Alan Sepinwall
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For 667 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 2.7 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

Average review score: 62
Highest review score: 100 Behind the Candelabra
Lowest review score: 0 In the Motherhood: Season 1
Score distribution:
  1. Negative: 77 out of 667
667 tv reviews
    • 70 Metascore
    • 75 Alan Sepinwall
    As with the many conspiracies of "Alias," I'm not always 100 percent clear on what's happening in Hunted, but the atmosphere and suspense are terrific, and the leading lady is compelling enough that I want to see her triumph over whoever it is she's ultimately supposed to be fighting.
    • 58 Metascore
    • 75 Alan Sepinwall
    The new series succeeds on its own nostalgic terms.
    • 63 Metascore
    • 75 Alan Sepinwall
    It's a solid, meat-and-potatoes police procedural, and one that could potentially evolve into more depending on how the flash-forwards are used down the road.
    • 72 Metascore
    • 75 Alan Sepinwall
    This is all excellent raw material. Of course, King adaptations often feature such impressive individual parts, and only occasionally exceed the sum of them. But the Under the Dome pilot is quite promising.
    • 73 Metascore
    • 75 Alan Sepinwall
    Basically, it's fun: creepy when it needs to be, light when it can be (which is more often than you'd expect, given the life and death stakes), doesn't look too cheap (it has an easier time than "Copper," in that it doesn't have to recreate an earlier time period).
    • 69 Metascore
    • 75 Alan Sepinwall
    This is the closest thing to a fresh start the show is going to get, and there are some promising developments here suggesting this could ultimately be a more rewarding viewing experience than The Killing 1.0.
    • 71 Metascore
    • 75 Alan Sepinwall
    The three episodes I've seen function as shaggy dog stories: not wildly funny, nor as dark and emotional as "Louie" so often gets, but amusing in spots and with a very clear voice.
    • 58 Metascore
    • 75 Alan Sepinwall
    Based on the three episodes I've seen, there's a lot of potential here, and an interesting blend of self-contained and long-form storytelling.
    • 70 Metascore
    • 75 Alan Sepinwall
    As comedy pilots go, it's not an instant classic--though those are far more rare in comedy than drama(*)--but there are enough promising signs, both on-screen and off, to suggest it can get there in time.
    • 64 Metascore
    • 75 Alan Sepinwall
    It's more likable than funny, but it has a very clear sense of what it wants to do and how it wants to frame its star.... There's abundant chemistry between Fox and Brandt, between Fox and Juliette Goglia as his teenage daughter, and between Fox and Wendell Pierce as his boss at the TV station.
    • 74 Metascore
    • 75 Alan Sepinwall
    All told, it's a much more promising start to things than the first episode of "Dollhouse."
    • 69 Metascore
    • 75 Alan Sepinwall
    Clear History purports to have a real plot. But the movie also feels at time like an extended all-star jam episode of "Curb." Those are, perhaps not coincidentally, the best, and funniest parts of Clear History.
    • 88 Metascore
    • 75 Alan Sepinwall
    When you're smart men writing about the smartest man of all, you may feel the need to demonstrate your smarts in every possible way, with every beat of the story. But Holmes and Watson are such enduring characters, and these versions written and played so well, that they don't always require such elaborate mental gymnastics.
    • 74 Metascore
    • 75 Alan Sepinwall
    If you're expecting the nuanced characterization and complex themes of some other period cable dramas of the 21st century, 'Klondike' will leave you wanting. If you're just asking for an entertaining adventure story with impressive visuals and a solid cast, it does the job.
    • 85 Metascore
    • 75 Alan Sepinwall
    Ultimately, the good in Normal Heart outweighs the bad, which isn't always the case with Murphy's work. It's an important story packed with vivid individual moments, but with this material and these actors, it feels like it could be so much more than what it is.
    • 70 Metascore
    • 75 Alan Sepinwall
    Live Another Day may ultimately set off every clich├ęd minefield the show tripped over the previous eight seasons, but the time commitment is so much shorter that I can enjoy the show's strengths (Jack, his relationship with Chloe, the action set pieces) without getting too bummed out by its weaknesses if they wind up persisting like always.
    • 70 Metascore
    • 75 Alan Sepinwall
    The plot is mostly gibberish.... But the language is wonderful, the performances excellent, and the direction by Bayona so fluid and gorgeous that I found the whole thing a treat even as I quickly lost interest in whatever it is all these people are working together to accomplish.
    • 68 Metascore
    • 75 Alan Sepinwall
    The character beats with the heroes are as familiar as the show's ensemble, but the leads do some interesting things with them.
    • 68 Metascore
    • 75 Alan Sepinwall
    Berry provides (pardon the pun) enough gravity to make Extant feel like a genuine work of science fiction, rather than a soap opera dressed up in sci-fi drag, which happens too often on the broadcast networks.
    • 78 Metascore
    • 75 Alan Sepinwall
    Overall, Manhattan makes its intentions fairly plain, including its desire to evoke other historical dramas about brilliant but prickly men.
    • 58 Metascore
    • 75 Alan Sepinwall
    If Red Band overdoes it in some areas, it's impressively restrained in others.
    • 63 Metascore
    • 75 Alan Sepinwall
    This is definitely promise ring material.
    • 72 Metascore
    • 75 Alan Sepinwall
    It's not a great show, but it's a solid one that, like the various fighters in Alvey's stable, has the potential to knock you out if it can put everything together.
    • 71 Metascore
    • 75 Alan Sepinwall
    There are meta layers within layers here (it's almost disappointing HBO's current executives don't play themselves), but the end result is a sequel that feels very true to the spirit and style of the original.
    • 81 Metascore
    • 75 Alan Sepinwall
    It's still fun, still sweet, and still a pleasure to hear Tom Hanks, Tim Allen, Wallace Shawn and the gang voice these characters, but.... Toy Story That Time Forgot on the whole is a story that could have been told in half the time and been twice as effective.
    • 68 Metascore
    • 75 Alan Sepinwall
    With the former "Hustle & Flow" co-stars as the leads, whoever tunes in will get something interesting.
    • 66 Metascore
    • 75 Alan Sepinwall
    I liked enough of "Man Seeking Woman" to stick around and see what other crazy ideas Rich has for Josh. But I'm also prepared to spend long stretches of episodes watching through my fingers like it's a horror movie.
    • 74 Metascore
    • 70 Alan Sepinwall
    Fishburne doesn't show up until halfway through the episode and mostly stays in the background once he does, letting the intellectual chess match between Grissom and DJK be the focus. And that feels right.
    • 63 Metascore
    • 70 Alan Sepinwall
    "Family Guy" consistently falls short of excellence, thanks to its monotonously unvaried structure, which consists of a character describing an outrageous situation, followed by a clip depicting that same situation. [28 Apr 2005]
    • Newark Star-Ledger
    • 69 Metascore
    • 70 Alan Sepinwall
    While it's great that series like these can find a home on pay cable, it's a shame they feel the need to live up to the adult reputation most cable series have. "Soul Food" the series continues the unfortunate R-rated tradition of "Soul Food" the movie. [26 Jun 2000]
    • Newark Star-Ledger

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