Jeannette Catsoulis

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For 1,133 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 4.5 points lower than other critics. (0-100 point scale)

Jeannette Catsoulis' Scores

  • Movies
  • TV
Average review score: 57
Highest review score: 100 The Last Circus
Lowest review score: 0 Gamer
Score distribution:
1133 movie reviews
    • 69 Metascore
    • 60 Jeannette Catsoulis
    The Little Bedroom is a gentle, melancholy drama so pale and tentative that its very colors appear washed away by grief.
    • 53 Metascore
    • 60 Jeannette Catsoulis
    This brisk reimagining of the 1984 slasher "Silent Night, Deadly Night" delivers the seasonal goods with admirable efficiency and not a little wit.
    • 47 Metascore
    • 60 Jeannette Catsoulis
    The film leans almost exclusively on the focused performances of its two leads, who create a credibly barbed chemistry that goes a long way toward distracting us from the film's low-budget deficiencies.
    • 60 Metascore
    • 60 Jeannette Catsoulis
    Maintaining a sunny, scrubbed-clean tone, Ms. Hencken allows no possibility of dazed groupies or drunken meltdowns — and only the briefest whiff of cocaine — to darken her portrait.
    • 60 Metascore
    • 60 Jeannette Catsoulis
    Though clearly aimed at teenagers, this unashamedly heartstruck movie is neither obsessed with sex nor driven to humiliate its characters. Compared to those of the average American teen movie, its ambitions are so innocent they’re almost childlike.
    • 69 Metascore
    • 60 Jeannette Catsoulis
    Augmented by a trove of archival footage reaching back to the 1930s, Jesse Feldman's buoyant cinematography merges political history and sports mania into a triumphant timeline.
    • tbd Metascore
    • 60 Jeannette Catsoulis
    If the twisty finale underwhelms, Mr. Carreté’s enigmatic style and textured images offer their own doomy rewards.
    • 39 Metascore
    • 60 Jeannette Catsoulis
    The violence is quick and occasionally inventive, with little of the attenuated nastiness that characterizes so many genre pictures, and the photography ranges from brightly sun-kissed to down-and-dirty.
    • 69 Metascore
    • 60 Jeannette Catsoulis
    Without these balancing voices, I Am Jane Doe coalesces into a steamroller of pain that squashes our ability to see beyond its wounded families.
    • 55 Metascore
    • 60 Jeannette Catsoulis
    This crude, rowdy movie is also unexpectedly touching in its embrace of surfing as an escape from the stigma of poverty and broken homes. Escape from Russell Crowe’s droning narration, however, is impossible.
    • 41 Metascore
    • 60 Jeannette Catsoulis
    That it eventually - if barely - succeeds is due more to the resilience of its actors than to the discipline of its makers.
    • 49 Metascore
    • 60 Jeannette Catsoulis
    Roger Spottiswoode directs with old-fashioned style, avoiding the saccharine with realistic depictions of a war-ravaged China (where he filmed) and a cast well versed in stiff-upper-lip.
    • 62 Metascore
    • 60 Jeannette Catsoulis
    Mr. Goldthwait exercises so much caution that you want to get behind his characters and push.
    • 44 Metascore
    • 60 Jeannette Catsoulis
    It may leave many bases uncovered (a section on groundbreaking European legislation is inadequately explained), but it will also leave you looking a lot more closely at what you put on your skin, in your mouth and underneath your sink.
    • 61 Metascore
    • 60 Jeannette Catsoulis
    Mixes method and madness to chart the evolution of a counterculture phenomenon.
    • 71 Metascore
    • 60 Jeannette Catsoulis
    It’s all a little silly, but Mr. Mickle’s restrained gravity stifles the impulse to laugh.
    • 55 Metascore
    • 60 Jeannette Catsoulis
    Much like its subject: affable, quotable and emotionally guarded in the extreme.
    • tbd Metascore
    • 60 Jeannette Catsoulis
    Ms. Howe is frequently riveting: a scene in which she repeatedly, and with waxing abuse, drunk-calls her former husband (an excellent Keith Allen) may make more than a few viewers squirm in recognition.
    • 73 Metascore
    • 60 Jeannette Catsoulis
    Such an uncommon artist warrants a less conventional survey than this one.
    • 40 Metascore
    • 60 Jeannette Catsoulis
    Mr. Kaufman’s talent can be debated, but his love for his job is stamped on every garish, oozy frame.
    • 44 Metascore
    • 60 Jeannette Catsoulis
    The film’s loose naturalism and strong acting — Chris Browning, as a liaison between the F.B.I. and the reservation, is especially enjoyable — are slyly seductive.
    • 52 Metascore
    • 60 Jeannette Catsoulis
    Though too slight to be memorable, the gay romance Front Cover takes a gentle, thoughtful look at the intersection of ethnicity and sexuality.
    • 49 Metascore
    • 60 Jeannette Catsoulis
    To the informed consumer hoping for greater elucidation, Mr. Seifert’s partisan, oversimplified survey falls short.
    • 57 Metascore
    • 60 Jeannette Catsoulis
    Employing scaled-down sets and low-budget audacity, Mr. Parker, an intelligent and boundary-testing filmmaker, proves less concerned with logic than with how far he can push his characters.
    • 59 Metascore
    • 60 Jeannette Catsoulis
    Moving, humane and unfailingly polite, This Changes Everything presents a Panglossian view of approaching disaster that (according to the film’s publicity notes) seeks to empower rather than to scare. But we should be scared.
    • 64 Metascore
    • 60 Jeannette Catsoulis
    The movie’s stunning underwater photography (fearlessly captured by Mr. Ravetch) effectively dilutes the saccharine tone.
    • 36 Metascore
    • 60 Jeannette Catsoulis
    Imaginatively filmed by Peter Sova, Push has a dizzying, chaotic energy that pulls you along. Paul McGuigan directs with maximum efficiency and minimum use of computers, creating effects that feel satisfyingly tangible.
    • 68 Metascore
    • 60 Jeannette Catsoulis
    Evincing more visible intelligence than any of his human co-stars aside from Lithgow, Caesar is disquietingly lifelike.
    • 52 Metascore
    • 60 Jeannette Catsoulis
    A familiar underdog story told with unusual sensitivity.
    • 42 Metascore
    • 60 Jeannette Catsoulis
    An eagerly prurient dip into the sex-trafficking trough, Trade teeters between earnest exposé and salacious melodrama. Minus the film’s near-visible weight of conscience, success in the second category would have been virtually guaranteed.

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