Gary Goldstein

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For 565 reviews, this critic has graded:
  • 58% higher than the average critic
  • 8% same as the average critic
  • 34% lower than the average critic
On average, this critic grades 2.7 points lower than other critics. (0-100 point scale)

Gary Goldstein's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Boy Meets Girl
Lowest review score: 0 Behaving Badly
Score distribution:
  1. Negative: 98 out of 565
565 movie reviews
    • 67 Metascore
    • 90 Gary Goldstein
    [A] captivating documentary.
    • 67 Metascore
    • 70 Gary Goldstein
    Campbell Scott's strong narration (well-written by Allentuck) and fun vintage musical selections effectively round out this provocative portrait.
    • 67 Metascore
    • 80 Gary Goldstein
    A richly absorbing historical docudrama.
    • 67 Metascore
    • 50 Gary Goldstein
    Tom at the Farm is strange, idiosyncratic tale that straddles a fine line between homoerotic camp and spider-and-fly thriller.
    • 67 Metascore
    • 80 Gary Goldstein
    Blethyn brings tremendous empathy to the introspective, determined Elisabeth, while the tall, gaunt and dreadlocked Ousmane fleshes out his less-dimensional role with a haunting sadness that speaks volumes.
    • 67 Metascore
    • 80 Gary Goldstein
    A terrifically entertaining, smartly constructed trip down memory lane with one of the American stage's most legendary troupers.
    • 67 Metascore
    • 70 Gary Goldstein
    In its own disturbing, slithery way, the train-wreck watchable melodrama Maps to the Stars is as much a horror show as any that the film's director, David Cronenberg, has helmed over his long and provocative career.
    • 67 Metascore
    • 80 Gary Goldstein
    Writer-director Michael Walker keeps a firm grip on his smart material, offering up big laughs, lots of recognizable behavior and, in the end, a wistful glimpse at life's inevitable priorities.
    • 67 Metascore
    • 60 Gary Goldstein
    Smartly, the filmmakers minimize their topic's punchline potential. But even though the running time is short, the movie feels stretched out.
    • 67 Metascore
    • 70 Gary Goldstein
    An impressive array of archival news footage, enlightening interviews with activists, politicos, academics and journalists, plus a dispensable Alfred Molina-narrated animated parable, round out this provocative, if at times overly ambitious effort.
    • 66 Metascore
    • 80 Gary Goldstein
    A beautifully rendered, lovingly constructed action-comedy that's sure to please kids and adults alike.
    • 66 Metascore
    • 70 Gary Goldstein
    In all, writer-director Jennifer M. Kroot effectively jams in quite a lot about the super-busy Takei.
    • 66 Metascore
    • 70 Gary Goldstein
    For all its emotional roller-coastering and wild intrigue, the film's purpose — as well as its title character — feels more symbolic than specific. Still, this well-shot and -designed picture is a mostly compelling, intrepid ride.
    • 66 Metascore
    • 80 Gary Goldstein
    Although it runs just a fleet 40 minutes, the film proves a rich and memorable journey.
    • 66 Metascore
    • 80 Gary Goldstein
    The world's most successful ring of diamond thieves is inventively and insightfully explored in the documentary Smash and Grab: The Story of the Pink Panthers.
    • 66 Metascore
    • 80 Gary Goldstein
    Marquette, aided by Frank Langella's precise narration, has crafted an engrossing and disturbing tribute.
    • 66 Metascore
    • 80 Gary Goldstein
    The film brings us vividly inside the life - and head - of its determined hero, Bud Clayman, as he depicts the process of what he calls "getting normal."
    • 66 Metascore
    • 80 Gary Goldstein
    The lovely, heartbreaking Fly Away benefits from superb performances and a gripping story managed with simplicity and grace by writer-producer-director Janet Grillo.
    • 66 Metascore
    • 70 Gary Goldstein
    Unfortunately, the film often feels somewhat random and disorganized, with Newnham and Grainger-Monsen never zeroing in on a cohesive narrative structure. Still, the movie's engaging subjects (including several parents) and valuable themes largely carry the day.
    • 66 Metascore
    • 100 Gary Goldstein
    Mills peppers his fresh script with an assortment of throwaway lines, kooky character beats and off-kilter emotional truths. That he packs so much memorable silliness into one 80-minute film is quite the feat. Sequel, please.
    • 66 Metascore
    • 80 Gary Goldstein
    This handsomely made suspense yarn proves an engrossing, pulse-quickening journey.
    • 65 Metascore
    • 60 Gary Goldstein
    Although affecting and well acted, the family drama Bad Hurt is too airless and depressing to fully engage.
    • 65 Metascore
    • 70 Gary Goldstein
    A unique, unsettling experience.
    • 65 Metascore
    • 60 Gary Goldstein
    The product is more pop vanity project — and one that's a bit late to the party — than onion-peeling dissection.
    • 65 Metascore
    • 40 Gary Goldstein
    Unfortunately, there's a lack of structure, context and point of view to the largely gray, grim, hardscrabble world presented here.
    • 65 Metascore
    • 80 Gary Goldstein
    A stirring snapshot of America from 1963 to 1968 and the many rock 'n' roll thrills, cultural and political watersheds, and whirling emotions that erupted in between. It's also deviously smart and darkly funny.
    • 65 Metascore
    • 30 Gary Goldstein
    Alexander Sokurov's Faust is a grueling side show of a film, a morbid, mightily uninvolving piece.
    • 65 Metascore
    • 80 Gary Goldstein
    It's the candid moments of joy and accomplishment -- Welcker finding out she's an Intel contest finalist, Khan learning he's been accepted to Yale, high school valedictorian Cisneros thanking her devoted parents in her graduation speech -- that really make this one soar.
    • 65 Metascore
    • 70 Gary Goldstein
    Kazemy and Boosheri are excellent, and Soheil Parsa and Nasrin Pakkho are also fine as Atefeh's doting, liberal parents. And if Keshavarz is less successful managing the film's sometimes choppy narrative, she is clearly willing to take risks on all fronts. More power to her.
    • 65 Metascore
    • 70 Gary Goldstein
    Feature films these days rarely come as gentle and equitable as The Confirmation. It's a sweet, decidedly low-key little picture starring a deftly understated Clive Owen.

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