Emma Cochrane
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For 14 reviews, this critic has graded:
  • 57% higher than the average critic
  • 0% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 2.6 points higher than other critics. (0-100 point scale)

Emma Cochrane's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 80 Melinda and Melinda
Lowest review score: 40 Whatever Happened to Harold Smith?
Score distribution:
  1. Positive: 6 out of 14
  2. Negative: 0 out of 14
14 movie reviews
    • 62 Metascore
    • 80 Emma Cochrane
    This is a timeless thriller, a reminder of how stars who have been so average elsewhere can produce excellent — some career-best — work when given a decent script and a confident director.
    • 54 Metascore
    • 80 Emma Cochrane
    It has great performances, snappy one-liners and a likeably tricksy structure, all wrapped up in an affirmative antidote to life’s daunting complexities. Welcome back, Woody.
    • 76 Metascore
    • 80 Emma Cochrane
    Audrey Hepburn is delicious as Holly and the Henry Mancini score is in the class of elite soundtracks. [Review of re-release]
    • 75 Metascore
    • 80 Emma Cochrane
    Almodóvar lets rip with a story of great emotional intensity, while retaining his signature stunning visual style and a central performance quite unlike anything previously seen in his work. A potent and strikingly well-delivered combination.
    • 71 Metascore
    • 80 Emma Cochrane
    Louis Sachar's compelling children's classic is about as Disney as Freddy Krueger. It's got murder, racism, facial disfigurement and killer lizards.
    • 73 Metascore
    • 80 Emma Cochrane
    Michael Lehmann’s feature debut introduced the world to Christian Slater at his Jack Nicholson, subversive best and gave Winona Ryder a career-high role.
    • 46 Metascore
    • 60 Emma Cochrane
    Romantic images are subverted, the sex scenes are graphic and desperate. It's less grim than Susanna Moore's original novella, but the foreshadowing that all is not right is in everything, from the music to the dialogue.
    • 48 Metascore
    • 60 Emma Cochrane
    This spoof vampire flick's sole joke is that the heroine (Kristy Swanson) is a blonde, L.A. airhead rather than a beefed-up stake-toter, mentored by Donald Sutherland's deadpan Watcher.
    • 77 Metascore
    • 60 Emma Cochrane
    Interesting for it's historical notoriety, but overlong and dull in places.
    • 70 Metascore
    • 60 Emma Cochrane
    Keaton handles her appealing ensemble, the early 60s period and child's perspective of tragedy, love and reconciliation with a sure, gentle hand.
    • 46 Metascore
    • 40 Emma Cochrane
    Less than crowd-pleasing chick flick livened up by John Cusack’s self-penned one-liners.
    • 54 Metascore
    • 40 Emma Cochrane
    Good intentions, but dull and predictable.
    • 53 Metascore
    • 40 Emma Cochrane
    A serious misfire.
    • tbd Metascore
    • 40 Emma Cochrane
    Most unforgivably, the period detail is all over the place and the punk/disco soundtrack a real hotch potch, leaving this a story with no real sense of time or place.

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