Angie Errigo, Empire
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For 156 reviews, this critic has graded:
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48% higher than the average critic
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2% same as the average critic
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50% lower than the average critic
On average, this critic grades 2.1 points higher than other critics.
(0-100 point scale)
Angie Errigo's Scores
- Movies
| Average review score: | 61 |
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| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
40
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Score distribution:
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Positive: 46 out of 156
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Mixed: 110 out of 156
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Negative: 0 out of 156
156
movie reviews
- By critic score
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Angie Errigo 100
As he did with "The English Patient," Minghella has reshaped the novel’s structure, zeroed in on what matters cinematically and dramatically upped the emotional stakes. -
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Angie Errigo 100
Its faults - sketchy narrative, overblown abstraction - are counterbalanced by its gripping engagement between man and machine, and its rhapsodic wonder at heaven and earth and the infinite beyond. -
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Angie Errigo 100
While it may not be perfect on a technical level, dramatically it’s a blow-your-socks-off triumph. Be moved. Very, very moved. -
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Angie Errigo 100
Terrific: tough, exciting, funny, gorgeous and bewitchingly acted, this is darn close to perfection.- Posted Feb 7, 2011
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Angie Errigo 100
Utterly absorbing, extremely smart and - considering this is a sad, shabby, drably grey-green world of obsessives, misfits, misdirection, disillusionment, self-delusion and treachery - quite beautifully executed.- Posted Nov 29, 2011
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Angie Errigo 80
Of sentiment there is too much and the final sequence when the white men inevitably rear their heads and raise their rifles so fraught with tears and peril as to be exhaustingly melodramatic. -
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Angie Errigo 80
The allusions and illusions are just a treat until about two-thirds of the way in, when a genuinely shocking development takes the film off into psycho-horror that is almost as baffling as it is unsatisfying. -
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Angie Errigo 80
William H. Macy is a scream as the composite radio announcer whose hyperbolic racetrack reports are not only hilarious, but illustrate the impact of radio in creating a mass culture and how it was instrumental in making sporting events a nationwide obsession. -
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Angie Errigo 80
A stand-out romantic fantasy and surefire hit of Ghost-ly proportions. But all you cynical and smart-arsed brethren, beware: this is definitely not for you. -
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Angie Errigo 80
Offbeat and downbeat, it’s a film full of thoughtful stillness, powerful moods, reflective internal struggles and shattering, lonely self-realisation, suggesting more critical kudos than commercial impact. -
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Angie Errigo 80
A cracking conspiracy thriller that's well-cast, slyly satirical and -- as a solid, glossy, contemporised remix of a classic -- rings enough creepy changes to surprise. -
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Angie Errigo 80
Smart, intriguing, funny and sad, with some primo wisecracking dialogue. -
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Angie Errigo 80
The dazzling ensemble perfectly captures every nuance in one of the finest acting showcases you could hope for. -
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Angie Errigo 80
Falling on the meaty, potential role of a lifetime like a ravenous lion, erstwhile comedian Jamie Foxx, so good in "Collateral," is just wonderful as the eponymous star. -
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Angie Errigo 80
Lyne's efforts to be both passionate and artistic are generally successful, although a few sex scenes are disturbing and arguably close to salacious. -
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Angie Errigo 80
For another, this film is that still shamefully rare pleasure, an absorbing ensemble piece in which a fine group of actors get to show their class and range, playing a black American family who are prosperous, cultured and complex. -
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Angie Errigo 80
Not as divine as Ang Lee's "Sense and Sensibility," but engagingly comparable to the Gwyneth Paltrow-starring Emma and vastly superior to Mansfield Park. -
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Angie Errigo 80
Coming from a novice director, the film is not as impressive as "Sense And Sensibility", but as a light-hearted and energetic comedy of who-loves-who? and small upsets, this works well - and it boasts Paltrow's star-making turn. -
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Angie Errigo 80
Sharp, very funny, surprisingly moving and rejoicing in great work from the entire cast, this sparkling little gem takes the family road movie to unhoped-for heights of hilarity and humanity. -
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Angie Errigo 80
Just wonderful with its offbeat but wholly credible storyline, down-to-earth style and exceptionally fine performances. -
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Angie Errigo 80
DJ Audrey Wells' crafty screenplay brims with truths about the sexes, providing great lines for Garofalo, and great business for Thurman's confused waif, and cranks the feelgood factor up so high it's almost off the scale. -
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Angie Errigo 80
Ardent, accomplished, overwhelmingly emotional, with something to say and a dream cast saying it in song. Bravo. -
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Angie Errigo 80
A thoroughly pleasing family film with fine performances and honest, affecting real situations mixed with joyful adventure. -
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Angie Errigo 80
Surprisingly sentimental by turns, this emerges not as just another gangster initiation movie, but as a story of father and son love with enough guts to hold those anticipating the former, while also touching the heart. -
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Angie Errigo 80
Two absolutely riveting performances and a smart reversal of the usual male-female stalker scenario leave behind a nasty taste and an unforgettable cinema experience. -
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Angie Errigo 80
As with Platoon, Stone captures the horrific essence of an environment and transfers it to us without the need for prior knowledge. Dazzling filmmaking. -
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Angie Errigo 80
Funny peculiar and funny ha ha, with a spontaneity and energy that gather up a powerful emotional head of steam as it chugs along. -
