For 626 reviews, this critic has graded:
  • 47% higher than the average critic
  • 1% same as the average critic
  • 52% lower than the average critic
On average, this critic grades 4.5 points higher than other critics. (0-100 point scale)

David Denby's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 There Will Be Blood
Lowest review score: 10 Arthur
Score distribution:
  1. Negative: 47 out of 626
626 movie reviews
    • 73 Metascore
    • 50 David Denby
    Movies are good at this sort of brute physicality, but the trouble with The Impossible is that is also tells a rather banal story. [28 Jan. 2012, p.81]
    • The New Yorker
    • 43 Metascore
    • 50 David Denby
    The latest minimalist provocation from the infuriating but talented French director Bruno Dumont. [12 April 2004, p. 89]
    • The New Yorker
    • 65 Metascore
    • 50 David Denby
    Crystal Skull isn't bad--there are a few dazzling sequences, and a couple of good performances--but the unprecedented blend of comedy and action that made the movies so much more fun than any other adventure series is mostly gone.
    • 76 Metascore
    • 50 David Denby
    Yet, despite the good acting, the middle section of the film, set at the Capitol, is attenuated and rhythmless — the filmmakers seem to be touching all the bases so that the trilogy’s readers won’t miss anything.
    • 42 Metascore
    • 50 David Denby
    The Bucket List will quickly be kicked into oblivion, but, at a lifetime-achievement-award ceremony, Nicholson’s tempest will fit nicely into a montage of Crazy Jack moments.
    • 79 Metascore
    • 50 David Denby
    [Downey] can make offhandedness mesmerizing, even soulful; he passes through the key moments in this cloddish story as if he were ad-libbing his inner life.
    • 44 Metascore
    • 50 David Denby
    The Hangover Part II isn't a dud, exactly - some of it is very funny, and there are a few memorable jolts and outlandish dirty moments. But it feels, at times, like a routine adventure film set overseas.
    • 69 Metascore
    • 50 David Denby
    Babel is an infuriatingly well-made disaster.
    • 77 Metascore
    • 50 David Denby
    O.K. for children.
    • 52 Metascore
    • 50 David Denby
    There are many scenes of mock-lucha wrestling, which become as boring as actual wrestling. Nacho Libre, naïvely made kids’ stuff, lacks such minor attributes as a decent script and supporting cast.
    • 58 Metascore
    • 50 David Denby
    The audience decided to sell Snakes to itself, and that became the event--the actual movie could never have been more than another exploitation picture.
    • 50 Metascore
    • 50 David Denby
    Wilson and the director, Steven Shainberg, draw on Arbus's family and on many elements from her life and her art, only to turn the material into feeble nonsense.
    • 69 Metascore
    • 50 David Denby
    The movie is a mess, but it’s certainly not dull.
    • 59 Metascore
    • 50 David Denby
    In brief, I fell cheated by these clever, narrative-disrupting films. They seem to miss the point. After all, every fiction film is magical--an artifice devoted to “What if?”
    • 65 Metascore
    • 50 David Denby
    When Wright literalizes the fantastic, the movie turns squalid. He does better when he lets his visual fancies roam free. [25 April, 2011 p.88]
    • The New Yorker
    • 74 Metascore
    • 50 David Denby
    We're supposed to be overwhelmed by magic, but what we see is fancy film technique and a lot of strained whimsy.
    • 42 Metascore
    • 50 David Denby
    The Lovely Bones has been fashioned as a holiday family movie about murder and grief; it’s a thoroughly queasy experience.
    • 33 Metascore
    • 50 David Denby
    This disposable date movie is not so much written and acted as cast—just about every young actor in the country is in it.
    • 68 Metascore
    • 50 David Denby
    The movie, bad as it is, will do as a demonstration of a talented man’s freedom to choose different ways of being himself.
    • 69 Metascore
    • 50 David Denby
    Inglourious Basterds is not boring, but it’s ridiculous and appallingly insensitive.
    • 68 Metascore
    • 50 David Denby
    Unconvincing and ineffective; the many patches of ideological montage, growing like kudzu throughout the film, weaken the impact of its best moments.
    • 56 Metascore
    • 50 David Denby
    Kevin Smith turns out to be reverent after all: he wants to separate true love from mere copulating for money, but his story mixes romance and porn so inextricably that he seems confused, and the movie trips over its own conceits.
    • 32 Metascore
    • 50 David Denby
    There is evidence that at some point this project (which was initiated by Oliver Stone) might have been serious, but Campbell has produced little more than a churning, vivid backdrop for romance. [10 November 2003, p. 129]
    • The New Yorker
    • 78 Metascore
    • 50 David Denby
    The battle scenes are extraordinarily mucky and violent, but here, as in Tavernier's "Let Joy Reign Supreme," the intricate protocols of aristocratic sexual passion are the most startling elements. The movie, however, is opaque at its center. [25 April, 2011 p. 89]
    • The New Yorker
    • 49 Metascore
    • 50 David Denby
    At key moments, Lucky You loses its nerve.
    • 58 Metascore
    • 50 David Denby
    The movie is a showcase for digital technology and for Norton’s virtuosity, but I wish it weren’t such a weightless shambles.
    • 45 Metascore
    • 50 David Denby
    It's a peculiar movie, frantic and useless, with a hyperactive camera that gives us no more than fleeting impressions of Edie ecstatic at parties, Edie strung out on drugs, Edie lying mostly naked on a bed, with her skin splotchy from injections.
    • 64 Metascore
    • 50 David Denby
    Is this a case of spectacularly rotten timing, or is something being kept from us? The account of why the friends cross the border isn’t very persuasive…The young men may be clueless, but the filmmakers’ habit of obfuscating key points makes us wonder whether somebody is lying.
    • 71 Metascore
    • 50 David Denby
    I have a vision of eight-year-olds leaving the movie in bewilderment. Why are the creatures so unhappy? That question doesn’t return a child to safety or anywhere else. Of one thing I am sure: children will be relieved when Max gets away from this anxious crew.
    • 62 Metascore
    • 50 David Denby
    I enjoyed parts of "Wedding," and I'm not about to tell people that they should not have enjoyed it. I'm just afraid that Hollywood will respond to its success by making many more sitcoms in the guise of movies. [23 Sept 2002, p. 98]
    • The New Yorker

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