Desson Thomson

Select another critic »
For 1,692 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 3 points lower than other critics. (0-100 point scale)

Desson Thomson's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Nobody's Fool
Lowest review score: 0 The Devil's Own
Score distribution:
1692 movie reviews
    • 63 Metascore
    • 40 Desson Thomson
    There's so little authenticity between them, it destroys the story's most crucial element: the love between father and daughter. And finding the gold becomes our only reason to watch.
    • 59 Metascore
    • 40 Desson Thomson
    Even Thompson, the one you look forward to watching, is disappointing.
    • 51 Metascore
    • 40 Desson Thomson
    Uneven, not particularly inspired comic thriller.
    • 60 Metascore
    • 40 Desson Thomson
    The movie, a frenetic, explosive experience full of car crashes and gun battles, is original and exhilarating. But more often, it's so overwhelming, it'll make you want to watch "Die Hard With a Vengeance" for peace and quiet.
    • 57 Metascore
    • 40 Desson Thomson
    Actually, any fun you might encounter in Recall can be traced, most often, to director Verhoeven, who injects some of his "Robocop" camp into this mega-dumb project.
    • 48 Metascore
    • 40 Desson Thomson
    21
    The story may be based on real events, but most of it feels patently false.
    • 39 Metascore
    • 40 Desson Thomson
    Makes the mistake of including too sweeping a scope in too small a movie and with too few resources.
    • 32 Metascore
    • 40 Desson Thomson
    Some routines are funny, it must be said. But more often than not, you'll be groaning with painful recognition rather than actually laughing.
    • 50 Metascore
    • 40 Desson Thomson
    Even by its own standards, the movie becomes increasingly macabre and ludicrous as Anne's machinations get the better of her, and everyone, including the audience, is left feeling shattered, shaken and vaguely unclean for having participated in all this.
    • 40 Metascore
    • 40 Desson Thomson
    A well-intentioned, reverential but unenlightening portrait. It pays tribute to the artist. Yet it doesn't scrutinize him.
    • 62 Metascore
    • 40 Desson Thomson
    After a promising beginning and an amusing middle, the movie gets stuck in limbo.
    • 52 Metascore
    • 40 Desson Thomson
    Despite an appealing, even ingenious premise, "Scorpion" is another quippy but uninspired comedy.
    • 27 Metascore
    • 40 Desson Thomson
    Here's my favorite part: It's only 87 minutes long. But for the most part, this movie is just another bland, fair-to-middling vehicle for two emerging, fledgling stars.
    • 29 Metascore
    • 40 Desson Thomson
    An adolescent romance that isn't smart enough to mirror "When Harry Met Sally" or crudely amusing enough to get close to "American Pie."
    • 28 Metascore
    • 40 Desson Thomson
    The humor works beautifully until Marshall decides to beat the comedy over the head and drum us, once again, with this relentless message: "Mentally challenged people in love say the darndest things!"
    • 68 Metascore
    • 40 Desson Thomson
    The scenes of destruction-apart from being great to watch-provide much-needed relief from these people's unidimensional banalities.
    • 48 Metascore
    • 40 Desson Thomson
    It's a warm bath experience, soap-sudsed with sentimentality, improbability and other storytelling misdemeanors.
    • 42 Metascore
    • 40 Desson Thomson
    Enough to make any thinking person want to shoot a hole in the screen.
    • 62 Metascore
    • 40 Desson Thomson
    The film feels inauthentic, a cardboard version of other epics that's cast for distribution to various world markets.
    • 52 Metascore
    • 40 Desson Thomson
    With the exception of Burton's jolting sight gags (I may never recover from the vision of Parker's head grafted on to the body of a chihuahua), the comedy is half-developed, pedestrian material. And the climactic battle between Earthlings and Martians is dull and overextended.
    • 53 Metascore
    • 40 Desson Thomson
    Feels more like an overblown TV special than a grand theatrical release.
    • 43 Metascore
    • 40 Desson Thomson
    Unaccompanied Minors, a sort of junior league version of "The Breakfast Club," never achieves the universal appeal of John Hughes's 1985 film about youth and authority.
    • 70 Metascore
    • 40 Desson Thomson
    A darkly interesting distraction but not much more.
    • 56 Metascore
    • 40 Desson Thomson
    Winter Passing is one dull, extended encounter session among hackneyed characters -- although Deschanel gets the most points for almost imitating a human.
    • 47 Metascore
    • 40 Desson Thomson
    Trust me, you'll want to leave these people to get on with their tedious scams alone.
    • 34 Metascore
    • 40 Desson Thomson
    This is definitely a family trip to stay home and skip.
    • 47 Metascore
    • 40 Desson Thomson
    The best thing about Murder at 1600? Speed of exposition. Directed by Dwight Little, who made Steven Seagalís "Marked for Death," this thing whizzes from one unbelievable story point to the next. Your suspension of disbelief appreciates the momentum, if nothing else.
    • 41 Metascore
    • 40 Desson Thomson
    While Phenomenon attempts, tritely, to ascend into mind-blowing significance, it also plummets into a pit of sentimental mush.
    • 49 Metascore
    • 40 Desson Thomson
    The documentary never gets more than skin deep. It rarely delves into the troubling regions that are the very orchards of documentary.
    • 47 Metascore
    • 40 Desson Thomson
    The special twist-which Paramount Pictures has implored critics not to divulge-redefines the story completely. It also ruins everything.

Top Trailers