For 233 reviews, this critic has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 0.4 points higher than other critics. (0-100 point scale)

Angie Errigo's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 2001: A Space Odyssey
Lowest review score: 20 Accidental Love
Score distribution:
  1. Positive: 74 out of 233
  2. Negative: 2 out of 233
233 movie reviews
    • 73 Metascore
    • 100 Angie Errigo
    As he did with "The English Patient," Minghella has reshaped the novel’s structure, zeroed in on what matters cinematically and dramatically upped the emotional stakes.
    • 86 Metascore
    • 100 Angie Errigo
    Its faults - sketchy narrative, overblown abstraction - are counterbalanced by its gripping engagement between man and machine, and its rhapsodic wonder at heaven and earth and the infinite beyond.
    • 86 Metascore
    • 100 Angie Errigo
    Another great, landmark American film of the '70s.
    • 79 Metascore
    • 100 Angie Errigo
    While it may not be perfect on a technical level, dramatically it’s a blow-your-socks-off triumph. Be moved. Very, very moved.
    • 80 Metascore
    • 100 Angie Errigo
    Terrific: tough, exciting, funny, gorgeous and bewitchingly acted, this is darn close to perfection.
    • 85 Metascore
    • 100 Angie Errigo
    Utterly absorbing, extremely smart and - considering this is a sad, shabby, drably grey-green world of obsessives, misfits, misdirection, disillusionment, self-delusion and treachery - quite beautifully executed.
    • 71 Metascore
    • 100 Angie Errigo
    Inspired, innovative, stunning, with unforgettable performances and images, this is up there with the great screen Shakespeares. The playwright surely would be thrilled with it in its full-blooded vigour.
    • 100 Metascore
    • 100 Angie Errigo
    Much more fun than its stuffy "Greatest Film Ever Made" tag suggests, with a literate script, stylish direction, a great song and cinema's most romantic couple in Bogie and Bergman.
    • 85 Metascore
    • 100 Angie Errigo
    Altogether, this is as fine a piece of craftsmanship as one could expect of Eastwood, with Hackman and I Freeman's performances standing out, and given the sombre tone there are entertaining surprises and even some good laughs to be had.
    • 97 Metascore
    • 100 Angie Errigo
    Key to its success - along with its vivid characters and brilliant performances - is the snappy pace throughout. Non-stop gags, invention, twists and comic incident flow, as Joe and Jerry - sexy Curtis and screamingly funny Lemmon - elude mob boss George Raft by wriggling into an all-girl jazz band, with Josephine and Daphne’s legendary drag act taking in amorous adventures, seductive deceptions and madcap pursuits.
    • 72 Metascore
    • 80 Angie Errigo
    Of sentiment there is too much and the final sequence when the white men inevitably rear their heads and raise their rifles so fraught with tears and peril as to be exhaustingly melodramatic.
    • 69 Metascore
    • 80 Angie Errigo
    The allusions and illusions are just a treat until about two-thirds of the way in, when a genuinely shocking development takes the film off into psycho-horror that is almost as baffling as it is unsatisfying.
    • 72 Metascore
    • 80 Angie Errigo
    William H. Macy is a scream as the composite radio announcer whose hyperbolic racetrack reports are not only hilarious, but illustrate the impact of radio in creating a mass culture and how it was instrumental in making sporting events a nationwide obsession.
    • 54 Metascore
    • 80 Angie Errigo
    A stand-out romantic fantasy and surefire hit of Ghost-ly proportions. But all you cynical and smart-arsed brethren, beware: this is definitely not for you.
    • 73 Metascore
    • 80 Angie Errigo
    Offbeat and downbeat, it’s a film full of thoughtful stillness, powerful moods, reflective internal struggles and shattering, lonely self-realisation, suggesting more critical kudos than commercial impact.
    • 75 Metascore
    • 80 Angie Errigo
    Remains hilarious throughout.
    • 76 Metascore
    • 80 Angie Errigo
    A cracking conspiracy thriller that's well-cast, slyly satirical and -- as a solid, glossy, contemporised remix of a classic -- rings enough creepy changes to surprise.
    • 47 Metascore
    • 80 Angie Errigo
    Smart, intriguing, funny and sad, with some primo wisecracking dialogue.
    • 72 Metascore
    • 80 Angie Errigo
    The dazzling ensemble perfectly captures every nuance in one of the finest acting showcases you could hope for.
    • 73 Metascore
    • 80 Angie Errigo
    Ray
    Falling on the meaty, potential role of a lifetime like a ravenous lion, erstwhile comedian Jamie Foxx, so good in "Collateral," is just wonderful as the eponymous star.
    • 46 Metascore
    • 80 Angie Errigo
    Lyne's efforts to be both passionate and artistic are generally successful, although a few sex scenes are disturbing and arguably close to salacious.
    • 78 Metascore
    • 80 Angie Errigo
    For another, this film is that still shamefully rare pleasure, an absorbing ensemble piece in which a fine group of actors get to show their class and range, playing a black American family who are prosperous, cultured and complex.
    • 82 Metascore
    • 80 Angie Errigo
    Not as divine as Ang Lee's "Sense and Sensibility," but engagingly comparable to the Gwyneth Paltrow-starring Emma and vastly superior to Mansfield Park.
    • 66 Metascore
    • 80 Angie Errigo
    Coming from a novice director, the film is not as impressive as "Sense And Sensibility", but as a light-hearted and energetic comedy of who-loves-who? and small upsets, this works well - and it boasts Paltrow's star-making turn.
    • 66 Metascore
    • 80 Angie Errigo
    Streep and Eastwood's chemistry makes the film.
    • 80 Metascore
    • 80 Angie Errigo
    Sharp, very funny, surprisingly moving and rejoicing in great work from the entire cast, this sparkling little gem takes the family road movie to unhoped-for heights of hilarity and humanity.
    • 85 Metascore
    • 80 Angie Errigo
    Just wonderful with its offbeat but wholly credible storyline, down-to-earth style and exceptionally fine performances.
    • 64 Metascore
    • 80 Angie Errigo
    DJ Audrey Wells' crafty screenplay brims with truths about the sexes, providing great lines for Garofalo, and great business for Thurman's confused waif, and cranks the feelgood factor up so high it's almost off the scale.
    • 76 Metascore
    • 80 Angie Errigo
    Ardent, accomplished, overwhelmingly emotional, with something to say and a dream cast saying it in song. Bravo.
    • 74 Metascore
    • 80 Angie Errigo
    A thoroughly pleasing family film with fine performances and honest, affecting real situations mixed with joyful adventure.

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