Elvis Mitchell
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For 389 reviews, this critic has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 9.2 points higher than other critics. (0-100 point scale)

Elvis Mitchell's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 The Last Seduction
Lowest review score: 0 Baby Geniuses
Score distribution:
  1. Negative: 17 out of 389
389 movie reviews
    • 76 Metascore
    • 90 Elvis Mitchell
    Crackling good... the best crime movie in a long while.
    • 79 Metascore
    • 90 Elvis Mitchell
    It proves to be one of the more exotic blooms in the Disney hothouse, what with voluptuous flora, hordes of fauna, charming characters and excitingly kinetic animation that gracefully incorporates computer-generated motion.
    • 77 Metascore
    • 90 Elvis Mitchell
    Jerry Maguire is loaded with them: bright, funny, tender encounters between characters who seem so winningly warm and real. [13 December 1996, p.C-1]
    • The New York Times
    • 74 Metascore
    • 90 Elvis Mitchell
    Fierce and disturbing, with a plot that skillfully resists following any familiar course. The film's hero fears that he's half-crazy, and for two hours Mr. Gilliam artfully keeps his audience feeling the same way.
    • 82 Metascore
    • 90 Elvis Mitchell
    When you get the shivers watching this wintry tale unfold, it won't be from the cold.
    • 67 Metascore
    • 90 Elvis Mitchell
    Ronin can be watched as appreciatively for its hard-boiled performances as for its visceral excitement.
    • 70 Metascore
    • 90 Elvis Mitchell
    Even when it turns turbulent, the film sustains its warm summer glow, and makes itself a conversation piece about the moral issues it means to raise.
    • 79 Metascore
    • 90 Elvis Mitchell
    Morris has fashioned a brilliant work of pulp fiction around this crime. [26 Aug 1988, p.C6]
    • The New York Times
    • 81 Metascore
    • 90 Elvis Mitchell
    It has taken only two films, "Welcome to the Dollhouse" and now Happiness, for Todd Solondz to establish his as one of the most lacerating, funny and distinctive voices in American film.
    • 65 Metascore
    • 90 Elvis Mitchell
    Mr. Redford has found his own visually eloquent way to turn the potboiler into a panorama, with a deep-seated love for the Montana landscape against which his rapturously beautiful film unfolds.
    • 51 Metascore
    • 90 Elvis Mitchell
    Something special.
    • 71 Metascore
    • 90 Elvis Mitchell
    Smoothly directed and acted with glee... showing quick-witted comic spirit.
    • 68 Metascore
    • 90 Elvis Mitchell
    It tells a finely nuanced tale of right, wrong and the gray area in between.
    • 81 Metascore
    • 90 Elvis Mitchell
    A rueful, warmly affecting film featuring a wonderful performance by Mr. Troisi, The Postman would be attention-getting even without the sadness that overshadows it. [14 June 1995, p. C15]
    • The New York Times
    • 80 Metascore
    • 90 Elvis Mitchell
    There are times when The Shawshank Redemption comes dangerously close to sounding one of those "triumph of the spirit" notes. But most of it is eloquently restrained. [23 Sept 1994, p.C3]
    • The New York Times
    • 73 Metascore
    • 90 Elvis Mitchell
    The film's strength is that it sustains an intimate and realistic tone. Mr. Fishburne, who is called upon to deliver several lectures, manages to do so with enormous dignity and grace, and makes Furious a compelling role model, someone on whom the whole film easily pivots.
    • 64 Metascore
    • 90 Elvis Mitchell
    A handsome and fully imagined work of cautionary futuristic fiction.
    • 72 Metascore
    • 90 Elvis Mitchell
    Drawing a parade of colorful performances from a constantly surprising cast, the curiously titled ''John Grisham's 'The Rainmaker' '' is Mr. Coppola's best and sharpest film in years.
    • 72 Metascore
    • 90 Elvis Mitchell
    Elegant and deeply disquieting drama.
    • 80 Metascore
    • 90 Elvis Mitchell
    Quietly courageous drama .
    • 91 Metascore
    • 90 Elvis Mitchell
    Unfolds beautifully, with a rueful, knowing intelligence that rises above easy assumptions. [27 September 1996, p.C1]
    • The New York Times
    • 81 Metascore
    • 90 Elvis Mitchell
    Mr. Russell's wonderfully mad odyssey of a movie, in which a man sets out to find his biological parents and winds up meeting more weirdos than Alice found down the rabbit hole.
    • 84 Metascore
    • 90 Elvis Mitchell
    Grandly entertaining...matches the Austen-based "Clueless" for sheer run. [13 Dec 1995]
    • The New York Times
    • 86 Metascore
    • 90 Elvis Mitchell
    Stunning...a film much tougher and more transfixing than its wan title.
    • 85 Metascore
    • 90 Elvis Mitchell
    For all its exaggerated ordinariness, this film seems to start where others leave off.
    • 61 Metascore
    • 90 Elvis Mitchell
    This poisonous, brazenly autobiographical comedy shows off the best of Mr. Allen's misanthropic humor.
    • 73 Metascore
    • 90 Elvis Mitchell
    Wag the Dog, the poison-tipped political satire that's as scarily plausible as it is swift, hilarious and impossible to resist.
    • 77 Metascore
    • 90 Elvis Mitchell
    Makes jaunty, imaginative use of both extraordinary technology and bold storytelling possibilities within the insect world.
    • 75 Metascore
    • 90 Elvis Mitchell
    Mr. Day-Lewis, looking wearily rugged and battling his way through several plausible boxing matches, once again breathes fire into the character of a high-minded loner, and his vitality lends real force to the film's moral arguments.
    • 70 Metascore
    • 90 Elvis Mitchell
    The script's bare bones are familiar, yet the film also has fine acting, steady momentum, a sharp eye and a very warm heart.