Barbara Shulgasser
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For 168 reviews, this critic has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 5 points lower than other critics. (0-100 point scale)

Barbara Shulgasser's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Lucie Aubrac
Lowest review score: 0 Love Stinks
Score distribution:
  1. Positive: 71 out of 168
  2. Negative: 40 out of 168
168 movie reviews
    • 54 Metascore
    • 50 Barbara Shulgasser
    In the case of Jon Robin Baitz's script, adapted from his play, in spite of the fact that he made considerable alterations in the text to open it up to cinematic possibilities, the movie disappoints in much the same way the play did.
    • 47 Metascore
    • 50 Barbara Shulgasser
    Cronenberg has said that he made the film to find out why he was making it. You may watch it for the same reason.
    • 55 Metascore
    • 50 Barbara Shulgasser
    A big, silly movie about the famed goatish painter that stars the nearly perfect Anthony Hopkins.
    • 66 Metascore
    • 50 Barbara Shulgasser
    While Blanchett glows with intelligence, passion and a quirky kind of beauty, the movie she is in fails her in a number of essential ways.
    • 45 Metascore
    • 50 Barbara Shulgasser
    The adorable overacting of the twins [Mary-Kate and Ashley Olsen] make this otherwise dopey movie watchable.
    • 66 Metascore
    • 50 Barbara Shulgasser
    Director Eastwood favors naturalism and sometimes the effort to reproduce what it is like to meet someone new bogs the picture down irreparably.
    • 55 Metascore
    • 50 Barbara Shulgasser
    Becky Johnston ( "The Prince of Tides" ) did creditable work on the screenplay, but there are times when this story about a truly rotten fellow seems to be one big jump cut.
    • 55 Metascore
    • 50 Barbara Shulgasser
    When Party Girl isn't being silly, it tries to be endearing and socially redeeming, and to a good degree succeeds.
    • 52 Metascore
    • 38 Barbara Shulgasser
    Nostalgia has no real point to make here. All that Famuyiwa can hope to accomplish is to tell his story well. In this area he is less than competent.
    • 47 Metascore
    • 38 Barbara Shulgasser
    Although Where's Marlowe abounds with many supposedly clever ideas, it's about as badly made as anything you'll see anywhere on television.
    • 68 Metascore
    • 38 Barbara Shulgasser
    Big swirls of computer-generated dirt, a bickering couple and the dead certainty that the fiancee will leave and the bickerers will get back together. An exciting night out, or what?
    • 44 Metascore
    • 38 Barbara Shulgasser
    Scott treats the material as if it were grist for a 30-second spot or a rowdy music video.
    • 30 Metascore
    • 38 Barbara Shulgasser
    Unfortunately, it stars Keanu Reeves and Cameron Diaz, so it has, more than anything else, a sense of ridiculousness.
    • 66 Metascore
    • 38 Barbara Shulgasser
    If the idea is to teach us something about the 37th president of the United States, then you would think Stone would resolve to stick to what can be proven about the man's life, or at least indicate when he's speculating. But Stone is the Great Explainer, and facts have an annoying habit of mucking up his explanations.
    • 36 Metascore
    • 38 Barbara Shulgasser
    Let's just say that not revealing this film's idiotic intricacies would be like not divulging that the fish is rotten lest the news spoil the surprise of food poisoning. [28 May 1999, Friday, p.A]
    • Chicago Tribune
    • 64 Metascore
    • 38 Barbara Shulgasser
    Something in Hutton's wounded puppy look always communicates an untapped intelligence or wasted potential, both of which are perfect for this role.
    • 36 Metascore
    • 38 Barbara Shulgasser
    Meets the low standards of a mediocre TV movie.
    • Chicago Tribune
    • 65 Metascore
    • 38 Barbara Shulgasser
    Strangely unmoving. So what went wrong?
    • 18 Metascore
    • 25 Barbara Shulgasser
    Hush, which is an absurdly bad mixture of "Rosemary's Baby" and any Bette Davis movie from the 1960s, seems to be a classic case of a grasping mother trying to possess her beloved son.
    • 28 Metascore
    • 25 Barbara Shulgasser
    There may be better ways to waste your time than seeing this movie.
    • 28 Metascore
    • 25 Barbara Shulgasser
    Tom Lazarus and Rick Ramage should be ashamed to have written such nonsense.
    • 45 Metascore
    • 25 Barbara Shulgasser
    Unfortunately, this movie needed an attractive, irresistibly charismatic performer to give us some reason for watching. Madonna is made up to look like Eva, but this is hardly enough to carry the movie.
    • 61 Metascore
    • 25 Barbara Shulgasser
    Particularly because unlike so many other boring movies one sees, Jarmusch films require many more words to explain the boringness than less certifiably artistic films would.
    • 50 Metascore
    • 25 Barbara Shulgasser
    While the original conception of The Saint gave us a debonair, sophisticated and roguish detective, the new movie, directed stiffly by Phillip Noyce ( "Clear and Present Danger" ), gives us Val Kilmer as a greedy high-tech daredevil thief with the moves of Batman, the clunky disguises of Tom Cruise in "Mission: Impossible" and the morals of an alley cat.
    • 55 Metascore
    • 25 Barbara Shulgasser
    It took four people to write the screenplay for The Relic. All I can say is that I hope these people have not quit their day jobs.
    • 22 Metascore
    • 25 Barbara Shulgasser
    In stupidity, this movie ranks up there among the greats.
    • 54 Metascore
    • 25 Barbara Shulgasser
    Even overlooking the fundamental inanity of the movie, one is left to contend with some offensive racial stereotyping.
    • 46 Metascore
    • 25 Barbara Shulgasser
    Things to do in the movie theater until you mercifully die of boredom sums up this witness' response to the ordeal of sitting through this movie.
    • 55 Metascore
    • 25 Barbara Shulgasser
    If there is a reason anyone would voluntarily agree to make this movie it probably dwells somewhere in a realm only accessible to the thinking of ambitious actors.
    • 13 Metascore
    • 25 Barbara Shulgasser
    This is right up there with the dumbest pictures of the year.

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