For 96 reviews, this critic has graded:
  • 54% higher than the average critic
  • 5% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 9.9 points lower than other critics. (0-100 point scale)

Cody Clark's Scores

  • Movies
  • TV
Average review score: 51
Highest review score: 100 Brigham City
Lowest review score: 0 Dude, Where's My Car?
Score distribution:
  1. Positive: 33 out of 96
  2. Negative: 28 out of 96
96 movie reviews
    • 38 Metascore
    • 54 Cody Clark
    Whenever Voight steps to the forefront, A Dog of Flanders is poochy-keen; alas, the rest of the time it's doggedly dull.
    • Mr. Showbiz
    • 38 Metascore
    • 72 Cody Clark
    There's a lot of satisfaction in seeing two stars given this much time and space to examine a complex relationship.
    • 38 Metascore
    • 62 Cody Clark
    Plenty of the tasteless gags don't fly, and for every celebrity cameo that works (a hilariously heavenly Reese Witherspoon), there are two or three that crash and burn.
    • 37 Metascore
    • 36 Cody Clark
    Fuhgeddaboutit.
    • Mr. Showbiz
    • 36 Metascore
    • 80 Cody Clark
    So packed with knowingly dreadful puns, wily sight gags, and self-referential cheek that it's impossible not to be charmed.
    • Mr. Showbiz
    • 35 Metascore
    • 20 Cody Clark
    So wretched that it practically defies description.
    • Mr. Showbiz
    • 35 Metascore
    • 20 Cody Clark
    Once the action starts to kick in, Megiddo morphs, minute by minute and scene by scene, into a Mystery Science Theater smorgasbord.
    • Mr. Showbiz
    • 33 Metascore
    • 20 Cody Clark
    An early scene inside a theater seems intended to wink at Sin's critics: "Disgusting! Cheap melodrama," a lady sniffs during intermission. It's a neatly reflexive acknowledgement of what we ourselves are watching, but even at that, our filmmaker is praising himself too extravagantly by half.
    • Mr. Showbiz
    • 32 Metascore
    • 40 Cody Clark
    Swordfish is exactly the kind of nominally high-octane actioner that breeds legions of apologists who will encourage you to "check your brain at the door" before seeing it.
    • 31 Metascore
    • 39 Cody Clark
    Whatever the amount on Roth's paycheck was, it's the only truly charmed sum Lucky Numbers has to offer.
    • 30 Metascore
    • 50 Cody Clark
    To paraphrase the movie's too-knowing tag line: It's not very funny. But when the lights go out -- it's still not very funny.
    • Mr. Showbiz
    • 30 Metascore
    • 0 Cody Clark
    None, repeat, none of this is funny.
    • Mr. Showbiz
    • 29 Metascore
    • 59 Cody Clark
    Oh-so-tiresomely familiar.
    • Mr. Showbiz
    • 29 Metascore
    • 40 Cody Clark
    Whenever the movie's not in the midst of a cinematic spoof it loses considerable steam.
    • Mr. Showbiz
    • 27 Metascore
    • 50 Cody Clark
    As romantic comedies go, this is definitely not one you'd take to the altar, but you might enjoy having a cup of coffee with it.
    • Mr. Showbiz
    • 27 Metascore
    • 65 Cody Clark
    It's a yabba-dabba-delight.
    • Mr. Showbiz
    • 27 Metascore
    • 60 Cody Clark
    Quite handsomely produced, and there's a definite swashbuckling verve to it. Most of the characters have been contemporized, but the actors are engaging.
    • Mr. Showbiz
    • 26 Metascore
    • 17 Cody Clark
    Dracula 2000 is a stake in the heart.
    • 23 Metascore
    • 22 Cody Clark
    Beautiful it ain't, but it is kind of cute.
    • Mr. Showbiz
    • 22 Metascore
    • 20 Cody Clark
    If you can overlook its condescending wholesomeness and static, visually drab, endlessly repetitious animation, then you have a more forgiving soul than I do.
    • 22 Metascore
    • 41 Cody Clark
    The satisfaction of watching it essentially boils down to seeing whether or not Reeves can pull it off.
    • 22 Metascore
    • 66 Cody Clark
    Hark! A Christian thriller about the Last Days that doesn't (totally) suck. That's got to be a sign of the times.
    • 21 Metascore
    • 40 Cody Clark
    Whenever we're not at the ballpark, the film falls back on teenage relationship clichés. That's most of what's wrong with it, actually.
    • Mr. Showbiz
    • 21 Metascore
    • 14 Cody Clark
    Thinking (logically or otherwise) about this movie is a waste of your brain cells.
    • Mr. Showbiz
    • 20 Metascore
    • 43 Cody Clark
    A full-throated shout-out to the lowest common denominator.
    • 20 Metascore
    • 35 Cody Clark
    None of the movie's abundant humor is better than faintly amusing.
    • Mr. Showbiz
    • 18 Metascore
    • 4 Cody Clark
    Because so little of what occurs on-screen either engages or entertains, there's ample time for the boiler of your self-respect to build up quite a head of indignation at the forfeiture of your time, money, and (exceedingly minimal) cerebral exertion.
    • 18 Metascore
    • 20 Cody Clark
    If Company Man were a wreck on the interstate, it would involve multiple cars and at least one jackknifed tanker truck, and traffic would be backed up for miles as passing motorists slow to gawk.
    • Mr. Showbiz
    • 17 Metascore
    • 60 Cody Clark
    The watchability of Extreme Days can be mostly chalked up to Hannah's playful impulses -- and his cast's infectious camaraderie.
    • Mr. Showbiz
    • 17 Metascore
    • 4 Cody Clark
    Dreadful demonic disaster.
    • Mr. Showbiz

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