Alessandra Stanley
Select another critic »
For 475 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.9 points lower than other critics. (0-100 point scale)

Alessandra Stanley's Scores

Average review score: 64
Highest review score: 100 The Office (UK): Season 2
Lowest review score: 10 Hellcats: Season 1
Score distribution:
  1. Negative: 28 out of 475
475 tv reviews
    • 40 Metascore
    • 60 Alessandra Stanley
    So far, My Big Fat Greek Life has all the predictable jokes and canned laughter of an ordinary sitcom without enough of the dark insights or droll wit that made its predecessor the most successful independent film ever made.
    • 54 Metascore
    • 60 Alessandra Stanley
    Tyrant tries so hard to make audiences comfortable with its foreign setting that the story becomes a little too familiar.
    • 68 Metascore
    • 60 Alessandra Stanley
    Extant is more deft and sophisticated [than season two of "Under the Dome"], and Halle Berry is a big star. But, as is the case with "Under the Dome," the new series dilutes its own mystique with too many plodding plot devices and stock characters.
    • 63 Metascore
    • 60 Alessandra Stanley
    Satisfaction is the most daring, because it’s not really a comedy, and that makes its intent oblique and quasi-European.... The series picks up as it moves away from the couple’s problems and into the complications Neil’s new career creates.
    • 58 Metascore
    • 60 Alessandra Stanley
    Red Band Society has a tone that is both sassy and sorrowful, a carefully calculated balance of humor and sentiment. The pilot episode, however, leans too heavily on emotional tugs.
    • 56 Metascore
    • 60 Alessandra Stanley
    Big Driver is slimmer in content, as well as form, than “Misery,” but it is nonetheless gripping. The television adaptation, however, doesn’t adjust for the power of a graphic depiction of assault, rape and sodomy. And that violence, when juxtaposed with the jaunty, Cabot Cove tone, undercuts the movie’s message of payback and empowerment.
    • 55 Metascore
    • 60 Alessandra Stanley
    It was a cautious, please-all production, but it took guts to do it.
    • 72 Metascore
    • 50 Alessandra Stanley
    The novelty of the hour-by-hour conceit wore off long ago, and the various plot devices and characters are all familiar. The fun, at least at the beginning of a new season, is in seeing how the creators will rejigger the pieces this time around.
    • 43 Metascore
    • 50 Alessandra Stanley
    Even for many liberals there is something inherently silly about actors' staking out a high moral ground from Bel Air mansions and Aspen-bound private jets. [14 Mar 2003, p.E1]
    • The New York Times
    • 59 Metascore
    • 50 Alessandra Stanley
    The stars are appealing WB veterans, but it is hard to believe that subsequent episodes will carry the same edge as the premiere. "Supernatural" is not "The Sixth Sense," it's "Ghostbusters' Creek."
    • 55 Metascore
    • 50 Alessandra Stanley
    Clings to proven formulas.
    • 61 Metascore
    • 50 Alessandra Stanley
    "The Unit" becomes distinctive only when the action shifts back to the wives left behind on the base.
    • 45 Metascore
    • 50 Alessandra Stanley
    Mr. Dean is appealing as Nate and Mr. Sheridan is amusing as Dove, but the tone of the series is uneven.
    • 57 Metascore
    • 50 Alessandra Stanley
    The hallucination conceit is strange but not necessarily horrible.... The problem with “Raines” is that it tries too hard to be too many things at once.
    • 73 Metascore
    • 50 Alessandra Stanley
    Those jokes are supposed to establish Liz’s geek cred, but they mostly serve as speed bumps in the show’s otherwise fast and clever banter.
    • 50 Metascore
    • 50 Alessandra Stanley
    Mr. Danson has some funny moments, but he is not as comfortable in a comic genre where deadpan takes the place of punch line.
    • 27 Metascore
    • 50 Alessandra Stanley
    "In Case of Emergency" is uneven, more antic than witty.
    • 54 Metascore
    • 50 Alessandra Stanley
    Prime-time game shows like “1 vs 100,” which begins tonight on NBC, are not a test of a contestant’s erudition or nerve; they are aspirational reality shows that allow ordinary Joes to go for it all in the hope of transforming their lives.
    • 51 Metascore
    • 50 Alessandra Stanley
    Women’s Murder Club is all right, but not good enough.
    • 63 Metascore
    • 50 Alessandra Stanley
    It’s creepy, steamy and funny at times, and it’s also a muddle, a comic murder mystery that is a little too enthralled with its own exoticism.
    • 54 Metascore
    • 50 Alessandra Stanley
    Pizazz is what’s missing from CBS’s new drama, Eleventh Hour, in which Rufus Sewell plays Dr. Jacob Hood.
    • 58 Metascore
    • 50 Alessandra Stanley
    The series itself seems divided: at times a supersize fable told with portentous, and even turgid, simplicity, while at others, a sophisticated spoof that uses ancient legend to send up modern politics. And when a series cannot be both, it ends up being neither.
    • 42 Metascore
    • 50 Alessandra Stanley
    Suspect Behavior is not boring, but it is familiar.
    • 59 Metascore
    • 50 Alessandra Stanley
    Undercover Boss, a CBS reality show that turns the tables on management, seems tailor-made for the anticorporate rancor of the times, but if anything, it paints too rosy a picture of white-collar benevolence.
    • 42 Metascore
    • 50 Alessandra Stanley
    Predictable characters haven’t hurt the “CSI” crime shows, but this is Mr. Bruckheimer’s first hospital drama, and viewers accustomed to layered dramas like “ER” and “House” expect more.
    • 36 Metascore
    • 50 Alessandra Stanley
    The comedy pivots on Hank’s painful adjustment to middle-class living, but that joke is undercut with syrupy life lessons about parental responsibility and quality time.
    • 54 Metascore
    • 50 Alessandra Stanley
    The balance between humor and pathos is a hard one, and this show teeters on the edge and occasionally falls flat.
    • 45 Metascore
    • 50 Alessandra Stanley
    The premiere showcases seven different women, doctors and their patients, in various states of anger, insecurity and neediness. It’s like a Hogarth engraving of the seven stages of womanly despair, “A Surgeon’s Progress.”
    • 52 Metascore
    • 50 Alessandra Stanley
    Plain Jane is more than shopping spree and vocabulary builder; it betrays a cockamamie respect for the therapeutic process, and it shouldn't be giving too much away to tell you that the snails lose, that the plain Janes blossom, and that no stimulus money has been wasted along the way.
    • 55 Metascore
    • 50 Alessandra Stanley
    Some of the stories are touching, but the formula is set and stagy. The viewer has no doubt that the episode will end with a job offer and floods of thankful tears.

Top Trailers