For 593 reviews, this critic has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 4 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

  • TV
Average review score: 62
Highest review score: 100 Deadwood: Season 1
Lowest review score: 0 In the Motherhood: Season 1
Score distribution:
  1. Negative: 70 out of 593
593 tv reviews
    • 77 Metascore
    • 91 Alan Sepinwall
    Over the 10 episodes of the new season, Tremé remains outstanding at what it sets out to do.
    • 79 Metascore
    • 91 Alan Sepinwall
    It's a treat to be back in this world again, and perhaps by the end of this season I'll feel happier about the crime arc than I did about the spy stuff.
    • 90 Metascore
    • 91 Alan Sepinwall
    By forcing Raylan to retrace his father's decades-old steps, Yost is reinventing his show yet again, but he's also going deeper into the heart and mind of the man with the big hat and gun.
    • 77 Metascore
    • 91 Alan Sepinwall
    Based on the admittedly small sample size of two episodes, The Americans feels like it could very comfortably slot in with the upper tier of FX dramas. That's about as good as it gets.
    • 69 Metascore
    • 91 Alan Sepinwall
    Fuller and company do an impressive job of balancing Lecter's machinations, Graham's emotional problems, and the other killers that Graham and Crawford have to stop, in a way that never descends into formula.
    • 91 Metascore
    • 91 Alan Sepinwall
    Broadchurch is a police procedural, and an effective one, but what renders it special is the way it tracks the ways that physical and emotional violence haunts everyone in the town.
    • 86 Metascore
    • 91 Alan Sepinwall
    This is an absolute: Top of the Lake is great.
    • 81 Metascore
    • 91 Alan Sepinwall
    For some, the six hours of Rectify will feel like a very slow sentence indeed. For others, the performances, the very clear sense of time and place, the beautiful images and the thoughtful things the series has to say about life, death and spirituality will feel like no time at all.
    • 92 Metascore
    • 91 Alan Sepinwall
    The deeper you go, the more powerful The Returned gets.
    • 85 Metascore
    • 91 Alan Sepinwall
    Masters of Sex is the best new show of the fall by a very long stretch. It's also a refreshing anomaly: a prestige cable drama that doesn't feel like a recombination of elements from 15 shows that came before it.
    • 80 Metascore
    • 91 Alan Sepinwall
    Community is back, and back to being itself.
    • 88 Metascore
    • 91 Alan Sepinwall
    The last thing television needs is more serial killer dramas. But when they're this well made, this smart and creative and unexpectedly funny? Then, yes, more Hannibal, please.
    • 71 Metascore
    • 91 Alan Sepinwall
    [By the third episode] Review revealed itself to be something much more complicated, dark, and brilliant, in which the weight of all these viewer requests begins to take a horrific toll on Forrest's life.
    • 82 Metascore
    • 91 Alan Sepinwall
    It's a show that stands entirely on its own while never forgetting the series that inspired it.
    • 84 Metascore
    • 91 Alan Sepinwall
    It's a perfect marriage of creative team, channel and subject.
    • 87 Metascore
    • 91 Alan Sepinwall
    Over the course of the first four episodes (and hopefully over the remaining six), the TV Fargo establishes itself as its own wonderful thing that is connected to the movie without being a recreation of it, and that doesn't seem unworthy of the name.
    • 80 Metascore
    • 90 Alan Sepinwall
    Whedon tries to blend comedy, horror and action, a very combustible mixture - as evidenced by the wildly uneven "Buffy" movie - but he seems close to perfecting the formula here. [10 Mar 1997, p.31]
    • 67 Metascore
    • 90 Alan Sepinwall
    Fresh, sharp and screamingly funny. [4 Mar 1997]
    • 81 Metascore
    • 90 Alan Sepinwall
    The funniest and most romantic new show this fall. [24 Sept 1997, p.31]
    • 88 Metascore
    • 90 Alan Sepinwall
    This is a smart, exciting thrill ride with a tick-tock momentum that will keep you glued to the edge of your seat. [6 Nov 2001]
    • 89 Metascore
    • 90 Alan Sepinwall
    In a season overstuffed with crime dramas, Boomtown is one of the two or three best, alongside CBS' "Without a Trace" and "Robbery Homicide Division." It has complex, compelling characters, a terrific cast of actors and a beautiful feature film look. But it would have all those things even if the stories were told in strict chronological order. [27 Sept 2002, p.53]
    • 75 Metascore
    • 90 Alan Sepinwall
    At turns funny, terrifying and moving. [16 Nov 2004, p.73]
    • 94 Metascore
    • 90 Alan Sepinwall
    The acting, writing and directing are superb.
    • 87 Metascore
    • 90 Alan Sepinwall
    "Extras" finally achieves the greatness expected of the Gervais/Merchant team with Season Two.
    • 77 Metascore
    • 90 Alan Sepinwall
    Sick, twisted and darkly funny, "Dexter" is easily the best drama in Showtime history.
    • 86 Metascore
    • 90 Alan Sepinwall
    It's the best-looking pilot of the season--maybe the best new show, period--even though it may not look that good in the future.
    • 81 Metascore
    • 90 Alan Sepinwall
    The CW's Reaper and NBC's "Chuck," the two shows featuring the aforementioned Sam and, um, Chuck, are an unusual pairing in that they're not only both good--with ABC's "Pushing Daisies," they're the best new shows of the season.
    • 89 Metascore
    • 90 Alan Sepinwall
    AMC’s "Breaking Bad" [is] still the best drama you’re not watching.
    • 87 Metascore
    • 90 Alan Sepinwall
    There’s no performance quite on par with Damian Lewis’s star turn as the quiet, decent company leader in "Band," but the three leads all take advantage of their showcase roles to craft characters that transcend both war movie cliches and the actors’ own mixed backgrounds.
    • 74 Metascore
    • 90 Alan Sepinwall
    That balance of viewpoints--positive and negative, tragic and comic--is what makes Carrier such extraordinary viewing.