Amy Biancolli
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For 214 reviews, this critic has graded:
  • 50% higher than the average critic
  • 1% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 0.5 points lower than other critics. (0-100 point scale)

Amy Biancolli's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Into the Abyss
Lowest review score: 0 The Sitter
Score distribution:
  1. Positive: 97 out of 214
  2. Negative: 39 out of 214
214 movie reviews
    • 55 Metascore
    • 50 Amy Biancolli
    None of this bears much or any resemblance to the real world, but the violence crunches, the editing snaps and the humorous one-liners pop at well-timed junctures.
    • 50 Metascore
    • 50 Amy Biancolli
    Some movies are in-between and inoffensive and harm absolutely no one. Prom is one of those.
    • 71 Metascore
    • 50 Amy Biancolli
    A little movie with a lot of hilarious swearing and an unexpectedly big heart.
    • 55 Metascore
    • 50 Amy Biancolli
    Through it all, Tatum tries like crazy to Act. His eyes pinch. His brow scrunches. Most of all, he clenches his jaw, little creases of muscle flexing below his ears as he labors to emote.
    • 58 Metascore
    • 50 Amy Biancolli
    The movie as a whole is a mixed bag, offering up stiff shots of skepticism and a few provocative thoughts on correlation and causality.
    • 43 Metascore
    • 50 Amy Biancolli
    For all of its dazzlingly rendered cityscapes and nonstop action, this revamped Total Recall is a bland thing - bloodless, airless, humorless, featureless. With or without the triple-bosomed prostitute.
    • 39 Metascore
    • 50 Amy Biancolli
    The movie's name is Life as We Know It, but that seems incomplete. The predicate's missing. The full sentence should be "Life as we know it is over," i.e., nuked by the sudden and irreversible arrival of a human infant.
    • 36 Metascore
    • 50 Amy Biancolli
    When its biggest trick is finally revealed, it is not entirely satisfying.
    • 61 Metascore
    • 50 Amy Biancolli
    In Secretariat, the fictionalized bits are simple exaggerations - broad, Disneyish adjustments in races and other realities.
    • 36 Metascore
    • 50 Amy Biancolli
    Best reason to stay home and rent "Disturbia": I Am Number Four is a little better and makes loads more sense than "Eagle Eye." But neither has the sass and pluck of "Disturbia."
    • 61 Metascore
    • 50 Amy Biancolli
    May be Disney's most pointedly feminist effort since "Mulan."
    • 48 Metascore
    • 50 Amy Biancolli
    With most movies, the question for viewers is: Who should see it? With Project X, the most pressing issue is: Who shouldn't see it?
    • 45 Metascore
    • 50 Amy Biancolli
    About as loony and soapy as a movie can get. In other words, it's about as loony and soapy as the novel, and I say this as one who obsessively consumed all four installments in Stephenie Meyer's mega-selling series.
    • 46 Metascore
    • 50 Amy Biancolli
    You know what? The whole thing is harmless.
    • 40 Metascore
    • 50 Amy Biancolli
    Like its protagonist, Ceremony is as smart as it is exasperating.
    • 59 Metascore
    • 50 Amy Biancolli
    Rubber has its share of jollies, at least when it isn't boring us to death with the fourth-wall-busting monkey business. Although I appreciate Dupieux's efforts at satire, the audience-interaction subplot goes nowhere fast.
    • 65 Metascore
    • 50 Amy Biancolli
    Uneven, occasionally silly, true, but it's also an improvement over 2006's "X-Men: The Last Stand."
    • 47 Metascore
    • 50 Amy Biancolli
    A minor but sometimes touching documentary.
    • 44 Metascore
    • 50 Amy Biancolli
    This dark and seedy follow-up to 2009's blockbuster comedy has a quite a retro message - suggesting that civilized men carry inside them a monster, a "demon" within, that requires constant taming.
    • 45 Metascore
    • 50 Amy Biancolli
    Flipped succeeds when it backs off the gluey nostalgia and focuses instead on the subtler pitfalls of adolescence - the tough stuff, the moral stuff, the constant tacking between fear and courage.
    • 45 Metascore
    • 50 Amy Biancolli
    After sitting through Takers with my stomach rearranged by hyperactive camera spazzing, I hereby formally request all directors and cinematographers to just get a grip already and STOP. WIGGLING. THE CAMERA.
    • 63 Metascore
    • 50 Amy Biancolli
    An arty, ruminative and slow-paced film that's being marketed as a big ol' alien-invasion flick. Just don't expect an invasion flick.
    • 49 Metascore
    • 50 Amy Biancolli
    This sequel is also goofy, also eye-popping - see it in Imax 3-D if you really want to fry your optic nerve - and also weakly scripted. And yet the sheer size of the thing works against it: The effects are absolutely spectacular, but they blow the goofy-cheesy quotient straight through the roof.
    • 52 Metascore
    • 50 Amy Biancolli
    A passable follow-up - more ludicrous, less taut, still creepy - that picks up exactly where the original left off.
    • 48 Metascore
    • 50 Amy Biancolli
    It's a celebration of nerd pride in all its many-feathered glory.
    • 41 Metascore
    • 25 Amy Biancolli
    For a time, Journey 2 becomes a lost episode of "Lost," then it becomes "King Kong," minus the ape. Then it becomes a ukulele music video featuring the Rock's take on Israel Kamakawiwo'ole's "What a Wonderful World."
    • 41 Metascore
    • 25 Amy Biancolli
    The script is as bland as they come.
    • 49 Metascore
    • 25 Amy Biancolli
    American Reunion isn't a total wash. Its one saving grace is Eugene Levy as Jim's dad.
    • 73 Metascore
    • 25 Amy Biancolli
    Features an exceedingly dapper Richard Gere in a series of nice suits and handsome close-ups that serve no purpose other than to remind us how exceedingly dapper Richard Gere looks in nice suits and handsome close-ups. The rest of the movie registers as a loss of: time, money, talent and logic.
    • 49 Metascore
    • 25 Amy Biancolli
    No matter how well made, well acted and well intentioned, Lying Dingbat Procrastinator movies are excruciating to watch. Case in point: People Like Us, a film hell-bent on dragging its protagonist (and, sadly, us) through the LDP narrative playbook.

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