Alan Sepinwall
Select another critic »
For 674 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 2.8 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

Average review score: 62
Highest review score: 100 Masters of Sex: Season 2
Lowest review score: 0 In the Motherhood: Season 1
Score distribution:
  1. Negative: 78 out of 674
674 tv reviews
    • 67 Metascore
    • 67 Alan Sepinwall
    I'd like to see the mysteries grow more engaging as the series moves along, but Longmire at least starts with a good foundation in Walt, his sidekicks, and the wide, open spaces they travel.
    • 51 Metascore
    • 60 Alan Sepinwall
    For the most part, they're neither fish nor fowl: not gory enough for the "Saw"/"Hostel" crowd, and not genuinely scary enough for anybody else.
    • 49 Metascore
    • 60 Alan Sepinwall
    There's a promising show here, and with time maybe Chaos can figure itself out.
    • 79 Metascore
    • 60 Alan Sepinwall
    I don't have much new to say about the third season of Jackie, because the show's strengths and weaknesses are the same as they've always been.
    • 66 Metascore
    • 60 Alan Sepinwall
    Easy Money was created by Diane Frolov and Andrew Schneider, who wrote for "The Sopranos," and the show in many ways feels like a low-budget HBO (or FX) series.
    • 52 Metascore
    • 60 Alan Sepinwall
    It's fun and diverting, and certainly has the potential to be much more, based on Thomas' work on the original series--and the glimpses we see of Cannavale and Paulson in these roles. But right now, it seems less a great romance rekindled than a reunion fueled by nostalgia instead of passion.
    • 52 Metascore
    • 60 Alan Sepinwall
    The Sunday premiere has a nice mix of thrills, comedy and pathos, but is there a show here?
    • 51 Metascore
    • 60 Alan Sepinwall
    Cougar Town, on the other hand, is still finding itself, but it’s already much better than the title would suggest.
    • 75 Metascore
    • 60 Alan Sepinwall
    Last fall, "Studio 60" would have easily been the best new drama; this fall, it's lucky to squeeze into the top five, and a lot of that is based on potential more than what's on screen.
    • tbd Metascore
    • 60 Alan Sepinwall
    There are a number of annoying little things, and a few big ones, sprinkled throughout these two [opening] episodes, but they get the biggest thing of all absolutely right: the Mother.
    • 70 Metascore
    • 60 Alan Sepinwall
    In an episode like next week's, in which Allison spots the ghost of a recently deceased man watching a murder, the twistiness works; in one like tonight's, featuring a complicated web of affairs, betrayals and possible reincarnations, things become so tangled that the story and Arquette can't keep up.
    • 65 Metascore
    • 60 Alan Sepinwall
    Baker has an unforced masculinity that allows him to play likable bastards like this, and with the other regular characters (played by Robin Tunney, Owain Yeoman, Tim Kang and Amanda Righetti) so far ciphers at best, he's able to carry the show by his lonesome.
    • 57 Metascore
    • 60 Alan Sepinwall
    Whedon is a vastly better storyteller than anyone involved in "My Own Worst Enemy," so Dollhouse can be very engaging, even if the premise doesn't make sense. Dushku isn't as versatile as the role demands--many weeks, the only difference in Echo's persona seems to be her wardrobe--but Whedon and his writers certainly are.
    • 68 Metascore
    • 60 Alan Sepinwall
    The new TNT drama Leverage isn't a great show, but it may just be the exact right show at the exact right time.
    • 59 Metascore
    • 60 Alan Sepinwall
    A schizophrenic pilot that's more interesting in parts than as a whole.
    • 69 Metascore
    • 60 Alan Sepinwall
    It looks great, makes good use of Los Angeles locations and has a solid ensemble cast (including Regina King and Tom Everett Scott as detectives). But it feels emotionally empty in the same way "Third Watch" so often did.
    • 47 Metascore
    • 60 Alan Sepinwall
    Magnificent Seve" can't hold a candle to its cinematic predecessor, or to most of the old TV classics like Gunsmoke. But in a world where all the cowboys rode off into the sunset decades ago, we'll take a watered-down Western just fine, ma'am. [3 Jan 1998]
    • Newark Star-Ledger
    • 73 Metascore
    • 60 Alan Sepinwall
    It feels, at times, like the episodes are trying too hard to be self-referential, with lots of jokes at the expense of NBC and General Electric, and with Baldwin seeming to address the audience directly at the start of the premiere.
    • 57 Metascore
    • 60 Alan Sepinwall
    Like all the Bruckheimer procedurals... you know what you're getting from the jump: solid but unspectacular acting and storytelling that will leave you satisfied without rocking your world.
    • 48 Metascore
    • 60 Alan Sepinwall
    What you do after surviving the end of the world as you know it is an intriguing premise, and when "Jericho" sticks close to that, it's one of this season's more promising new dramas.
    • 40 Metascore
    • 60 Alan Sepinwall
    The larger problem may be whether there's enough material to cover an entire season.
    • 56 Metascore
    • 60 Alan Sepinwall
    When I tell you that Weeds is off to a good start with Monday (Aug. 16) night's sixth season premiere, you have to know that what I'm saying is that it's pushing the story forward in interesting ways, not that Weeds has gone back to being the show it was in Season Two.
    • 64 Metascore
    • 60 Alan Sepinwall
    For now, at least, the satirical elements aren't as sharp as other popular cartoons like "The Simpsons" or "King of the Hill" or even "Beavis & Butt-Head." [13 Aug 1997]
    • Newark Star-Ledger
    • 64 Metascore
    • 60 Alan Sepinwall
    Lewis is a strong enough actor (again, see "Band of Brothers") that there are moments where he pulls together all these tics into a character who could be interesting, but too much time gets wasted on pedestrian mysteries to give him room to work.
    • 47 Metascore
    • 60 Alan Sepinwall
    Neither trainwreck nor masterpiece, the new "90210" was exactly what nobody expected it would be: remarkably faithful in tone and spirit to the original adventures of Brandon, Brenda, Scott Scanlon and company.
    • 28 Metascore
    • 60 Alan Sepinwall
    There's plenty of humiliation in I Survived a Japanese Game Show as well, but there it's so varied and strange--and very much in keeping with what I understand of those shows--that it doesn't get repetitive or annoying.
    • 75 Metascore
    • 60 Alan Sepinwall
    Damages offers two superb performances by old pros Glenn Close and Ted Danson.... One thing it doesn't have: a compelling main character. It's a doughnut show: lots of sweet, satisfying goodness around the edges, nothing in the middle.
    • 81 Metascore
    • 60 Alan Sepinwall
    Toward the end of the second episode, two characters who have no business acting chummy with each other get in the back of a car together and do exactly that. And rather than make me eager to pop in my screener of the third episode (which I did, eventually), it just killed all the buzz I had built up to that point.
    • 37 Metascore
    • 60 Alan Sepinwall
    I don't know that there's a long-running series here--even the pilot runs out of steam before the end--but I did laugh several times.
    • 64 Metascore
    • 60 Alan Sepinwall
    The pieces shouldn't fit together--Earl's celestial presence with Grace's raging sex life, discussions of metaphysics with police procedural plots--but somehow they do.

Top Trailers