighth season.
This forced the show to change, but in a way that afforded some measure of stability. The idea of doing The X-Files without either Mulder or Scully was horrifying to the production team and horrifying to certain sections of fandom, but Duchovny’s willingness to stick around for half of the eighth season afforded some measure of compromise. The change did not need to be jarring. Easing David Duchovny out of the show would allow for a smoother transition. It would allow the show to say a proper (and extended) farewell to Mulder.
The eighth season finds itself in the impossible position of having to imagine The X-Files without Mulder. The only real issue is that it succeeds all too well. The biggest problem with the eighth season is that it is followed by a ninth season.
Still, allowing for these problems, the eighth season is a remarkable accomplishment. It proves that there is life left in The X-Files. The show had survived the most traumatic transition that a show like this could face. The show finished the eighth season in a stronger position than it had in years. Unfortunately, a lot would change between the broadcast of Existence and Nothing Important Happened Today I.
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SEASON 8
Even though its final episodes are white-knuckle intense - enough to please any hardcore fan of the series - season eight still represents a dip down in quality, and it succumbs to its wounds, thanks in part to the overwhelming amount of new faces that aren't supplied with the right amount of character development needed to properly introduce them.
Report
SEASON 8
Even though its final episodes are white-knuckle intense - enough to please any hardcore fan of the series - season eight still represents a dip down in quality, and it succumbs to its wounds, thanks in part to the overwhelming amount of new faces that aren't supplied with the right amount of character development needed to properly introduce them.
Report
SEASON 8
Even though its final episodes are white-knuckle intense - enough to please any hardcore fan of the series - season eight still represents a dip down in quality, and it succumbs to its wounds, thanks in part to the overwhelming amount of new faces that aren't supplied with the right amount of character development needed to properly introduce them.
Report
SEASON 8
