Barbara Shulgasser
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For 168 reviews, this critic has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 4.9 points lower than other critics. (0-100 point scale)

Barbara Shulgasser's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Citizen Ruth
Lowest review score: 0 Love Stinks
Score distribution:
  1. Positive: 71 out of 168
  2. Negative: 40 out of 168
168 movie reviews
    • 45 Metascore
    • 50 Barbara Shulgasser
    This movie would have had a chance of being interesting had it been about Sally Hemmings.
    • 55 Metascore
    • 50 Barbara Shulgasser
    A big, silly movie about the famed goatish painter that stars the nearly perfect Anthony Hopkins.
    • 73 Metascore
    • 50 Barbara Shulgasser
    I'm not really sure who would enjoy this movie.
    • 81 Metascore
    • 50 Barbara Shulgasser
    Leigh plays the tragic and annoying Sadie as if she loved and hated the character simultaneously. And to the degree that this courageous movie succeeds it will elicit the same feelings in the audience.
    • 45 Metascore
    • 50 Barbara Shulgasser
    The adorable overacting of the twins [Mary-Kate and Ashley Olsen] make this otherwise dopey movie watchable.
    • 55 Metascore
    • 50 Barbara Shulgasser
    When Party Girl isn't being silly, it tries to be endearing and socially redeeming, and to a good degree succeeds.
    • 41 Metascore
    • 50 Barbara Shulgasser
    This is a piece of gloriously literary and serious filmmaking, but again it falls prey to misjudgments in pacing and rhythm.
    • 60 Metascore
    • 50 Barbara Shulgasser
    The artificiality peculiar to moviemaking rubs up counter-productively against the artificiality peculiar to live theater, making the movie version of Gray's material seem arch, contrived and starchy, not the spontaneous eruption that his theater work manages to resemble.
    • 52 Metascore
    • 38 Barbara Shulgasser
    Nostalgia has no real point to make here. All that Famuyiwa can hope to accomplish is to tell his story well. In this area he is less than competent.
    • 47 Metascore
    • 38 Barbara Shulgasser
    Although Where's Marlowe abounds with many supposedly clever ideas, it's about as badly made as anything you'll see anywhere on television.
    • 36 Metascore
    • 38 Barbara Shulgasser
    Meets the low standards of a mediocre TV movie.
    • Chicago Tribune
    • 65 Metascore
    • 38 Barbara Shulgasser
    Strangely unmoving. So what went wrong?
    • 36 Metascore
    • 38 Barbara Shulgasser
    Let's just say that not revealing this film's idiotic intricacies would be like not divulging that the fish is rotten lest the news spoil the surprise of food poisoning. [28 May 1999, Friday, p.A]
    • Chicago Tribune
    • 44 Metascore
    • 38 Barbara Shulgasser
    Scott treats the material as if it were grist for a 30-second spot or a rowdy music video.
    • 68 Metascore
    • 38 Barbara Shulgasser
    Big swirls of computer-generated dirt, a bickering couple and the dead certainty that the fiancee will leave and the bickerers will get back together. An exciting night out, or what?
    • 30 Metascore
    • 38 Barbara Shulgasser
    Unfortunately, it stars Keanu Reeves and Cameron Diaz, so it has, more than anything else, a sense of ridiculousness.
    • 64 Metascore
    • 38 Barbara Shulgasser
    Something in Hutton's wounded puppy look always communicates an untapped intelligence or wasted potential, both of which are perfect for this role.
    • 66 Metascore
    • 38 Barbara Shulgasser
    If the idea is to teach us something about the 37th president of the United States, then you would think Stone would resolve to stick to what can be proven about the man's life, or at least indicate when he's speculating. But Stone is the Great Explainer, and facts have an annoying habit of mucking up his explanations.
    • 49 Metascore
    • 25 Barbara Shulgasser
    A rather wan version of "Jurassic Park" - a series of setups featuring humans being picked off by bigger, faster and stronger carnivores.
    • 61 Metascore
    • 25 Barbara Shulgasser
    Largely a disappointment.
    • 46 Metascore
    • 25 Barbara Shulgasser
    Offers two or three worthwhile laughs.
    • 47 Metascore
    • 25 Barbara Shulgasser
    There is really no one to like in this film.
    • Chicago Tribune
    • 54 Metascore
    • 25 Barbara Shulgasser
    Even overlooking the fundamental inanity of the movie, one is left to contend with some offensive racial stereotyping.
    • 28 Metascore
    • 25 Barbara Shulgasser
    Tom Lazarus and Rick Ramage should be ashamed to have written such nonsense.
    • 28 Metascore
    • 25 Barbara Shulgasser
    There may be better ways to waste your time than seeing this movie.
    • 42 Metascore
    • 25 Barbara Shulgasser
    With The Loss of Sexual Innocence, director Mike Figgis reaches an almost comical low in the pursuit of what appears to be a desperate need to express deeper, uh, depth. Figgis' deliberate obfuscation may delight him, but it leaves the viewer mystified and bitter. [18 Jun 1999]
    • Chicago Tribune
    • 83 Metascore
    • 25 Barbara Shulgasser
    One of the most self-in-dulgent, muddled, badly written, vague and pointless exercises in filmmaking I have ever had to sit through.
    • 28 Metascore
    • 25 Barbara Shulgasser
    Clooney's stiff cornball delivery and tendency to smile during the most tragic moments bring this as close to the cartoonish Batman television series of the 1960s as any of the movies have come.
    • 50 Metascore
    • 25 Barbara Shulgasser
    While the original conception of The Saint gave us a debonair, sophisticated and roguish detective, the new movie, directed stiffly by Phillip Noyce ( "Clear and Present Danger" ), gives us Val Kilmer as a greedy high-tech daredevil thief with the moves of Batman, the clunky disguises of Tom Cruise in "Mission: Impossible" and the morals of an alley cat.
    • 46 Metascore
    • 25 Barbara Shulgasser
    Things to do in the movie theater until you mercifully die of boredom sums up this witness' response to the ordeal of sitting through this movie.

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