Joe Morgenstern
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For 1,829 reviews, this critic has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 0.5 points lower than other critics. (0-100 point scale)

Joe Morgenstern's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Compliance
Score distribution:
1,829 movie reviews
    • 45 Metascore
    • 20 Joe Morgenstern
    J.Lo should sue her handlers for damages.
    • Wall Street Journal
    • 45 Metascore
    • 30 Joe Morgenstern
    Mr. Samuell's stylistic revelries are meant as comments on the conventions and excesses of movie romance, but his approach is glib and self-congratulatory. No feelings dwell beneath the layers upon layers of faux-naïve artifice. I dare you to sit through this movie and not wish you were somewhere else.
    • Wall Street Journal
    • 45 Metascore
    • 30 Joe Morgenstern
    The movie stands as a genuine offense against the venerable and indispensable institution of satire.
    • Wall Street Journal
    • 45 Metascore
    • 30 Joe Morgenstern
    The IMAX print I saw was so murky as to make you give thanks for the few scenes shot in simple sunlight, the 3-D wasn't worth the bother, and never before have I wanted to chloroform an entire orchestra.
    • 45 Metascore
    • 10 Joe Morgenstern
    An abomination.
    • Wall Street Journal
    • 45 Metascore
    • 30 Joe Morgenstern
    A saga of static set pieces and strenuously clever notions, this is a fiasco of a film if ever there was one.
    • Wall Street Journal
    • 45 Metascore
    • 30 Joe Morgenstern
    Its tone is unquenchably pretentious, and its scale is overblown.
    • Wall Street Journal
    • 45 Metascore
    • 30 Joe Morgenstern
    This is little more than a big-budget sitcom, with a guest appearance by Mike Ditka, who plays an unfunny version of himself as Phil's assistant coach.
    • Wall Street Journal
    • 45 Metascore
    • 20 Joe Morgenstern
    Calling Joe Carnahan's movie heartless implies that this auteur of affectless anarchy might have meant to invest it with detectable human feelings, and failed. Better to call it heart-free.
    • Wall Street Journal
    • 45 Metascore
    • 30 Joe Morgenstern
    Some of it sputters, settling for smiles instead of laughs, and much of it flounders while the slapdash script searches, at exhausting length, for ever more common denominators in toilet humor.
    • 45 Metascore
    • 30 Joe Morgenstern
    Country Strong comes to spontaneous life from time to time, despite maudlin devices and manipulative set pieces.
    • 45 Metascore
    • 10 Joe Morgenstern
    Looks like the deformed spawn of a development process gone awry.
    • Wall Street Journal
    • 45 Metascore
    • 20 Joe Morgenstern
    It's not a good sign when a movie is called The Break-Up and you can't wait for the couple to split so they'll get some relief from one another, and give the audience some relief from them.
    • Wall Street Journal
    • 44 Metascore
    • 10 Joe Morgenstern
    Alan Arkin does the best trick, bringing a dollop of humanity to the role of Rance Holloway, the magician who was young Burt's inspiration. Apart from Rance, the whole production is slovenly nonsense, photographed on the cheap with blaring ghastliness. Yet it poses an intriguing mystery. Did the producers appeal to a denominator even lower than common by making their film as dumb as possible, or did it just turn out that way?
    • 44 Metascore
    • 30 Joe Morgenstern
    Oz the Great and Powerful, like so many products of movie studios that have lost their way, is a Tin Man of epic proportions — bright and shiny, with no heart.
    • 44 Metascore
    • 20 Joe Morgenstern
    Choose to pass this one up.
    • Wall Street Journal
    • 44 Metascore
    • 10 Joe Morgenstern
    Littered with low points -- lame comedy, dubious history, fumbling drama and a love story so inept as to make a pacifist long for war.
    • Wall Street Journal
    • 44 Metascore
    • 30 Joe Morgenstern
    If claustrophobia's your style, The Jacket is a perfect fit.
    • Wall Street Journal
    • 44 Metascore
    • 10 Joe Morgenstern
    It's a bad idea done disastrously.
    • Wall Street Journal
    • 44 Metascore
    • 30 Joe Morgenstern
    Stepping is everything in Stomp the Yard, and, dare I say it, a stepping stone to DJ's redemption. The movie itself is redeemed -- slightly -- by its almost touching devotion to the hoary Hollywood traditions of college movies with battling frats, as well as its earnest endorsement of education.
    • Wall Street Journal
    • 44 Metascore
    • 30 Joe Morgenstern
    The movie as a whole is nonsensical. And long. And slow. And head-poundingly loud as it culminates in slavering horror.
    • Wall Street Journal
    • 44 Metascore
    • 0 Joe Morgenstern
    In addition to being borderline unendurable, Funny Games is inexplicable, and I don't mean in any philosophical sense.
    • 44 Metascore
    • 20 Joe Morgenstern
    What was fresh and surprising in Las Vegas turns rancid and predictable in Bangkok.
    • 44 Metascore
    • 30 Joe Morgenstern
    Since Mary rarely gets to see any of the good stuff, neither do we; Dr. Jekyll hides most of his switcheroos behind closed doors. [23 Feb 1996]
    • Wall Street Journal
    • 44 Metascore
    • 20 Joe Morgenstern
    It's bad enough to make parable a four-letter word.
    • Wall Street Journal
    • 43 Metascore
    • 10 Joe Morgenstern
    The nadir of the movie -- or cheesy zenith -- is Ollie's sodden soliloquy, delivered in the presence of his baby, in which he laments the loss of her mother and his wife. All that's missing are the strains of Ravel's "Pavane For a Dead Princess."
    • Wall Street Journal
    • 43 Metascore
    • 30 Joe Morgenstern
    The Shaggy Dog is paint, or more appropriately here, pant by the numbers. It also manages a one-two punch -- it will upset small children and bore their parents. There's just no other way to say this: Disney, that movie of yours is a dog.
    • Wall Street Journal
    • 43 Metascore
    • 10 Joe Morgenstern
    Lacks both taste and flavor.
    • Wall Street Journal
    • 43 Metascore
    • 10 Joe Morgenstern
    Too labored to be romantic and too derivative to be funny.
    • Wall Street Journal
    • 43 Metascore
    • 30 Joe Morgenstern
    The remake has no grace notes, or grace, no nuance, no humanity, no character quirks, no surprises in the dialogue and no humor.