For 52 reviews, this critic has graded:
  • 25% higher than the average critic
  • 1% same as the average critic
  • 74% lower than the average critic
On average, this critic grades 19.2 points lower than other critics. (0-100 point scale)

Drew Hunt's Scores

  • Movies
  • TV
Average review score: 43
Highest review score: 75 More Than Honey
Lowest review score: 12 Return to Nuke 'Em High Volume 1
Score distribution:
  1. Positive: 17 out of 52
  2. Negative: 31 out of 52
52 movie reviews
    • 85 Metascore
    • 75 Drew Hunt
    Eleanor Burke and Ron Eyal's film is a tasteful, well-orchestrated drama that never reaches beyond its humble means.
    • 83 Metascore
    • 75 Drew Hunt
    It takes place entirely at night, and the dingy color palette, washed-out and intentionally drab, presents Russia as an almost alien landscape.
    • 77 Metascore
    • 75 Drew Hunt
    The film is made impetuously watchable and disarmingly emotional by the filmmakers' strong command of docudrama and nonfiction narrative style.
    • 76 Metascore
    • 75 Drew Hunt
    While the film is deeply romantic and nostalgic, possessing a genuine reverence for youth and rebellion, it's also something of a tragedy.
    • 75 Metascore
    • 50 Drew Hunt
    Sini Anderson's film may be another unimaginative fan letter, but at least Kathleen Hannah is worthy of such devotion.
    • 71 Metascore
    • 63 Drew Hunt
    Perhaps the first important film about street hoops, even if the overall product struggles from a lack of focus.
    • 70 Metascore
    • 75 Drew Hunt
    Markus Imhoof's film reveals itself as a curious, audacious mix of personal essay film and nature documentary.
    • 67 Metascore
    • 75 Drew Hunt
    More than just a thorough examination of hardcore pornography, Christina Voros's doc is also a sort of chronicle of the filmmaking process.
    • 63 Metascore
    • 75 Drew Hunt
    The film benefits greatly from this bait-and-switch narrative design, as Hoss-Desmarais dials down or otherwise forgoes exposition, backstory, and character development in favor of an ambiguous, almost ethereal dramaturgical approach.
    • 63 Metascore
    • 63 Drew Hunt
    The film is at its most fascinating when Jackie Stewart authoritatively and pedagogically discusses the nuances of his trade.
    • 63 Metascore
    • 63 Drew Hunt
    More than some run-of-the-mill social-awareness doc, the film pays as much attention to the personal and emotional strife of its subjects as it does to their activism.
    • 62 Metascore
    • 50 Drew Hunt
    Florian Habicht unwisely shifts his focus from Sheffield and its unique denizens to the band's personal history, effectively turning the film into an episode of Behind the Music.
    • 62 Metascore
    • 63 Drew Hunt
    Good, clean genre entertainment, the sort of harmless yet endearing brand of moviemaking seemingly unattainable in today's Hollywood system.
    • 61 Metascore
    • 63 Drew Hunt
    The film exhibits strong character interplay and resides in an unconventional milieu, in effect turning rote material into something that feels decidedly eccentric.
    • 55 Metascore
    • 63 Drew Hunt
    Taylor Guterson's film offers thoughtful, if familiar, comments on friendship, self-doubt, and romantic angst.
    • 53 Metascore
    • 75 Drew Hunt
    The cogent character study nestled inside all the bombast remains crafty for its rare commingling of artful storytelling and genre nonsensicality.
    • 51 Metascore
    • 25 Drew Hunt
    Commingling industry shoptalk with introspective insights and wrangling testimonials, the film casts an incredibly wide net, but doesn't reveal much of anything.
    • 49 Metascore
    • 38 Drew Hunt
    Its blind reverence toward the Russian mythos is so grandiose that it becomes impossible to rescue it from self-importance, and as such President Putin would likely give it two big thumbs up.
    • 49 Metascore
    • 38 Drew Hunt
    The overall product doesn't reveal anything about its subject that a Wikipedia page couldn't do just as well.
    • 49 Metascore
    • 50 Drew Hunt
    As Renny Harlin's career progresses, it seems more and more that his early gems were merely happy accidents.
    • 47 Metascore
    • 25 Drew Hunt
    This third and supposedly final edition in the franchise is nothing more than an uncomfortably transparent contractual obligation.
    • 47 Metascore
    • 25 Drew Hunt
    Heaven Is for Real is by Christians, for Christians, and deliberately, if subtly, antagonistic toward everyone else.
    • 46 Metascore
    • 63 Drew Hunt
    The filmmakers certainly exaggerate (i.e. exploit) their subject, but for a community that prides itself on shock value, there seems no sufficient alternative.
    • 44 Metascore
    • 38 Drew Hunt
    Its views on organized religion are so halfhearted and perfunctory as to make Kevin Smith's Dogma seem like a veritable master's class in theistic studies.
    • 44 Metascore
    • 25 Drew Hunt
    The prevailing attitude behind the film can be boiled down to a simplistic idea: the cruder, the better.
    • 44 Metascore
    • 25 Drew Hunt
    Themes of family ties, obsession, and morality, so dramatically realized in Conviction, are gracelessly and shapelessly strewn together here.
    • 43 Metascore
    • 25 Drew Hunt
    The characters' marginalized social standing is less indicative of a real-life epidemic and more akin to window dressing.
    • 40 Metascore
    • 12 Drew Hunt
    Because it actively defies and outright ridicules all notions of aesthetic intent, proper form, and moral propriety, this lazy Z-film pastiche is essentially impervious to standard critical evaluation.
    • 40 Metascore
    • 25 Drew Hunt
    Aside from being another rote addition to the revenge-film canon, John Stockwell's In The Blood is also a supreme waste of Gina Carano's talent.
    • 40 Metascore
    • 25 Drew Hunt
    The filmmakers are content to idealize everyone's unchecked narcissism and idle privilege--an inquiry-free recipe for disaster in an age when the American wealth gap is wider and more detrimental than ever.

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