For 597 reviews, this critic has graded:
  • 31% higher than the average critic
  • 1% same as the average critic
  • 68% lower than the average critic
On average, this critic grades 1.8 points higher than other critics. (0-100 point scale)

Anthony Lane's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Piano
Lowest review score: 0 The Da Vinci Code
Score distribution:
  1. Negative: 46 out of 597
597 movie reviews
    • 70 Metascore
    • 70 Anthony Lane
    Their kinship (Gere/Molina)--wholly unsexual yet lit, like that of Martin and Lewis, with an exasperated love--is the beacon of the movie, and it just about survives the lengthening shadows of the later scenes.
    • 68 Metascore
    • 70 Anthony Lane
    The Valet does not show Veber at his best. His palate for misunderstandings of every vintage is as refined as ever; what he has lost is his taste for human failing.
    • 74 Metascore
    • 70 Anthony Lane
    The result, like many of Winterbottom's films, lies an inch short of disarray; we CAN keep pace with the investigation, but only just, and that sense of splintering honors the unpredictability of the setting.
    • 61 Metascore
    • 70 Anthony Lane
    In previous movies, Michael Bay dabbled wearily in Homo sapiens. At last he has summoned the courage to admit that he has an exclusive crush on machines, and I congratulate him on creating, in Transformers, his first truly honest work of art.
    • 77 Metascore
    • 70 Anthony Lane
    There is honor, boldness, and grip in the new movie, but other directors can deliver those. Werner Herzog is the last great hallucinator in cinema, so why break the spell?
    • 59 Metascore
    • 70 Anthony Lane
    Yet the film, directed by Laurent Tirard, has something. To be exact, it has Fabrice Luchini and Laura Morante, as M. and Mme. Jourdain.
    • 82 Metascore
    • 70 Anthony Lane
    Cronenberg made a movie called “The Dead Zone,” and I sometimes wonder whether, for all his formal brilliance, he has ever torn himself away from that locked-in, airless state of mind. You walk out of Eastern Promises feeling spooked and sullied, as if waking from a noisome dream.
    • 67 Metascore
    • 70 Anthony Lane
    The Darjeeling Limited works best when the level of artifice is at its highest and most overt.
    • 91 Metascore
    • 70 Anthony Lane
    Beyond question a return to the dark, simmering days of their best work, in “Blood Simple” and “Miller’s Crossing.”
    • 69 Metascore
    • 70 Anthony Lane
    It packs political machination, helicopter gunships, single-malt whiskey, Las Vegas, Islamabad, naked butts, and eight years of war. The film, adapted from George Crile’s book, doesn’t always work, but it sure offers value for money.
    • 90 Metascore
    • 70 Anthony Lane
    There is no denying the boldness of Persepolis, both in design and in moral complaint, but there must surely be moments, in Marjane’s life as in ours, that cry out for cross-hatching and the grown-up grayness of doubt.
    • 83 Metascore
    • 70 Anthony Lane
    The whole work drips with a camp savagery (hence the presence of Sacha Baron Cohen as Pirelli, a rival barber and faux-Italianate fop), which in turn relies on the conviction that death itself, like sexual desire, exists to be sniffed at and chuckled over.
    • 64 Metascore
    • 70 Anthony Lane
    Cloverfield is a vastly old-fashioned piece of work, creaking with hilarious contrivance. I was thrilled, for instance, to hear someone actually speak the line “It’s alive!”
    • 80 Metascore
    • 70 Anthony Lane
    As the film concludes with his upraised hand, conductor’s fingers unfurling against a blue sky, you do feel that you have witnessed a small victory of wisdom over indifference and ennui. When in doubt, strike up the band.
    • 71 Metascore
    • 70 Anthony Lane
    The air of mystery here is appealing, because the secrets behind it seem to matter both a great deal and not at all--rather like love, which has been Lelouch’s subject ever since he made "A Man and a Woman."
    • 58 Metascore
    • 70 Anthony Lane
    Quantum of Solace is too savage for family entertainment, but, as a study in headlong desperation, it's easier to believe in than many more ponderous films.
    • 57 Metascore
    • 70 Anthony Lane
    They give excellent value for money, launching into song the way that normal folk go to the bathroom--regularly, politely, and because, if they didn't, well, darn it, they might just burst.
    • 86 Metascore
    • 70 Anthony Lane
    What IS surprising is the unembarrassed energy that Boyle devotes to his pursuit of the obvious; there’s nothing wrong with the formulaic, it would appear, so long as you bring the formula to the boil.
    • 84 Metascore
    • 70 Anthony Lane
    Watching A Christmas Tale, with its bursts of old movies, dregs of empty bottles, lines from books, and fragments of half-forgotten conversations, is like getting to know a family other than your own by leafing through its scrapbooks and laughing at its photograph albums, while it bickers in the next room over stuff you may never understand.
    • 80 Metascore
    • 70 Anthony Lane
    For all its oddities, this movie does carry weight, and, with more than eight per cent of Americans out of work, the timing of its release here could not be more acute.
    • 70 Metascore
    • 70 Anthony Lane
    The result is that Shall We Kiss? puts its viewers in a bind worthy of the lovers themselves: should we organize a Socratic symposium on the issues raised by the film, or hurl our popcorn violently at the screen?
    • 71 Metascore
    • 70 Anthony Lane
    So compact and controlled is this fine film.
    • 81 Metascore
    • 70 Anthony Lane
    You don't feel bamboozled, fooled, or patronized by District 9, as you did by most of the summer blockbusters. You feel winded, and shaken, and shamed. [September 14, 2009, pg.115]
    • The New Yorker
    • 60 Metascore
    • 70 Anthony Lane
    9
    And here's the strangest thing of all: it works. [September 14, 2009, pg.ll4]
    • The New Yorker
    • 63 Metascore
    • 70 Anthony Lane
    No one is denying the energy and the dread that stalked the best B movies of the past, but, when the best director of the present revives such monsters, how can he hope to do better than a B-plus?
    • 76 Metascore
    • 70 Anthony Lane
    Although Not Quite Hollywood was clearly put together with fanatical love, the suspicion remains, as often with genre cinema, that these trash-rich movies are a lot more fun to hear about, and to watch in snatches, than to sit through.
    • 79 Metascore
    • 70 Anthony Lane
    The fact that Mother keeps its balance is a tribute to the leading actress.
    • 71 Metascore
    • 70 Anthony Lane
    If there's one movie this spring that you shouldn't see with a date, it's Everyone Else, unless you are looking for a quick, low-budget way to break up. Not that Maren Ade's film is especially gloomy or cynical; merely that it functions as a fearsome seismograph, charting not just the major quakes in a relationship but also the barest tremors.
    • 55 Metascore
    • 70 Anthony Lane
    An efficient, politically inert fantasy.
    • 77 Metascore
    • 70 Anthony Lane
    The film is slowed by its own beauty, but it is salvaged by two majestic scenes.

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