Waco

In every case, the actor elevates the material, raising passable storytelling to a more compelling and charismatic level.

Waco has a clunky couple episodes that fail to really depict the passage of time cleanly and probably will leave many viewers confused as to which agencies are making which blunders, even if they have their initials on their jackets. The third episode gets back into the initial raid in harrowing, well-directed style and it may give me enough momentum to watch the second half of the series, just to see if David Koresh ever does anything wrong.

Waco is a workmanlike summary of events that paints a largely, some might say excessively, sympathetic portrait of Koresh and his followers. This is likely because of the demands of dramatic compression rather than any propagandizing on the part of the show’s makers.

Skimming the treatment Koresh’s manipulative dark side in Waco, a story that puts the humanity of the Branch Davidians and that of Koresh at its forefront feels ... weird. And this is but one of several niggling oversights in a story that begs for a new consideration.

[Waco] does its best when working on the tension that grows between the Branch Davidians and the ATF. ... With the cliche dialogue and the dead-air drama within the group about David’s power over women played by Riseborough, Benoist and Garner, they struggle to make the series more than a half-intriguing non-fiction spectacle, albeit with Kitsch’s strong performance guiding the way.