For 899 reviews, this critic has graded:
  • 25% higher than the average critic
  • 3% same as the average critic
  • 72% lower than the average critic
On average, this critic grades 10.8 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
Average review score: 48
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
899 movie reviews
    • Metascore: 34
    • Joe Neumaier 30
    Such a lazy action-drama underachiever, it seems unfair to target stars Jamie Foxx and Gerard Butler for bringing their C game.
    • Metascore: 58
    • Joe Neumaier 30
    Brothers tries to delve into how war can tear families apart, but only succeeds in showing how miscasting and melodrama obscure good intentions.
    • Metascore: 60
    • Joe Neumaier 30
    Gets old fast.
    • Metascore: 40
    • Joe Neumaier 30
    There's an art to making a good spoof, but good luck finding it in Dance Flick, not only because the movie goes for easy toilet humor, but because it often relies on it to stay afloat.
    • Metascore: 30
    • Joe Neumaier 30
    If Marmaduke achieves anything, it's that it makes this past spring's "Furry Vengeance" look like a masterpiece by comparison.
    • Metascore: 51
    • Joe Neumaier 30
    This empty, immature romantic comedy ultimately feels as if it's filled with all the hot air that separates New York and San Francisco, yet still manages to be a suffocating bore.
    • Metascore: 43
    • Joe Neumaier 30
    Less the opulent retelling she (Taymor) intended and more like a high-minded midnight movie, filled with Ricky's-style costumes, black swans, sprites that flit across the screen and a cave filled with boiling beakers.
    • Metascore: 17
    • Joe Neumaier 30
    This pseudo-punkster hybrid of "Heathers" and "Thelma & Louise" loses its way almost immediately, veering from wannabe-shocking social indictment to stultifyingly obvious yawner.
    • Metascore: 42
    • Joe Neumaier 20
    This sock-it-to-'em souffle falls very quickly, unless watching Travolta trying on another faux-hip look is considered fun.
    • Metascore: 42
    • Joe Neumaier 20
    Peter Jackson siphoned out all the soulfulness that made the author's combination thriller/afterlife fantasy a best-seller. In its place is a gumball-colored potboiler that's more squalid than truly mournful.
    • Metascore: 69
    • Joe Neumaier 20
    The film is an exasperating bore.
    • Metascore: 35
    • Joe Neumaier 20
    A cringe-inducing, self-consciously kooky indie comedy that's best enjoyed for its taste of Rip Torn.
    • Metascore: 28
    • Joe Neumaier 20
    The movie soon turns into only a production-designed run-and-chase game, and our curiosity about what happened to Earth and the crew is teased and teased again until the movie’s big letdown of a reveal.
    • Metascore: 27
    • Joe Neumaier 20
    What the movie needs more than anything else is a fast-forward button.
    • Metascore: 49
    • Joe Neumaier 20
    Von Trier ("Breaking the Waves," "Dogville") has no barriers, which absolutely can be a good thing. Here, though, his uninhibited nature is an omen of the pretentious butchery to come.
    • Metascore: 17
    • Joe Neumaier 20
    Since Bullock coproduced this masochistic venture, it seems she buys into the idea that fluffer-nut ditziness is what she does best. Except it isn't.
    • Metascore: 47
    • Joe Neumaier 20
    The cozy sentimentality in The Time Traveler's Wife is the only thing that grounds it. Mostly it's just featherheaded.
    • Metascore: 37
    • Joe Neumaier 20
    Tis embalmed drama is a ghost from the '80s, a decade that regularly produced surprise-free, caramelized biopics. The airless Amelia is missing practically everything.
    • Metascore: 30
    • Joe Neumaier 20
    One we wish we hadn't seen
    • Metascore: 60
    • Joe Neumaier 20
    Where on the evolutionary scale of wacky-dudes-learn-to-grow-up movies does Role Models fall? Certainly less evolved than "Meatballs," but head and hairy knuckles above "Daddy Day Care" or "The Benchwarmers."
    • Metascore: 7
    • Joe Neumaier 20
    It takes a really bad stupid comedy to make you appreciate well-done stupid comedies. And boy is Miss March a stupid comedy.
    • Metascore: 38
    • Joe Neumaier 20
    What this heavy-handed film mainly has to endure is a clunky story structure and an ending that wasn't original when it was seen four decades ago on "The Twilight Zone."
    • Metascore: 20
    • Joe Neumaier 20
    Stein's schlumpy presence is disarming, though his know-it-all nature is at odds with his free-speech posing.
    • Metascore: 24
    • Joe Neumaier 20
    An atrocious, idiotic 88 minutes of anti-entertainment. To borrow word-shtick from the guru Pitka, it's AWFUL as in, "Anyone Watching Feels, Um, Loser-ish."
    • Metascore: 52
    • Joe Neumaier 20
    At 67, maestro Argento's taste still runs toward bloody entrails and eye-gougings, but Asia's sexy sour-lemon smile is underused in his movies.
    • Metascore: 51
    • Joe Neumaier 20
    So that's three snickers, not counting the Bush quote, 'cause including that one ain't fair, man.
    • Metascore: 36
    • Joe Neumaier 20
    And then there is the most annoying animated sidekick in a long time: a bulb-headed, trying-to-be-cute glow creature called Kilowatt (Kristen Chenoweth), who sings an ear-piercing, high-pitched note when it's scared, which is often.
    • Metascore: 22
    • Joe Neumaier 20
    Another preachy, overacted message film that owes its out-of-time structure to "21 Grams" and "Babel," except writer-director Charles Oliver uses the idea of restorative justice.
    • Metascore: 35
    • Joe Neumaier 20
    The latest indignity.
    • Metascore: 62
    • Joe Neumaier 20
    Jamie Bell gives a watchable performance in this self-conscious, coming-of-age drama, though the film's overall effect is best described as David Lynch lite.