Joe Morgenstern
Select another critic »
For 1,867 reviews, this critic has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 0.4 points lower than other critics. (0-100 point scale)

Joe Morgenstern's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 The Kids Are All Right
Lowest review score: 0 Bedtime Stories
Score distribution:
1,867 movie reviews
    • 40 Metascore
    • 30 Joe Morgenstern
    Mr. Beall, a former LAPD cop, has written a script so devoid of feeling that the cartoons blur into thin line drawings, while what's been done with the marvelous Ms. Stone - i.e. next to nothing - is downright criminal.
    • 40 Metascore
    • 10 Joe Morgenstern
    Why, beating the audience about the ears, eyes and brain with essentially the same sequence of events from eight characters' points of view, none of which adds much more than deafening hysteria and identically dreadful music. The filmmakers seem to have missed the point that each re-enactment in "Rashomon" provides new and conflicting information. It makes you wonder if they studied the wrong movie. Maybe they rented "Rush Hour," or a video on Rosh Hashanah.
    • 40 Metascore
    • 30 Joe Morgenstern
    An experience best likened to being battered by hurricane-force winds generated by an organ with all stops pulled permanently out.
    • Wall Street Journal
    • 40 Metascore
    • 10 Joe Morgenstern
    Adds up to one numbingly unfunny comedy.
    • Wall Street Journal
    • 40 Metascore
    • 30 Joe Morgenstern
    The result is a movie groping for a comic tone while its FX machinery spews vast clouds of visual gibberish.
    • Wall Street Journal
    • 40 Metascore
    • 20 Joe Morgenstern
    After missing the film on the small screen the first time around, I recently watched it on video, and can only conclude that my screen wasn't small enough.
    • Wall Street Journal
    • 40 Metascore
    • 10 Joe Morgenstern
    What's never explained is why anyone would do such a dumb remake of Robert Wise's 1951 sci-fi classic.
    • 40 Metascore
    • 20 Joe Morgenstern
    The movie drills itself into our skulls, which are all too vulnerable to such an assault, though I must say my brain glazed over and my heart turned adamantine while the stupidities of this action thriller played themselves out.
    • 39 Metascore
    • 30 Joe Morgenstern
    Green Lantern was meant to be a sci-fi adventure, but it proves to be a genuine mystery. How could its megamoola budget have yielded a production that looks almost as tacky as "Flash Gordon" (which had the good grace to deprecate itself at every turn)?
    • 39 Metascore
    • 10 Joe Morgenstern
    Let's give this ghastly studio comedy a Truthiness in Advertising award, if nothing else.
    • 39 Metascore
    • 20 Joe Morgenstern
    What's wrong with this sad fiasco goes far beyond its visual deficits.
    • 39 Metascore
    • 10 Joe Morgenstern
    The film's only unqualified success is the end title sequence-because it's genuinely stylish, because it looks like it was shot in genuine 3-D and, most of all, because it's the end.
    • 39 Metascore
    • 30 Joe Morgenstern
    If you go to see this sloppy sitcom, in which Mr. Martin plays a divorced, repressed lawyer named Peter Sanderson, do expect to be surprised, seduced and entertained by Queen Latifah.
    • Wall Street Journal
    • 39 Metascore
    • 20 Joe Morgenstern
    Disney's National Treasure is supposed to be family-friendly, a PG-rated action adventure free of hard violence and bad language. That's admirable, to be sure, but with a friend like this a family doesn't need sleeping pills.
    • Wall Street Journal
    • 39 Metascore
    • 20 Joe Morgenstern
    Do not attempt to see this film, derived loosely from the videogame of the same name, unless you're prepared for wobbly writing, lead-footed direction and acting that must have been boosted by nitrous-oxide injectors, plus a starring performance that could have used a boost and didn't get one.
    • 39 Metascore
    • 30 Joe Morgenstern
    Less than the sum of its parts, which were problematic to begin with.
    • 39 Metascore
    • 20 Joe Morgenstern
    The movie will surely find an audience, since it speaks to young people's anxieties about marriage and parenting. But what are two particularly engaging performers doing in a dump of a comedy like this?
    • 39 Metascore
    • 30 Joe Morgenstern
    There's no zest to the general depravity, no coherence to the script or the spectacle -- clarity is missing in some of the camera work -- and, most important, no character to give a Greek fig about.
    • Wall Street Journal
    • 38 Metascore
    • 20 Joe Morgenstern
    Consider this more a consumer warning than a movie review: The Life Before Her Eyes will draw you in, then intrigue you, then bore you, then bewilder you, then make you crazy with its incessant flashbacks and flash forwards, and finally leave you feeling like the victim of a fraud.
    • 38 Metascore
    • 30 Joe Morgenstern
    Mr. Gooding is out there in almost every scene, and the destruction of his once-promising career proceeds apace.
    • Wall Street Journal
    • 38 Metascore
    • 30 Joe Morgenstern
    The production renders totally irrelevant all hopes for a well-made movie. It's one of those ragged, pandemonious studio comedies that hammers at plot points in every contrived scene.
    • 38 Metascore
    • 10 Joe Morgenstern
    This shabby enterprise gets so many things so wrong that it freezes your face into a cringe.
    • Wall Street Journal
    • 38 Metascore
    • 30 Joe Morgenstern
    Ms. Hudson makes the most of her role, even though that's not saying so very much -- the writing is terribly thin -- while John Corbett gives an unaccountably clumsy performance as a romantic pastor. Joan Cusack gets the funniest lines as Helen's sister, a model of boring mommyhood, but she also stops the movie dead in its tracks every time she plays a scene.
    • Wall Street Journal
    • 38 Metascore
    • 30 Joe Morgenstern
    Long after lice from her children's school infested Kate's scalp, I was scratching my head about why a 91-minute movie seemed so long. The answer came from reframing the question. Why was a string of sitcom problems stretched to 91 minutes?
    • 38 Metascore
    • 10 Joe Morgenstern
    This noirish, sourish thriller left me unmoving as well as unmoved.
    • Wall Street Journal
    • 38 Metascore
    • 10 Joe Morgenstern
    Certainly trashy, but, stripped of Mr. Diesel's services and directed by John Singleton, it's a no-go Yugo in muscle-car sheet metal.
    • Wall Street Journal
    • 38 Metascore
    • 10 Joe Morgenstern
    Wayne Kramer's interlocking saga of immigration in 21st-century America definitely crosses over, from workaday mediocrity to distinctive dreadfulness.
    • 37 Metascore
    • 30 Joe Morgenstern
    Men, Women & Children touches many nerves, but then pinches and twists them with its ham-handed approach to social commentary. I worry about Mr. Reitman, a filmmaker of consequence who is still too young to be so cosmic. Time to lighten up and come back down to Earth.
    • 37 Metascore
    • 20 Joe Morgenstern
    Amelia Earhart is still missing.
    • 37 Metascore
    • 10 Joe Morgenstern
    Manages the dubious trick of being both execrable and boring.
    • Wall Street Journal

Top Trailers