Joe Morgenstern
Select another critic »
For 1,829 reviews, this critic has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 0.5 points lower than other critics. (0-100 point scale)

Joe Morgenstern's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 White Material
Lowest review score: 0 The Life of David Gale
Score distribution:
1,829 movie reviews
    • 52 Metascore
    • 20 Joe Morgenstern
    The Producers is nightmarish, in its febrile way, a head-bangingly primitive version of an overrated Broadway show that grew out of a clumsy 1968 movie with an inflated reputation.
    • Wall Street Journal
    • 46 Metascore
    • 20 Joe Morgenstern
    Even as a visual aid, though, The Da Vinci Code is a deep-dyed disappointment. Paris by night never looked murkier.
    • Wall Street Journal
    • 50 Metascore
    • 20 Joe Morgenstern
    A deeply dreadful movie -- no, a shallowly dreadful movie -- that's too unpleasant and repetitive to be entertaining, even as camp.
    • Wall Street Journal
    • 45 Metascore
    • 20 Joe Morgenstern
    It's not a good sign when a movie is called The Break-Up and you can't wait for the couple to split so they'll get some relief from one another, and give the audience some relief from them.
    • Wall Street Journal
    • 47 Metascore
    • 20 Joe Morgenstern
    There isn't a milliliter of honest feeling from start to finish, and precious little comedy or romance.
    • Wall Street Journal
    • 45 Metascore
    • 20 Joe Morgenstern
    Calling Joe Carnahan's movie heartless implies that this auteur of affectless anarchy might have meant to invest it with detectable human feelings, and failed. Better to call it heart-free.
    • Wall Street Journal
    • 55 Metascore
    • 20 Joe Morgenstern
    The oddest thing about this very odd movie is that it doesn't seem to know what to make of itself.
    • Wall Street Journal
    • 55 Metascore
    • 20 Joe Morgenstern
    Not to put too fine a point on it, Surviving Picasso is merely the worst movie ever made about a painter; worse movies have been made on other subjects, though none comes immediately to mind. [20 Sep 1996]
    • Wall Street Journal
    • 32 Metascore
    • 20 Joe Morgenstern
    Mr. Scott's idea of making movies is to bludgeon or deafen his audience with every scene. In another line of work he'd be certifiable. [16 Aug 1996, p.A8]
    • Wall Street Journal
    • 42 Metascore
    • 20 Joe Morgenstern
    The Loss of Sexual Innocence is a work of intransigent anger and barely relieved depression. [28 May 1999]
    • Wall Street Journal
    • 37 Metascore
    • 20 Joe Morgenstern
    This is movie-making by and for dummies, a sappy little bible story, blissed out on its own ineptitude.
    • 46 Metascore
    • 20 Joe Morgenstern
    A deadly earnest and deadly dull psychological thriller.
    • 54 Metascore
    • 20 Joe Morgenstern
    Bee Movie isn't a B movie, it's a Z movie, as in dizmal.
    • 47 Metascore
    • 20 Joe Morgenstern
    You could make a case for this as a feature-film version of the FCC's fairness doctrine, but it feels more like a blandness doctrine, a pulling and hauling of the tone-deaf script, which is credited to Matthew Michael Carnahan, to the point of perfect vacuousness.
    • 30 Metascore
    • 20 Joe Morgenstern
    The kindest context in which to put Over Her Dead Body, which was written and directed by Jeff Lowell, is that of a training film, a public display of people trying to master their craft. The best way to see it is not at all.
    • 38 Metascore
    • 20 Joe Morgenstern
    Consider this more a consumer warning than a movie review: The Life Before Her Eyes will draw you in, then intrigue you, then bore you, then bewilder you, then make you crazy with its incessant flashbacks and flash forwards, and finally leave you feeling like the victim of a fraud.
    • 37 Metascore
    • 20 Joe Morgenstern
    Sorry excuse for political satire.
    • 31 Metascore
    • 20 Joe Morgenstern
    The best news about this clangorous clunker is that it may well have vanquished the Mummy franchise.
    • 56 Metascore
    • 20 Joe Morgenstern
    Elegance isn't Zack Snyder's bag; a certain sort of impact is. Watchmen establishes him as Hollywood's reigning master of psychic suffocation.
    • 36 Metascore
    • 20 Joe Morgenstern
    This time he (Martin) goes through the motions.
    • 52 Metascore
    • 20 Joe Morgenstern
    Motion is in copious supply -- a frenzied shootout at Manhattan's Guggenheim Museum grows interminable -- but the workings of the abstract plot are unfathomable, the characters are unpleasant and a couple of assassinations leave us as cold as the corpses.
    • 34 Metascore
    • 20 Joe Morgenstern
    A bizarre conflation of chick flick and "A Christmas Carol."
    • 37 Metascore
    • 20 Joe Morgenstern
    Amelia Earhart is still missing.
    • 55 Metascore
    • 20 Joe Morgenstern
    This sad excuse for family entertainment tries to enshrine a classic while defacing it.
    • 45 Metascore
    • 20 Joe Morgenstern
    Extraordinary Measures requires extraordinary tolerance for bathos, bombast and plain old unpleasantness.
    • 32 Metascore
    • 20 Joe Morgenstern
    The writing is semicoherent at best, and the buddies of this meandering road trip are not only mismatched but dislikable.
    • 39 Metascore
    • 20 Joe Morgenstern
    What's wrong with this sad fiasco goes far beyond its visual deficits.
    • 39 Metascore
    • 20 Joe Morgenstern
    The movie will surely find an audience, since it speaks to young people's anxieties about marriage and parenting. But what are two particularly engaging performers doing in a dump of a comedy like this?
    • 47 Metascore
    • 20 Joe Morgenstern
    Basically a theme-park version of a tawdry tradition.
    • 28 Metascore
    • 20 Joe Morgenstern
    I wanted to give this movie a fair shake, though I can't pretend to be an admirer of Ayn Rand's writing. But the movie, the first installment of a projected trilogy, doesn't give the book a fair shake.