For 1,265 reviews, this critic has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 3.1 points higher than other critics. (0-100 point scale)

Ann Hornaday's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 There Will Be Blood
Lowest review score: 0 The Babysitters
Score distribution:
1,265 movie reviews
    • 28 Metascore
    • 30 Ann Hornaday
    Winds up answering the question of what "Shrek" hath wrought, and between its plastic-looking visuals and cynical attitude, the news isn't good. Lacking the genuine wit and humanism of that film and any number of forebears, this one deserves its dumpin'.
    • 26 Metascore
    • 30 Ann Hornaday
    What the filmmakers try to play for laughs -- a mom and her daughters chatting about orgasms while shoe shopping -- isn't funny, it's creepy.
    • 33 Metascore
    • 30 Ann Hornaday
    What it possesses in heart and goodwill, it sorely lacks in narrative skill and artistic depth.
    • 36 Metascore
    • 30 Ann Hornaday
    John C. McGinley from "Scrubs" gets to strut some of his comic stuff as the deranged builder, but he's the only passable feature in a property that should be condemned.
    • 32 Metascore
    • 30 Ann Hornaday
    A piece of holiday cheese that even Harry & David wouldn't touch.
    • 68 Metascore
    • 30 Ann Hornaday
    Trudging nobly under a mantle of impeccably earnest intentions and a fussy, too-quaint-by-half production design, Honeydripper lags and drags to its utterly predictable end. There's not a spark of spontaneity or soul about it.
    • 34 Metascore
    • 30 Ann Hornaday
    One part Joseph Campbell hero quest, one part multi-culti morality tale, one part live-action "Flintstones" cartoon, 10,000 B.C. is finally every part just plain nuts, from a hike featuring more ecosystems than an Al Gore documentary to a wacky climax set amid pyramids that -- you'll e-mail me if I'm wrong -- wouldn't have been built for another 7,000 years or so.
    • 40 Metascore
    • 30 Ann Hornaday
    An inert, sloppily written melodrama as grim and featureless as its frozen Midwestern setting.
    • 37 Metascore
    • 30 Ann Hornaday
    Chances are, after they've passed the two-hour mark, viewers will share the same collective, if unspoken, wish: Go, Speed Racer. Go.
    • 37 Metascore
    • 30 Ann Hornaday
    A film that, in attempting to ridicule the Bush administration, finally just settles for being ridiculous itself.
    • 61 Metascore
    • 30 Ann Hornaday
    The question is why the time, talent and treasure of such energetic and even gifted artists have been marshaled in such a disgusting and trivial genre exercise and what viewers are supposed to get out of it. Isn't life hard enough?
    • 53 Metascore
    • 30 Ann Hornaday
    Could be filed under "wacky misfire."
    • 37 Metascore
    • 30 Ann Hornaday
    The movie winds up a casualty of schmaltzy, patronizing sentiment on the one hand and overweening ambition on the other.
    • 47 Metascore
    • 30 Ann Hornaday
    A singularly vulgar piece of work.
    • 45 Metascore
    • 30 Ann Hornaday
    Pride and Glory would be risible if it weren't so reprehensible.
    • 38 Metascore
    • 30 Ann Hornaday
    As Crossing Over makes its patronizing points, by way of two-dimensional characters and billboarded plot points, it recalls other, better movies that dealt with the same subjects far more deftly.
    • 39 Metascore
    • 30 Ann Hornaday
    Sloppy compendium of filthy jokes and lowbrow sight gags.
    • 38 Metascore
    • 30 Ann Hornaday
    A retread of material already thoroughly plumbed by Martin Scorsese.
    • 57 Metascore
    • 30 Ann Hornaday
    Attal, who resembles a young Robert De Niro, seems as addled as a director as his character is as a husband, throwing all manner of distractions onto the screen in order to divert the audience.
    • 72 Metascore
    • 30 Ann Hornaday
    By the film's self-congratulatory final shot, Stevie has become less a portrait of a sorry young man's difficult life than the story of auteurist arrogance and self-deception run amok.
    • 43 Metascore
    • 30 Ann Hornaday
    In a summer of surprisingly self-serious comic book movies" Lara Croft "stands out as being particularly humorless.
    • 52 Metascore
    • 30 Ann Hornaday
    It's piddling -- a hangdog little comedy with not enough laughs...its spirit rattles around inside it like a marble in an oil drum.
    • 38 Metascore
    • 30 Ann Hornaday
    So cheesy and cheap that it almost attains high camp.
    • 42 Metascore
    • 30 Ann Hornaday
    Has the tired, over-baked feeling of a script that never quite worked but was tinkered with until every ounce of spontaneity or life was hammered out of it.
    • 32 Metascore
    • 30 Ann Hornaday
    A stunningly inert piece of cinema, a movie that basically boils down to serial shots of people talking to each other.
    • 56 Metascore
    • 30 Ann Hornaday
    Sylvia plays it safe, and in doing so it becomes little more than just another domestic melodrama devoid of life and, of all things, poetry.
    • 69 Metascore
    • 30 Ann Hornaday
    Gator never emerges as anything but a blatant and outspoken -- and virulently brutal -- jerk.
    • 47 Metascore
    • 30 Ann Hornaday
    The frightening myths about adoption that run through Like Mike make even its happiest endings a little bit creepy.
    • 51 Metascore
    • 30 Ann Hornaday
    Should have been a smart bit of cinematic froth but instead sinks like an overworked souffle.
    • 45 Metascore
    • 30 Ann Hornaday
    Another soundtrack-driven, disposable, not entirely objectionable teen movie.