SummaryA prison parolee (Nicolas Cage) on his way to freedom faces impossible odds when the maximum security transport plane he's on is skyjacked by the most vicious criminals in the country. [Buena Vista Entertainment]
SummaryA prison parolee (Nicolas Cage) on his way to freedom faces impossible odds when the maximum security transport plane he's on is skyjacked by the most vicious criminals in the country. [Buena Vista Entertainment]
Preposterous, predictable, but excessively entertaining, this frenzied thriller draws both story and characters from such action classics as "The Fugitive," "Die Hard," "The Dirty Dozen" and "The Silence of the Lambs."
John Malkovich was unhappy during production because the script was being rewritten virtually every day and he had no idea how his character was going to turn out.
Is Con Air the epitome of 90's cheesy action flicks? Probably. It's got pretty much everything you expect. Over the top acting performances, lots of explosions, a very high level of testosterone and highly unrealistic and over the top action scenes. If you're into 90's action movies and you haven't seen Con Air, you should definitely watch it.
This film is slightly based on true air travels made to transfer convicted criminals. I think I don't need to say that the idea of a plane full of chains and bars, with criminals traveling like caged beasts, is pure fiction. Despite having a good cast and some regular action scenes, this film has a very poor quality. The script, written by Scott Rosenberg, is too unrealistic and implausible, starting with the totally stupid idea to fill a plane with crazy killers (one wearing a mask out of "Silence of the Lambs"), side by side with an arsenal of light weapons and fatty policeman full of donuts. This scenario could only end badly, making the hijacking too predictable. I don't understand how the police had so much difficulty in tracking the airplane with so many locators and covert surveillance devices available in that days, on the service of the writers and the director, Simon West. Starting from there, the film only gets worse, with a huge circus of unlikely and unbelievable scenes. The end is worthy of the Razzie Award that this film won.
The film has a good cast led by Nicolas Cage, John Malkovich and John Cusack. Also participating, among others, Ving Rhames, Steve Buscemi, Danny Trejo, Renoly Santiago and Dave Chappelle. Nevertheless, none of the characters was particularly interesting with the exception of John Malkovich, who gave his Cyrus all the required malice and wickedness without allowing himself to explore a little more his evil. Some of the characters tries, mainly through dialogue, rehearse a few moments of humor, but it's a shot that backfired. The action scenes are truly impressive, but most merely to show-off, being clogged with special effects and sound. For posterity remains a regular action movie, able to entertain, which seeks to impress but ends up leaving us a bitter taste, like a good wine that was too long exposed to air.
Con Air is a showcase of the worst tropes that plagued action films of the 90s. The unlikeable and badly acted lead character with some convoluted goal involving a child; the never-ending loud and violent explosion sequences; the villain who simply refuses to die, dragging the film's running time out beyond a level that is considered entertaining; a sparse selection of female characters that are furniture to fawn over or be rescued by testosterone-fuelled "hunks"; and an ending that celebrates the freedom of a hot-tempted soldier (or "American hero", as they are colloquially known) and a charismatic psychopath, a violent death for the villain and, of course, money. John Malkovich's charisma unfortunately can't save this piece of tat.