Amy Nicholson
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For 175 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 3.2 points lower than other critics. (0-100 point scale)

Amy Nicholson's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Red Army
Lowest review score: 0 3 Geezers!
Score distribution:
  1. Positive: 71 out of 175
  2. Negative: 32 out of 175
175 movie reviews
    • 77 Metascore
    • 100 Amy Nicholson
    As an action film — which in small bursts it is — Blue Ruin is disquieting and raw, like Commando turned inside out.
    • 76 Metascore
    • 100 Amy Nicholson
    A transcendent comic chiller, when The Guest's characters are in peril we actually care, and Wingard respectfully makes the kills clean and quick.
    • 90 Metascore
    • 100 Amy Nicholson
    Jesse Moss's documentary The Overnighters is a heart-wrencher about the clash between economics and ethics. Its story sounds like the sort of dry news blurb you'd skim over in the Sunday paper but unfolds into an epic tragedy.
    • 82 Metascore
    • 100 Amy Nicholson
    Red Army is a riveting look behind the Iron Curtain.
    • 84 Metascore
    • 100 Amy Nicholson
    Director Rian Johnson's resulting film, a cornfield neo-noir, is the coolest, most-confident sci-fi flick since 2006's "Children of Men."
    • 86 Metascore
    • 90 Amy Nicholson
    Nebraska is the antidote to other family charmers about goofballs in matching sweaters.
    • 75 Metascore
    • 90 Amy Nicholson
    It's impossible to watch The Punk Singer and not ask if feminism is dead. That's a fair starting question. But a better one is what if it isn't — what if we've just stopped recognizing it?
    • 83 Metascore
    • 90 Amy Nicholson
    Lord and Miller do great work within constraints, taking pre-made pieces and fashioning them into feats worthy of applause. It's no wonder they made a Lego movie — and it's no wonder it's so good.
    • 88 Metascore
    • 90 Amy Nicholson
    Grand Budapest is Anderson's most mature film, and his most visually witty, too. It's playful without being self-congratulatory, and somehow lush without being cloying.
    • 68 Metascore
    • 90 Amy Nicholson
    Nicholas Stoller's hilarious Neighbors splashes into summer with the satisfying swish-plop-hooray of a winning beer pong serve.
    • 76 Metascore
    • 90 Amy Nicholson
    Obvious Child is perfect for those who want more honesty in fiction.
    • 64 Metascore
    • 90 Amy Nicholson
    The Rover might not be about anything at all, but the dust it stirs up sticks to you after you leave the theater.
    • 60 Metascore
    • 90 Amy Nicholson
    They Came Together is one joke repeated until you're broken down by the giggles. It shouldn't work as well as it does, and wouldn't if it weren't perfectly cast with America's Comedy Sweethearts.
    • 77 Metascore
    • 90 Amy Nicholson
    Gleeson is one of the finest actors we have, and in casting him as the lead, McDonagh stacks the deck so that regardless of our own religious reservations, we're forced to care about Father James as a man.
    • 75 Metascore
    • 90 Amy Nicholson
    The masterstroke of Frank, the film ex-Sidebottom collaborator Jon Ronson has now co-written, is that this time the man in the mask is a modern Mozart. And, unsparingly, Ronson has written himself as the jealous goober who risks everything, with the delusion that he's the smart one.
    • 61 Metascore
    • 90 Amy Nicholson
    The Boxtrolls is a kiddie charmer that makes you laugh, cower, and think of Hitler. That’s an unusual trifecta, but then again, this is an unusual film.
    • 66 Metascore
    • 90 Amy Nicholson
    Rebel Wilson is the peroxided Aussi who stole scenes as Kristen Wiig's roommate in "Bridesmaids," and this is the role that will turn her into a star.
    • 66 Metascore
    • 80 Amy Nicholson
    You're Next streamlines the gory stuff for something truly shocking: good characters. Not deep, mind you. But characters who are crayoned in bright enough that they're interesting even while alive.
    • 59 Metascore
    • 80 Amy Nicholson
    The Cloudy with a Chance of Meatballs franchise takes its comic cues from The Muppets and Pee Wee's Playhouse, kids' shows that ripen as their audience matures.
    • 54 Metascore
    • 80 Amy Nicholson
    Stiller balances his big ambitions with small, grounded truths.
    • 68 Metascore
    • 80 Amy Nicholson
    What lingers in Nathan's documentary isn't the swaggering trails of diesel fumes. It's the sadness of watching Pug narrow his options.
    • 64 Metascore
    • 80 Amy Nicholson
    If the off-kilter pleasures of Volume I is von Trier enticing us to watch the rest, consider me seduced.
    • 70 Metascore
    • 80 Amy Nicholson
    The script is solid, and the fight scenes are excellent.
    • 74 Metascore
    • 80 Amy Nicholson
    Joe
    Joe is Cage's periodic reminder that he's one of his generation's great talents.
    • 44 Metascore
    • 80 Amy Nicholson
    Theron proved her comedy chops in the underrated Young Adult, and here she and MacFarlane get along like two eager puppies. If MacFarlane indulges in self-flattery by keeping in all the times this babe bursts into laughter at his jokes, he's forgiven; at least we feel like the characters are actually listening to each other.
    • 51 Metascore
    • 80 Amy Nicholson
    Gebbe never asks us to believe in Tore's god, but she asks us to honor his beliefs. She's found an incredible conduit in Feldmeier.
    • 71 Metascore
    • 80 Amy Nicholson
    It's less interesting watching them do what they both feel they have to do -- talk about their craft -- especially as both give off the prickly energy of artists who would rather create than explain. They're more comfortable asking one another questions, even though the answers are shrugged off humbly.
    • 54 Metascore
    • 80 Amy Nicholson
    Mood Indigo is bitter candy, a heartbreaker that uses sugar as a trap.
    • 67 Metascore
    • 80 Amy Nicholson
    Esparza's cast of unknowns is so fresh and raw that the drama could be mistaken for a documentary if the camera work weren't so controlled.
    • 71 Metascore
    • 80 Amy Nicholson
    Smart, empathetic and wholly believable.

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