For 1,295 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 3.1 points higher than other critics. (0-100 point scale)

Ann Hornaday's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Three Kings
Lowest review score: 0 Let's Be Cops
Score distribution:
1,295 movie reviews
    • 76 Metascore
    • 75 Ann Hornaday
    A delicate, if slightly smoggy, feeling of regret hangs over Greenberg, a quietly funny portrait of grown-ups growing up.
    • 83 Metascore
    • 75 Ann Hornaday
    May not achieve the transcendent heights of "Neil Young: Heart of Gold," but it has its own pleasures.
    • 65 Metascore
    • 75 Ann Hornaday
    A soaring, sympathetic ode to the outlaws, subversives and insurgents who occupy the edges of popular culture, making them safe for everyone else's dreams.
    • 63 Metascore
    • 75 Ann Hornaday
    The raunchy, guy-centric comedy Hot Tub Time Machine makes a vertiginously high-concept bid to be this year's version of "The Hangover" and darned if it doesn't succeed.
    • 67 Metascore
    • 75 Ann Hornaday
    McPherson has managed a rare hat trick in genre mash-up, fashioning a deeply absorbing movie that balances horror, romance, comedy and observant humanism with surprising finesse.
    • 66 Metascore
    • 75 Ann Hornaday
    Kick-Ass should delight fans of the original comics and garden-variety action junkies as well. Suggested subtitle: "Iron Man, You Just Got Served."
    • 81 Metascore
    • 75 Ann Hornaday
    An elegant romantic thriller adapted from a novel of the same name, is a terrific film.
    • 63 Metascore
    • 75 Ann Hornaday
    A mesmerizing and weirdly manipulative experience.
    • 72 Metascore
    • 75 Ann Hornaday
    Hang in there and Despicable Me turns into an improbably heartwarming, not to mention visually delightful, diversion.
    • 65 Metascore
    • 75 Ann Hornaday
    It's popcorn pulp that collided -- at 100 mph, natch -- with a far more sober and crafty grown-up movie.
    • 58 Metascore
    • 75 Ann Hornaday
    If Slade doesn't necessarily advance the medium with this installment, he nonetheless advances the franchise, with enough lucidity and skill that he's persuaded at least one erstwhile agnostic to take a stand.
    • 74 Metascore
    • 75 Ann Hornaday
    Even at its most troubling, Cyrus is powered by a deep vein of humanism, one that offers hope to even the weirdest among us.
    • 79 Metascore
    • 75 Ann Hornaday
    As a full-on celebration of beauty in all its forms, this gem of a contemporary melodrama invites viewers to plunge into a world of unerring taste and luxury, where even tragedy comes softly when it inevitably arrives.
    • 70 Metascore
    • 75 Ann Hornaday
    Alternately edifying and alarming film about nuclear proliferation.
    • 55 Metascore
    • 75 Ann Hornaday
    Agora, Alejandro AmenĂ¡bar's absorbing historical drama, proves that, in an era of movies made for iPhones with artistic ambitions to match, there are still filmmakers willing to swing for the fences.
    • 86 Metascore
    • 75 Ann Hornaday
    Arrives as the perfect midsummer movie, a comedy about a flawed-but-functional family that, like "Toy Story 3," captures the drama of growth and separation in all its exhilaration and heartache.
    • 52 Metascore
    • 75 Ann Hornaday
    The Switch, to its credit, really is about a boy, who with the help of a sensitive, sad-eyed kid, stands a chance of becoming a man.
    • 74 Metascore
    • 75 Ann Hornaday
    It's a smart, bold genre exercise that's enormous fun to watch, harking back to gritty urban thrillers of the 1970s with an assured sense of tone and style.
    • 59 Metascore
    • 75 Ann Hornaday
    Stone has a knack for pacing, detail and atmosphere that manages to feel authentic and fancifully allegorical at the same time.
    • 65 Metascore
    • 75 Ann Hornaday
    Even in an increasingly virtual world, the filmmakers suggest, keeping it real still matters.
    • 61 Metascore
    • 75 Ann Hornaday
    It's tough to guess who will enjoy Secretariat more -- filmgoers who remember the extraordinary events of 1973, when the chestnut 3-year-old won the first Triple Crown in 25 years, or those for whom the story is brand-new.
    • 63 Metascore
    • 75 Ann Hornaday
    Howl mixes a number of story lines and aesthetic approaches: We get glimpses of Ginsberg's early days as a poet, including his relationships with Kerouac and Neal Cassady, as well as a depiction of the trial, where a parade of critics and professors pronounced Ginsberg's creation either a work of genius or irredeemable filth.
    • 72 Metascore
    • 75 Ann Hornaday
    A funny, affecting movie about growing up in the shadow of a formidable mom.
    • 65 Metascore
    • 75 Ann Hornaday
    It's half of a really good movie, full of the enchantment, emotion and incident for which the Potter series has become so fanatically cherished.
    • 83 Metascore
    • 75 Ann Hornaday
    At its heart, it's about the communities we forge - real and imagined - to save our own lives.
    • 71 Metascore
    • 75 Ann Hornaday
    One thousand points of light never looked so fetching.
    • 69 Metascore
    • 75 Ann Hornaday
    The kind of taut, serious adult drama Hollywood rarely produces anymore. Quality-starved audiences should flock to it, if only to ensure that more of them get made.
    • 68 Metascore
    • 75 Ann Hornaday
    Client 9 doesn't make any excuses for Spitzer, who is interviewed extensively in the film and who wisely insists that he alone is responsible for his fate.
    • 69 Metascore
    • 75 Ann Hornaday
    From the story itself to the way it's told, Unstoppable is a hymn to stylish, unpretentious competence.
    • 80 Metascore
    • 75 Ann Hornaday
    True Grit has sweep and scope and entertainment value to burn, but it's Mattie who invests even the grandest aesthetic elements with meaning.

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