Alan Sepinwall
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For 645 reviews, this critic has graded:
  • 47% higher than the average critic
  • 2% same as the average critic
  • 51% lower than the average critic
On average, this critic grades 2.9 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

Average review score: 62
Highest review score: 100 24: Season 2
Lowest review score: 0 In the Motherhood: Season 1
Score distribution:
  1. Negative: 77 out of 645
645 tv reviews
    • 52 Metascore
    • 60 Alan Sepinwall
    The Sunday premiere has a nice mix of thrills, comedy and pathos, but is there a show here?
    • 64 Metascore
    • 60 Alan Sepinwall
    One of the better -- if stranger -- comedy debuts the networks have put out this year.
    • 72 Metascore
    • 60 Alan Sepinwall
    A show with such a weird mix of tones and subject matters needs a strong cast to even have a hope of working, and for the most part, the ensemble remains sturdy.
    • 67 Metascore
    • 60 Alan Sepinwall
    Margulies is a potent enough screen presence that this part of the show could be interesting, but Canterbury's self-destructive streak gets overshadowed by all the Leg Show material and the overheated courtroom theatrics.
    • 74 Metascore
    • 60 Alan Sepinwall
    Terminator: The Sarah Connor Chronicles happens to contain that show's most interesting character. It just ain't Sarah Connor.
    • 68 Metascore
    • 60 Alan Sepinwall
    The guys are so polite and harmless that it's hard to dislike them even when they repeat themselves in such a short span.
    • 64 Metascore
    • 60 Alan Sepinwall
    Lewis is a strong enough actor (again, see "Band of Brothers") that there are moments where he pulls together all these tics into a character who could be interesting, but too much time gets wasted on pedestrian mysteries to give him room to work.
    • 72 Metascore
    • 60 Alan Sepinwall
    So long as Lewis is around, Life will be several steps above those cookie-cutter police procedurals.
    • 64 Metascore
    • 60 Alan Sepinwall
    The pieces shouldn't fit together--Earl's celestial presence with Grace's raging sex life, discussions of metaphysics with police procedural plots--but somehow they do.
    • 67 Metascore
    • 60 Alan Sepinwall
    Fringe is just good enough to watch with or without the ads. But with Abrams, you expect more than "just good enough."
    • 51 Metascore
    • 60 Alan Sepinwall
    For the most part, they're neither fish nor fowl: not gory enough for the "Saw"/"Hostel" crowd, and not genuinely scary enough for anybody else.
    • 65 Metascore
    • 60 Alan Sepinwall
    Baker has an unforced masculinity that allows him to play likable bastards like this, and with the other regular characters (played by Robin Tunney, Owain Yeoman, Tim Kang and Amanda Righetti) so far ciphers at best, he's able to carry the show by his lonesome.
    • 57 Metascore
    • 60 Alan Sepinwall
    Whedon is a vastly better storyteller than anyone involved in "My Own Worst Enemy," so Dollhouse can be very engaging, even if the premise doesn't make sense. Dushku isn't as versatile as the role demands--many weeks, the only difference in Echo's persona seems to be her wardrobe--but Whedon and his writers certainly are.
    • 52 Metascore
    • 60 Alan Sepinwall
    It's fun and diverting, and certainly has the potential to be much more, based on Thomas' work on the original series--and the glimpses we see of Cannavale and Paulson in these roles. But right now, it seems less a great romance rekindled than a reunion fueled by nostalgia instead of passion.
    • 28 Metascore
    • 60 Alan Sepinwall
    There's plenty of humiliation in I Survived a Japanese Game Show as well, but there it's so varied and strange--and very much in keeping with what I understand of those shows--that it doesn't get repetitive or annoying.
    • 58 Metascore
    • 60 Alan Sepinwall
    Despite a wonderful cast put to good use, a very well-designed parallel world and some marvelous turns of phrase, I can't help admiring Kings more than I actually liked it.
    • 52 Metascore
    • 60 Alan Sepinwall
    Basically, it's a dumber version of "The Shield." Swayze's performance and the always-memorable Chicago locales are frequently undercut by dialogue that's clumsy and/or spells out things we can see for ourselves, and by model-turned-actor Fimmel, last seen on the WB's deservedly short-lived "Tarzan" remake.
    • 69 Metascore
    • 60 Alan Sepinwall
    The new TNT drama Leverage isn't a great show, but it may just be the exact right show at the exact right time.
    • 53 Metascore
    • 60 Alan Sepinwall
    Katic has the more thankless role, as the actress in this scenario inevitably does, but the necessary sparks fly when she and Fillion are on screen together swapping barbs, and hopefully as time goes on, she'll get more to do than play kindergarten teacher to Castle. How much you like the series will depend almost entirely on how you enjoy watching these two spar; for me, that was enough.
    • Newark Star-Ledger
    • 46 Metascore
    • 60 Alan Sepinwall
    Neither trainwreck nor masterpiece, the new "90210" was exactly what nobody expected it would be: remarkably faithful in tone and spirit to the original adventures of Brandon, Brenda, Scott Scanlon and company.
    • 67 Metascore
    • 60 Alan Sepinwall
    Conan was simultaneously reassuring his fans that he wasn't going to change too much in the new gig, and telling the traditional Tonight audience what they might expect from the new landlord. This was the smart, and really only, play Conan could make on night one of such a high-profile job. I just wish the execution had been a little better.
    • 67 Metascore
    • 60 Alan Sepinwall
    Easy Money was created by Diane Frolov and Andrew Schneider, who wrote for "The Sopranos," and the show in many ways feels like a low-budget HBO (or FX) series.
    • 37 Metascore
    • 60 Alan Sepinwall
    I don't know that there's a long-running series here--even the pilot runs out of steam before the end--but I did laugh several times.
    • 55 Metascore
    • 60 Alan Sepinwall
    When I tell you that Weeds is off to a good start with Monday (Aug. 16) night's sixth season premiere, you have to know that what I'm saying is that it's pushing the story forward in interesting ways, not that Weeds has gone back to being the show it was in Season Two.
    • 65 Metascore
    • 60 Alan Sepinwall
    Bored to Death (created by real-life novelist--but not private dick--Jonathan Ames) as a whole is so dry in its comedy that there's very little margin for error. (Like the "Star Trek" movies, I found myself enjoying the even-numbered episodes and struggling through the odd-numbered ones.)
    • 69 Metascore
    • 60 Alan Sepinwall
    It looks great, makes good use of Los Angeles locations and has a solid ensemble cast (including Regina King and Tom Everett Scott as detectives). But it feels emotionally empty in the same way "Third Watch" so often did.
    • 51 Metascore
    • 60 Alan Sepinwall
    Cougar Town, on the other hand, is still finding itself, but it’s already much better than the title would suggest.
    • 65 Metascore
    • 60 Alan Sepinwall
    As a show about average people who become superheroes, No Ordinary Family is very promising. It's the "Family" part of the title where the series has problems.
    • 91 Metascore
    • 60 Alan Sepinwall
    Now, I wouldn't say I loved it. Parts of it I didn't even like. I became quite engaged with what was going on downstairs with the servants, while I found virtually everything having to do with the Granthams (at least the parts unrelated to how they dealt with the staff) a chore to get through.
    • 64 Metascore
    • 60 Alan Sepinwall
    If it felt much like an episode of one of Conan's old shows, the Conan debut also felt like a middle-of-the-pack example. Some funny bits, some other obligatory moments, and a good feeling to have the guy back, but nothing extraordinary like, say, his final week on "Tonight."