For 543 reviews, this critic has graded:
  • 79% higher than the average critic
  • 2% same as the average critic
  • 19% lower than the average critic
On average, this critic grades 17.6 points higher than other critics. (0-100 point scale)

Eric Kohn's Scores

  • Movies
Average review score: 77
Highest review score: 100 The Soft Skin (1969)
Lowest review score: 25 Lovelace
Score distribution:
  1. Negative: 9 out of 543
543 movie reviews
    • 70 Metascore
    • 91 Eric Kohn
    The Safdies have stood out over the last few years for continually challenging audience expectations even while seeming to adhere to conventional storytelling traditions, and that's certainly true here: You've never seen a sports movie like this before.
    • 69 Metascore
    • 91 Eric Kohn
    White Reindeer eagerly pokes the mythology surrounding the holiday season narrative to find something hauntingly beautiful lurking beneath it.
    • 90 Metascore
    • 91 Eric Kohn
    It portrays the struggle from the inside, from about as far from the filter of mainstream media as one can get, capturing tense shootouts and the extremes of revolutionary spirit in unnerving detail.
    • 68 Metascore
    • 91 Eric Kohn
    Nathan never condescends to Pug or his cohorts, instead smartly allowing their brazen maneuvers to run the show.
    • 87 Metascore
    • 91 Eric Kohn
    Striking a complex tone of tragedy and uplift at the same time, Kumiko, the Treasure Hunter both celebrates the escapist power of personal fantasies and bears witness to their dangerous extremes. It's the rare case of a story that's inspirational and devastating at once.
    • 91 Metascore
    • 91 Eric Kohn
    Love Is Strange is a sophisticated take on contemporary urbanity infused with romantic ideals and the tragedy of their dissolution.
    • 88 Metascore
    • 91 Eric Kohn
    While it has many familiar ingredients — from the atmosphere to the ensemble of Anderson regulars in nearly every role — in its allegiance to Anderson's vision, everything about The Grand Budapest Hotel is a welcome dose of originality.
    • 88 Metascore
    • 91 Eric Kohn
    '71
    '71 constantly thrills without sensationalizing its surprises. The war-is-hell ethos drives it forward, so that the movie retains its suspense in conjunction with its dour outlook.
    • 80 Metascore
    • 91 Eric Kohn
    The contrast between the movie’s traditional execution and Stritch’s domineering powers create the lingering sense that she may be the project’s true auteur.
    • 75 Metascore
    • 91 Eric Kohn
    Omar maintains an unsettling rhythm of suspense and sociopolitical critique throughout.
    • 80 Metascore
    • 91 Eric Kohn
    With the shift from conventional rock doc into something more sophisticated, As the Palaces Burn remains enthralling all the way through.
    • 74 Metascore
    • 91 Eric Kohn
    Mackenzie (whose previous credits include "Perfect Sense" and "Young Adam") applies a sharp kitchen sink realism to this haunting setting and directs it toward an ultimately moving family drama that just happens to involve vicious convicts.
    • 61 Metascore
    • 91 Eric Kohn
    In Oculus, the horror is at once deceptively simple and rooted in a deep, primal uneasiness. Its scariest aspects are universally familiar.
    • 91 Metascore
    • 91 Eric Kohn
    Though anchored by a affecting and sullen turn by Channing Tatum, the movie derives its primary discomfiting power from Steve Carell in a revelatory performance as a monster of American wealth.
    • 83 Metascore
    • 91 Eric Kohn
    While it doesn't always earn its heft, Winter Sleep is both subdued and rich in details, its plot growing slowly over a series of extensive conversations. It's a robust, challenging experience he's been building toward with his previous features, as well as an adventurous step above them.
    • 97 Metascore
    • 91 Eric Kohn
    Mr. Turner is a first-rate match of director and subject. Less an explication of the man's genius than an immersion into its essence.
    • 93 Metascore
    • 91 Eric Kohn
    Much of the movie relies on Cotillard's jittery expressions as she veers from tentatively hopeful to despondent and back again, sometimes within a matter of minutes, reflecting the ever-changing stability of job security among the lower class.
    • 76 Metascore
    • 91 Eric Kohn
    The typically great Binoche conveys a tantalizing mixture of confidence and unease as she considers her glamorous past and undetermined future.
    • 91 Metascore
    • 91 Eric Kohn
    The tense, involving result confirms Sciamma's mastery over the coming-of-age drama, a genre too often reduced to its simplest ingredients.
    • 87 Metascore
    • 91 Eric Kohn
    Despite the unruly music at its center, the filmmaker has crafted a uniformly gentle ode to growing up.
    • 79 Metascore
    • 91 Eric Kohn
    While blatantly topical, this is not a political film of the moment, but rather a calculated meditation on self-defined purpose in the midst of societal confusion.
    • 71 Metascore
    • 91 Eric Kohn
    Exhibition infuses its cerebral exposition with a strong dose of humanity.
    • 80 Metascore
    • 91 Eric Kohn
    In the struggle to tell a story, Panahi reveals the redemptive power of art. No longer issuing desperate pleas, he has turned to cinema for the sake of survival.
    • 97 Metascore
    • 91 Eric Kohn
    From one mesmerizing scene to the next, The Tribe never loses its flow. Even its harshest moments are defined by vibrant motion.
    • 68 Metascore
    • 83 Eric Kohn
    Cold-blooded killers rarely look this pathetic, which testifies to the impressive balance of Skarsgård's amusingly low-key performance.
    • 70 Metascore
    • 83 Eric Kohn
    Helms plays angelic insurance agent Tim Lippe with gentle nobility and hilarious naivete.
    • 58 Metascore
    • 83 Eric Kohn
    Political only by implication, Zero Bridge works in a larger sense as a story of universal longing.
    • 67 Metascore
    • 83 Eric Kohn
    Eventually, Soo-hyun's relentless pursuit-and-release approach outlives the director's skill and the premise starts to feel redundant.
    • 71 Metascore
    • 83 Eric Kohn
    Black Death embraces its horror roots with ample bloodshed, at which point the silly costumes and anachronistic dialogue no longer seem so absurd.
    • 59 Metascore
    • 83 Eric Kohn
    Dupieux's utterly zany slice of narrative subversion transcends that singularly goofy premise to create one of the more bizarre experiments with genre in quite some time.