For 670 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 1.9 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 The King's Speech
Lowest review score: 0 The Man
Score distribution:
670 movie reviews
    • 59 Metascore
    • 25 Connie Ogle
    Inherently laughable, but in all the wrong ways.
    • 33 Metascore
    • 25 Connie Ogle
    Full of It's message is directed straight at 9-year-olds -- lying is bad! -- and yet there's plenty of sexual content. Unfortunately there isn't much else.
    • 30 Metascore
    • 25 Connie Ogle
    It's not quite true to say that death is preferable to sitting through Over HerDead Body, but it's a safe bet that if you struggle through this witless romantic comedy the lure of being six feet under will cross your mind.
    • 37 Metascore
    • 25 Connie Ogle
    Don't waste your money.
    • 24 Metascore
    • 25 Connie Ogle
    Insulting to anyone with a healthy sense of humor and the simple desire to laugh.
    • 54 Metascore
    • 25 Connie Ogle
    Much like the play within it, Hamlet 2 is lousy. The main difference is that the play is SUPPOSED to be awful. The movie about the play is supposed to be funny.
    • 24 Metascore
    • 25 Connie Ogle
    An insipid comedy in which the women are shallow, acquisitive, backstabbing, selfish harridans.
    • 38 Metascore
    • 25 Connie Ogle
    The comedy is slapstick, the colors Day Glo, the outcome inevitable.
    • 20 Metascore
    • 25 Connie Ogle
    Here's what is bad: this movie.
    • 35 Metascore
    • 25 Connie Ogle
    An annoying, tedious little film.
    • 33 Metascore
    • 25 Connie Ogle
    Rich in cliché and brimming with the sort of potent idiocy that can only be found in January-release romantic comedies, Leap Year manages to do every possible thing wrong.
    • 25 Metascore
    • 25 Connie Ogle
    Tale is anything but spellbinding.
    • 22 Metascore
    • 25 Connie Ogle
    Yes, it's every bit as brainless as the trailers suggest.
    • 33 Metascore
    • 25 Connie Ogle
    The Last Song, yet another maudlin remake of a Nicholas Sparks bestseller.
    • 34 Metascore
    • 25 Connie Ogle
    The Back-up Plan is about as much fun as 36 hours of labor, only you don't get to go home with a baby at the end. Instead, you leave with a throbbing headache and a lot of questions about why anybody still thinks Jennifer Lopez can anchor a movie.
    • 29 Metascore
    • 25 Connie Ogle
    According to legend, a silver bullet can kill a werewolf. Too bad it can't slay bad writing, without which the ill-conceived Red Riding Hood would not exist.
    • 47 Metascore
    • 25 Connie Ogle
    Oddly tone deaf.
    • 43 Metascore
    • 25 Connie Ogle
    The new Total Recall fails on the most basic levels: Its characters are dull, and its action is duller.
    • 59 Metascore
    • 25 Connie Ogle
    You don't believe Celeste for a minute when she tells a new guy that she needs to be alone for awhile. You know he's coming back in short order to provide the happy ending. Here's hoping she doesn't want him to get a job, too.
    • 35 Metascore
    • 25 Connie Ogle
    An invasion of the body snatchers is preferable to realizing that the true horror perpetrated here is not on the characters but on the audience.
    • 19 Metascore
    • 25 Connie Ogle
    It’s bad enough to make you look askance at Salma Hayek, Maria Bello, and Maya Rudolph, all of whom deserve a chance to do something funny other than pose as wives exuding various degrees of sexiness.
    • 32 Metascore
    • 12 Connie Ogle
    A lot like getting socks for Christmas: Better than finding coal in your stocking but not exactly as thrilling as unwrapping a big-screen HDTV.
    • 14 Metascore
    • 0 Connie Ogle
    Plentiful helpings of dreadful acting, confusing action cinematography, choppy editing and embarrassing dialogue, with the added bonus of a plot almost as dumb as that of the original film.
    • 51 Metascore
    • 0 Connie Ogle
    There are not enough synonyms for ''bad'' to describe the pretension and utter banality of the masturbatory The Brown Bunny, a film so exhaustively awful even its creator Vincent Gallo once disavowed it.
    • 33 Metascore
    • 0 Connie Ogle
    It's just awful. Pointless, lazy, derivative and paralyzingly dull.
    • 21 Metascore
    • 0 Connie Ogle
    In the end, Bratz celebrates something even more important than good grades or good friends: the vital acquisition of totally awesome shoes. Fitting for a movie that exists only to separate you from your paycheck.
    • 7 Metascore
    • 0 Connie Ogle
    The most astounding thing about this abysmal comedy -- aside from the fact the studio actually allowed critics within a mile of it -- is that it's so ghastly it is beneath even the meager dignity of Paris Hilton.
    • 17 Metascore
    • 0 Connie Ogle
    Insulting, witless comedy.

Top Trailers