Andrew O'Hehir
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For 1,406 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.7 points higher than other critics. (0-100 point scale)

Andrew O'Hehir's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 Kurt Cobain: Montage of Heck
Lowest review score: 0 The Replacements
Score distribution:
1,406 movie reviews
    • 86 Metascore
    • 90 Andrew O'Hehir
    It’s a career-capping performance by Dern, who is so convincing as an addled, drunken, embittered and probably dying man that he doesn’t appear to be acting, but Forte is just as good playing a preoccupied, emotionally constricted man-child.
    • 95 Metascore
    • 90 Andrew O'Hehir
    All I can say about Timberlake's performance as the thoroughly odious, desperately seductive, textbook-case metrosexual Parker is that he brings so much reptilian fun that he unbalances the movie, almost fatally.
    • 73 Metascore
    • 90 Andrew O'Hehir
    In the case of French actress and director Valérie Donzelli's striking and imaginative film Declaration of War, the autobiographical element is so strong that the movie's virtually a docudrama – but a dazzlingly strange docudrama with musical numbers, choreographed interludes and prodigious cinematic verve.
    • 91 Metascore
    • 90 Andrew O'Hehir
    It's a difficult film to follow and at 172 minutes is maybe a half-hour too long. But simply as a sensory experience The Fast Runner is amazing.
    • 81 Metascore
    • 90 Andrew O'Hehir
    It's a tremendous experience, whatever it is; the kind of thing supposed art-movie audiences used to tolerate and pretty much don't anymore.
    • 73 Metascore
    • 90 Andrew O'Hehir
    Gibney's immensely funny and sad new motion picture Gonzo: The Life and Work of Dr. Hunter S. Thompson -- the "Dr." was a mail-order divinity degree -- is principally intended to rehabilitate Thompson and introduce his work to a new audience.
    • 76 Metascore
    • 90 Andrew O'Hehir
    Horses of God is one of the most forceful entries in a growing body of cinema that interrogates the causes and effects of terrorism, nationalism and fundamentalism in the Arab world.
    • 74 Metascore
    • 90 Andrew O'Hehir
    The resulting film is both beautiful and fascinating, and offers a thrilling travelogue through a spectacular landscape few of us will ever see first-hand.
    • 89 Metascore
    • 90 Andrew O'Hehir
    The Overnighters is a documentary about real people in a real place. This is both amazing and frustrating.
    • 71 Metascore
    • 90 Andrew O'Hehir
    A compact near-masterpiece that combines a slow-motion romantic comedy with a docudrama-style portrait of a remote, nomadic culture as it is gradually eroded by the tides of the 21st century.
    • 85 Metascore
    • 90 Andrew O'Hehir
    Junger and Hetherington take our conflicted ideas about war and its let's-make-a-man-out-of-you purpose and throw them in our faces, in a way "Hurt Locker" never does.
    • 96 Metascore
    • 90 Andrew O'Hehir
    While the tension never lets up for a second, how you respond to the boundary-fudging and wildly improbable ending of Gravity – meaning both how it makes you feel and how you interpret it – will determine whether you think the movie is a genuine pop masterpiece or a canny artifice. Maybe there’s no difference.
    • 52 Metascore
    • 90 Andrew O'Hehir
    The thing is, it works. Or at least it works for me. I left the theater convinced that House of Fools is Konchalovsky's best work in almost 20 years (which it is) and that it might be something close to a masterpiece.
    • 81 Metascore
    • 90 Andrew O'Hehir
    A gorgeous transcription of medieval decorative art and its themes into a contemporary animated narrative, one that should enthrall children older than 8 or so, along with the adults lucky enough to watch with them.
    • 62 Metascore
    • 90 Andrew O'Hehir
    This is a movie of tremendous visual daring, magnificent special-effects work and surprising moral gravity.
    • 84 Metascore
    • 90 Andrew O'Hehir
    I'm not ready to proclaim Looper a sci-fi masterpiece just yet; let's let it sit awhile. But it's a lean, mean, smart, violent picture with a bit of Stanley Kubrick edge, fueled by the terrific Gordon-Levitt.
    • 82 Metascore
    • 90 Andrew O'Hehir
    You can't imagine a soapier setup, but Gilles' Wife taken on its own terms is a spectacular achievement, a heartbreaking cinematic work that finely balances melodrama, family love story and devastating tragedy.
    • 83 Metascore
    • 90 Andrew O'Hehir
    It Follows pretty much earns its buzz as the scariest and best-engineered American horror movie of recent years, and that’s all down to Mitchell’s sophisticated understanding of technique and the trust and freedom he accords his youthful cast.
    • 70 Metascore
    • 90 Andrew O'Hehir
    This may test your patience, it's not for everyone, it's a stretch to call this "entertainment" and so on. As far as Heathcliff being black – well, deal with it. Arnold's simply right about that one, and it's Laurence Olivier and Ralph Fiennes and all those costume-drama versions of the story that are wrong.
    • 81 Metascore
    • 90 Andrew O'Hehir
    No
    A troubling, exhilarating and ingeniously realized film that’s part stirring political drama and part devilish media satire.
    • 86 Metascore
    • 90 Andrew O'Hehir
    To Ben Affleck's credit, he's made a terrific, pulse-elevating thriller that will leave the audience cheering.
    • 80 Metascore
    • 90 Andrew O'Hehir
    A vital documentary in the truest sense.
    • 84 Metascore
    • 90 Andrew O'Hehir
    It's a marvelously constructed personal journey, both wrenching and bittersweet, whose emotional ripple effects stay with you for days and weeks afterward.
    • 65 Metascore
    • 90 Andrew O'Hehir
    Arias' blend of traditional cell animation and 3-D CGI effects is thoroughly mind-blowing, and the film's visual sensibility is utterly distinctive.
    • 64 Metascore
    • 90 Andrew O'Hehir
    This is a noisy, chaotic, technology-crazed 21st-century action film, but also one made with tremendous excitement, vigor and heart, along with a myriad of wonderful details.
    • 82 Metascore
    • 90 Andrew O'Hehir
    Its stars, Emily Blunt and Natalie Press, are film newcomers who give startling performances. The photography is often breathtakingly original.
    • 85 Metascore
    • 90 Andrew O'Hehir
    A terrifically crafted little movie that bounces off current events and the nation's downbeat mood ingeniously, and that it variously suggests comparisons with the early work of Terrence Malick, Stanley Kubrick and the Coen brothers. Yeah, I think it's that good, but please note that I also said "little."
    • 83 Metascore
    • 90 Andrew O'Hehir
    For the most part, 20,000 Days on Earth – the approximate amount of time Cave has been alive on this planet – is an imagistic and impressionistic work, a Nick Cave-esque tone poem driven by moments of visual and thematic juxtaposition you either have to reject or accept.
    • 83 Metascore
    • 90 Andrew O'Hehir
    Fast-paced, often hilarious fun and involves an imaginative and deeply weird use of cutting-edge digital animation.
    • 68 Metascore
    • 90 Andrew O'Hehir
    A memorable, haunting and highly original American movie.

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