Amy Nicholson
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For 217 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 2.8 points lower than other critics. (0-100 point scale)

Amy Nicholson's Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 Red Army
Lowest review score: 0 3 Geezers!
Score distribution:
  1. Positive: 91 out of 217
  2. Negative: 37 out of 217
217 movie reviews
    • 75 Metascore
    • 100 Amy Nicholson
    Cartel Land is interested in how idealism becomes corrupt.
    • 89 Metascore
    • 100 Amy Nicholson
    Jesse Moss's documentary The Overnighters is a heart-wrencher about the clash between economics and ethics. Its story sounds like the sort of dry news blurb you'd skim over in the Sunday paper but unfolds into an epic tragedy.
    • 75 Metascore
    • 100 Amy Nicholson
    Spy
    It's a comedy of exasperation where, for once, the joke isn't on McCarthy, but on everyone who can't see her skills.
    • 76 Metascore
    • 100 Amy Nicholson
    A transcendent comic chiller, when The Guest's characters are in peril we actually care, and Wingard respectfully makes the kills clean and quick.
    • 82 Metascore
    • 100 Amy Nicholson
    Red Army is a riveting look behind the Iron Curtain.
    • 77 Metascore
    • 100 Amy Nicholson
    As an action film — which in small bursts it is — Blue Ruin is disquieting and raw, like Commando turned inside out.
    • 84 Metascore
    • 100 Amy Nicholson
    Director Rian Johnson's resulting film, a cornfield neo-noir, is the coolest, most-confident sci-fi flick since 2006's "Children of Men."
    • 83 Metascore
    • 90 Amy Nicholson
    Lord and Miller do great work within constraints, taking pre-made pieces and fashioning them into feats worthy of applause. It's no wonder they made a Lego movie — and it's no wonder it's so good.
    • 77 Metascore
    • 90 Amy Nicholson
    Gleeson is one of the finest actors we have, and in casting him as the lead, McDonagh stacks the deck so that regardless of our own religious reservations, we're forced to care about Father James as a man.
    • 68 Metascore
    • 90 Amy Nicholson
    Nicholas Stoller's hilarious Neighbors splashes into summer with the satisfying swish-plop-hooray of a winning beer pong serve.
    • 86 Metascore
    • 90 Amy Nicholson
    Nebraska is the antidote to other family charmers about goofballs in matching sweaters.
    • 88 Metascore
    • 90 Amy Nicholson
    Grand Budapest is Anderson's most mature film, and his most visually witty, too. It's playful without being self-congratulatory, and somehow lush without being cloying.
    • 61 Metascore
    • 90 Amy Nicholson
    The Boxtrolls is a kiddie charmer that makes you laugh, cower, and think of Hitler. That’s an unusual trifecta, but then again, this is an unusual film.
    • 60 Metascore
    • 90 Amy Nicholson
    Bird layers on plenty of dazzle... But his heart is what keeps the story motoring and the ending is perfectly engineered, including a coda that encourages all of us to try harder.
    • 83 Metascore
    • 90 Amy Nicholson
    '71
    [An] excellent, tensely controlled thriller.
    • 60 Metascore
    • 90 Amy Nicholson
    They Came Together is one joke repeated until you're broken down by the giggles. It shouldn't work as well as it does, and wouldn't if it weren't perfectly cast with America's Comedy Sweethearts.
    • 66 Metascore
    • 90 Amy Nicholson
    Rebel Wilson is the peroxided Aussi who stole scenes as Kristen Wiig's roommate in "Bridesmaids," and this is the role that will turn her into a star.
    • 64 Metascore
    • 90 Amy Nicholson
    The Rover might not be about anything at all, but the dust it stirs up sticks to you after you leave the theater.
    • 76 Metascore
    • 90 Amy Nicholson
    Obvious Child is perfect for those who want more honesty in fiction.
    • 75 Metascore
    • 90 Amy Nicholson
    The masterstroke of Frank, the film ex-Sidebottom collaborator Jon Ronson has now co-written, is that this time the man in the mask is a modern Mozart. And, unsparingly, Ronson has written himself as the jealous goober who risks everything, with the delusion that he's the smart one.
    • 75 Metascore
    • 90 Amy Nicholson
    It's impossible to watch The Punk Singer and not ask if feminism is dead. That's a fair starting question. But a better one is what if it isn't — what if we've just stopped recognizing it?
    • 74 Metascore
    • 90 Amy Nicholson
    The Wolfpack is more like a diorama of the Angulos' unusual childhood than an explanatory documentary.
    • 61 Metascore
    • 80 Amy Nicholson
    Jaden Smith is destined to be a star by the force of will (and wallets) of parents Will and Jada Smith, both producers on The Karate Kid. But he's also got the raw material.
    • 66 Metascore
    • 80 Amy Nicholson
    You're Next streamlines the gory stuff for something truly shocking: good characters. Not deep, mind you. But characters who are crayoned in bright enough that they're interesting even while alive.
    • 93 Metascore
    • 80 Amy Nicholson
    For all the distractions and gags, Inside Out argues a more complex idea: that sometimes, Sadness deserves to steer, and that as we age, our happy memories deepen when tinted a wistful blue.
    • 57 Metascore
    • 80 Amy Nicholson
    Ford is hilarious and brooding, deeply wrinkled and deeply intimidating. He's got the best lines, courtesy of screenwriter Aline Brosh McKenna (of the repellent "27 Dresses" and the much better "The Devil Wears Prada").
    • 52 Metascore
    • 80 Amy Nicholson
    Every frame of silent, lip-biting, pent-up tension in the series has been holding its breath for this -- a 600-minute soap opera suddenly exploding into a Grindhouse slasher.
    • 74 Metascore
    • 80 Amy Nicholson
    Joe
    Joe is Cage's periodic reminder that he's one of his generation's great talents.
    • 50 Metascore
    • 80 Amy Nicholson
    Why is Emmerich elbowing his way into the conversation about Shakespearean authorship? Because the debate is explosive - and he can't resist packing on a few more pounds of dynamite on his confident drama of incest, greed and beheadings.
    • 51 Metascore
    • 80 Amy Nicholson
    This over-the-top sequel caters to the lowest common denominator in the best possible way, and it's so fully committed to brainless bombast that it muscles audiences to applaud by sheer force of will.

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