For 415 reviews, this critic has graded:
  • 54% higher than the average critic
  • 4% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 6 points lower than other critics. (0-100 point scale)

Chuck Wilson's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 100 Sol LeWitt
Lowest review score: 0 Lower Learning
Score distribution:
  1. Negative: 74 out of 415
415 movie reviews
    • 38 Metascore
    • 40 Chuck Wilson
    Despite a few manic comic episodes, writer-directors Alexandre Charlot and Franck Magnier never again capture the sense of joyous connection that can exist between child and pet.
    • 53 Metascore
    • 40 Chuck Wilson
    Sam Esmail’s first film has a visual assurance that suggests the arrival of a gifted director, but the characters he’s created are so off-putting that viewers aren’t likely to appreciate the beauty surrounding them.
    • 32 Metascore
    • 30 Chuck Wilson
    After a first hour that plays like a bad TV show, Sommers hits his groove with an over-the-top Paris chase sequence that, in turn, leads to an underwater finale that’s absurdly overproduced, momentarily diverting, and then instantly forgettable.
    • 9 Metascore
    • 30 Chuck Wilson
    Director Uwe Boll (House of the Dead) pulls off a nicely staged fistfight in an open-air market at the start, but soon loses his way amid mind-glazing exposition and endless gunfire aimed at bulletproof giant lizards.
    • 20 Metascore
    • 30 Chuck Wilson
    Most of the animated sequences, capably mixed with live action, leave a bad aftertaste, particularly when the ultimate fate of one beaten and battered human bystander after another is left callously unresolved. In other words, parents beware.
    • 11 Metascore
    • 30 Chuck Wilson
    Remarkably unfunny.
    • 34 Metascore
    • 30 Chuck Wilson
    Moves slowly and deflates completely when the over-hyped family secret turns out to be a dramatic dud. Still, it's an awfully pretty movie. Let's all summer in Maine.
    • 34 Metascore
    • 30 Chuck Wilson
    Baffling too is The Rock's choice to follow up his acclaimed performance in "Be Cool" with a role that requires him to do little more than widen his eyes and grunt lines.
    • 36 Metascore
    • 30 Chuck Wilson
    With her long, black coat and midair karate-chop skills, Selene is more Matrix-y Neo than Count Dracula, which may explain why this movie is so brutally un-fun.
    • 32 Metascore
    • 30 Chuck Wilson
    There is nothing sadder, either in real life or on the movie screen, than an unlikable idiot, and what we have with this dreadful comedy -- the longest 90 minutes of the film year -- is the sight of not one but two charm-free fools.
    • 36 Metascore
    • 30 Chuck Wilson
    Inane uplift tale for teens.
    • 24 Metascore
    • 30 Chuck Wilson
    If your cell phone vibrates while you’re watching One Missed Call, go ahead and answer, because even a wrong number will be more exciting than what’s happening onscreen.
    • tbd Metascore
    • 30 Chuck Wilson
    Feels like a movie made by men whose world views were shaped, primarily, by "Porky's" and "American Pie."
    • 25 Metascore
    • 30 Chuck Wilson
    Has there ever been a more inept trio of big-city caseworkers? Go ahead, Lilith. Unleash the hounds.
    • 34 Metascore
    • 30 Chuck Wilson
    Like the film's characters, the city of Paris has been made faceless, as if it too were merely the pawn in a representational hell where light and color and shading are forbidden.
    • 49 Metascore
    • 30 Chuck Wilson
    A mindless muddle.
    • 60 Metascore
    • 30 Chuck Wilson
    The one saving grace is a sweet, affecting performance by Werner de Smedt.
    • 40 Metascore
    • 30 Chuck Wilson
    Why the devotion to such dull material?
    • 33 Metascore
    • 30 Chuck Wilson
    The director belabors every moment, forgetting that pulp tales need to be told quickly, lest the viewer have time to second-guess.
    • 21 Metascore
    • 30 Chuck Wilson
    To help Prinze sail past the eventually unbearable clichés of Kevin Falls and John Gatins' script, director Mike Tollin has assembled an impressive supporting cast.
    • tbd Metascore
    • 30 Chuck Wilson
    As a calling card for the stylistic talents of a new filmmaker, writer-director Anna Chi's first feature is a success. As drama, it's a dud.
    • tbd Metascore
    • 30 Chuck Wilson
    Judging by the stilted nature of both the dialogue and acting, that's what this film is -- a thesis project better suited to a grad-night exhibition.
    • 33 Metascore
    • 30 Chuck Wilson
    One almost pities the unnervingly twitchy Murphy, whose shiny makeup is dreadful, and who doesn't stand a chance alongside the focused intensity of Fanning, who commands the screen with the precision of a 30-year veteran.
    • 20 Metascore
    • 30 Chuck Wilson
    A horror movie that's not horrific enough, Soul Survivors plays like a "Twilight Zone" by way of "Touched by an Angel."
    • 34 Metascore
    • 30 Chuck Wilson
    Shawn is clearly meant to have deep feelings, yet the filmmakers have saddled her -- and Blair -- with a shallow angst that bums out the whole movie.
    • 30 Metascore
    • 30 Chuck Wilson
    Drab and muddled romance.
    • 23 Metascore
    • 30 Chuck Wilson
    Strictly Urban Comedy 101, as if the filmmakers had neither the inclination nor the chops to move the genre past timeworn stereotypes.
    • 34 Metascore
    • 30 Chuck Wilson
    Bass isn't a gifted actor, but he retains his dignity, mostly by keeping his head down and avoiding the eyes of the idiots around him.
    • 39 Metascore
    • 30 Chuck Wilson
    Even the easily weepy may grow impatient with the snail’s pace of this melancholy romance.
    • 36 Metascore
    • 30 Chuck Wilson
    There's not a believable moment in all of it, but for a while the film chugs along on Ryan's innate charisma. Even so, no amount of movie-star twinkle could lighten screenwriter Cheryl Edwards' bizarre character arc, which finds Jackie turning, overnight, into a callous, possibly racist, ninny.

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