For 620 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
Average review score: 57
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
620 movie reviews
    • Metascore: 65
    • Connie Ogle 50
    The Great Debaters keeps things on the surface and pushes the obvious buttons, hoping you won't notice its distinct lack of depth.
    • Metascore: 29
    • Connie Ogle 50
    Fool's Gold isn't so much a film as an opportunity to pay homage to Matthew McConaughey's impressive physique.
    • Metascore: 50
    • Connie Ogle 50
    Think "Cruel Intentions" in period costume, or better yet, Sofia Coppola's "Marie Antoinette," which managed to take its subject matter lightly and seriously at the same time.
    • Metascore: 34
    • Connie Ogle 50
    Essentially a rip-off of "Apocalypto" for audience members too young or squeamish to endure graphic human sacrifice and jaguar face-eating.
    • Metascore: 69
    • Connie Ogle 50
    What The Bank Job ends up stealing is all your precious time.
    • Metascore: 48
    • Connie Ogle 50
    21
    Except for Spacey's talent, elements don't add up.
    • Metascore: 57
    • Connie Ogle 50
    Smart People tastes as fake as a Wal-Mart corn dog. Besides, it doesn't even know the work is Faerie Queen, not ''Fairie.'' Somewhere, Edmund Spenser is turning in his grave. You don't even have to be smart to know that.
    • Metascore: 55
    • Connie Ogle 50
    Just amusing enough to provoke a few chuckles and just short enough to keep you from glancing at your watch.
    • Metascore: 36
    • Connie Ogle 50
    The overwhelming sensation of deja vu is exhausting and disorienting. You really HAVE seen it all before.
    • Metascore: 53
    • Connie Ogle 50
    Turns out to be a more disappointment than joyful reunion, a tedious and desperately drawn-out affair that tests your patience even as it brazenly courts (and often earns) your contempt.
    • Metascore: 64
    • Connie Ogle 50
    The film hardly aims to be serious entertainment, and, to its credit, it's never uninteresting visually.
    • Metascore: 47
    • Connie Ogle 50
    Everyone, including the candidates, will recognize the importance of civic duty, leaving Swing Vote to end with swelling music and uplifting speechifying but on a completely unsatisfactory note.
    • Metascore: 45
    • Connie Ogle 50
    For all its pretension and artiness, Blindness is more like M. Night Shyamalan's "The Happening" (which at least had the decency to be fast-paced and short), right down to its upbeat and inane conclusion.
    • Metascore: 28
    • Connie Ogle 50
    Nobel Son is not good. Nor is it bad. It exists, instead, somewhere in the middle ground of interesting enough to hold one's attention without actually providing any fresh, sensible or nonderivative developments.
    • Metascore: 56
    • Connie Ogle 50
    The film improves once the assassination attempt goes awry, but the audience is never truly invested in the actions of these heroic men.
    • Metascore: 47
    • Connie Ogle 50
    The fact that you won't remember any of these names for more than a minute should indicate exactly how much depth each character displays.
    • Metascore: 54
    • Connie Ogle 50
    Observe and Report conveys an essential truth about Rogen: Like every other actor on the planet, he needs good material to do good work.
    • Metascore: 50
    • Connie Ogle 50
    It's pretty much a waste of everyone's time, especially yours.
    • Metascore: 51
    • Connie Ogle 50
    You might call My Sister's Keeper manipulative, and you would not be inaccurate.
    • Metascore: 58
    • Connie Ogle 50
    Anything but light on its feet. It lumbers instead of dazzles, drags where it should feint and jab.
    • Metascore: 63
    • Connie Ogle 50
    Chéri never fulfills its emotional promise.
    • Metascore: 33
    • Connie Ogle 50
    An incredibly lazy movie -- but not an unbearable one, thanks to Aaron Eckhart's charm.
    • Metascore: 34
    • Connie Ogle 50
    While there are some genuinely creepy moments, it never truly ends up as more than an average "X-Files" episode.
    • Metascore: 81
    • Connie Ogle 50
    A well-acted, well-crafted but excruciatingly tepid romantic film about a subject that will attract poetry lovers and yet test even their considerable patience.
    • Metascore: 62
    • Connie Ogle 50
    The only positive thing about the aimless film The Yellow Handkerchief is the idea that William Hurt may be ready for his Jeff Bridges moment.
    • Metascore: 38
    • Connie Ogle 50
    While patience is a virtue in a marriage, we shouldn't need quite this much to make it through a movie.
    • Metascore: 27
    • Connie Ogle 50
    Frothy as it is, SATC2 is best when it's about the women, not the wardrobe.
    • Metascore: 30
    • Connie Ogle 50
    The guys are more amusing than not, and they display the easy chemistry of real-life pals.
    • Metascore: 51
    • Connie Ogle 50
    Little happens that you don't see coming, down to which cast members will get picked off and in what order. It's a dumb action movie in a summer full of dumb movies, and yet it's always entertaining. And you won't really miss Arnold at all.
    • Metascore: 53
    • Connie Ogle 50
    Only two characters are worth much notice; neither is a prince, and one is a really big mouse, which tells you something sad about Narnia's royal family.