A heart-pounding, mesmerizing adventure unlike anything else up or down the dial.

Let's get it out the way right now, the blurb that will be quoted after this review is run: "If you see nothing else this summer, watch 'Brotherhood.' "

It is a gem of a production and would be a highlight of any TV season. Pacific, in its totality, conveys a sense of the combat experience that is as complete and realistic as any work of film could be.

One surefire sign of a television series in its prime comes when an episode's plot and subplots dovetail so stylishly that it's difficult to tell which is which.

A wonderfully engaging combination of comedy and drama that could succeed simply on the passion of its characters and the strength of the performances. But the show also boasts intelligent dialogue and a willingness to grapple with thorny issues, both personal and professional. [21 Sept 1998]

"Heroes" is one of TV's most imaginative creations and might, with luck, become this year's "Lost."

Scene after scene transports viewers across time and space to a place made vivid and real. By doing all this, the robust, two-part, four-hour "Masterpiece Theatre" program raises the bar for future "Jane Eyre" productions to a level that will not be easily hurdled.

Creator-writer Norman Morrill's drama is so taut and his approach to the genre so sharp that the only significant complaint is that the first "season" is only six episodes.

The buzz is that "My Name Is Earl" is good, and the truth is that it's better than the buzz.

Much of the charm in this show, as well as the humor, comes from Rock's ability to vanquish political correctness in favor of a candid but affectionate look at the past.

There are more than a few well-made dramas this season, but "Studio 60" -- with its intelligent dialogue, ironic humor, brilliant acting and Schlamme's inspired direction -- lays claim to being the most exciting new show of the season.

Whether or not "The Nine" succeeds -- and, personally, I'm pulling for it -- it deserves credit for advancing the art of TV storytelling to new heights, both complex and rewarding.

In lesser hands, Longford might have come off as dogmatic or, worse, pathetic. Broadbent endows him with a cocktail of emotions that makes Longford simultaneously heroic and vulnerable. It is a performance that will likely not be forgotten later this year when Emmy nominations are announced.

This handsome miniseries is praiseworthy on many levels--as history, as entertainment and as a way to bring to life for new generations a sense of the sacrifice and heroism needed to establish the U.S.

This latest production from Terence Wrong and ABC News is as ambitious as it is thrilling, a beautiful collage of life-and-death drama, raw courage, medical miracles and human foibles.