For 1,100 reviews, this critic has graded:
  • 26% higher than the average critic
  • 2% same as the average critic
  • 72% lower than the average critic
On average, this critic grades 10.7 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
Average review score: 48
Highest review score: 100 Before Midnight
Lowest review score: 0 Splice
Score distribution:
1,100 movie reviews
    • 72 Metascore
    • 100 Joe Neumaier
    Zipper captures the erasing of one of New York’s most unique stamps by cartoon businesspeople with dollar signs for eyeballs.
    • 83 Metascore
    • 100 Joe Neumaier
    The most gripping based-on-fact film so far this year.
    • 96 Metascore
    • 100 Joe Neumaier
    A thrill ride with a brain.
    • 97 Metascore
    • 100 Joe Neumaier
    McQueen has made a film comparable to “Schindler’s List” — art that may be hard to watch, but which is an essential look at man’s inhumanity to man. It is wrenching, but 12 Years a Slave earns its tears in a way few films ever do.
    • 90 Metascore
    • 100 Joe Neumaier
    There’s a great fever-dream quality to David O. Russell’s American Hustle that instantly reels you in.
    • 54 Metascore
    • 100 Joe Neumaier
    The story Stiller tells manages to float in a most peculiar, satisfying way.
    • 79 Metascore
    • 80 Joe Neumaier
    The result is the first comic-book movie in a while that actually feels like a classic comic book: fast, furious and flip. Forget about superheroes with love problems and tortured souls.
    • 65 Metascore
    • 80 Joe Neumaier
    Entertaining, inventive and old-fashioned in the best way.
    • 80 Metascore
    • 80 Joe Neumaier
    Entertaining, smart and snappy, this terrific doc, a Sundance favorite, digs into the country's use of steroids and how it affects sports, pop culture and the self-image of young men.
    • 94 Metascore
    • 80 Joe Neumaier
    Rotates around a rusty little robotic hero who's built, as the movie is, with such emotion, brains and humor that whole universes exist in his whirring tones and binocular eyes.
    • 78 Metascore
    • 80 Joe Neumaier
    It was a true media circus, and despite Polanski's work before and since, the film shows how it will forever be his first association in the public consciousness. In the U.S., at least.
    • 89 Metascore
    • 80 Joe Neumaier
    History has made his midair stroll meaningful, but the film shows how even then, everyone - from Petit to his accomplices to the cops who were waiting for him atop the North Tower - recognized the stunt's crazy poetry.
    • 56 Metascore
    • 80 Joe Neumaier
    What he does do finally in this funny, refreshing movie is assert how unrestrained religiosity could guarantee the "end days" many of his subjects admit to looking forward to.
    • 52 Metascore
    • 80 Joe Neumaier
    A fast-moving, rock 'em-sock 'em movie that continues the man-vs.-machines series begun 25 years ago.
    • 56 Metascore
    • 80 Joe Neumaier
    W.
    A measured and thoughtful meditation on a leader who, this terrific movie believes, inadvertently made the world as roiling as his soul.
    • 69 Metascore
    • 80 Joe Neumaier
    As a whole, Sam Mendes' film of Revolutionary Road comes close but falls short of capturing Richard Yates' terrific novel.
    • 70 Metascore
    • 80 Joe Neumaier
    Benjamin never questions his fate and ­never actually gets to enjoy being a kid. At least there's a thoughtful middle part, where the enigmatic Blanchett comes alive and Benjamin seems haunted by life -- someone we recognize, and not just a vessel tossed about by time.
    • 69 Metascore
    • 80 Joe Neumaier
    This is a role that the Julia Roberts of 1999 couldn't have played, and that's fine. The one we have here is much better.
    • 81 Metascore
    • 80 Joe Neumaier
    A memorable, monstrous fable that's consistently gripping.
    • 76 Metascore
    • 80 Joe Neumaier
    A romantic comedy that feels like real life.
    • 71 Metascore
    • 80 Joe Neumaier
    The film treats kids' inner lives as more than a fantasy, which is a rare and beautiful thing.
    • 55 Metascore
    • 80 Joe Neumaier
    A fast and relentless hostage thriller that never stops.
    • 74 Metascore
    • 80 Joe Neumaier
    One of the best indie films of the year, Humpday is a lighter descendant of "sex lies and videotape," yet burrows just as deep into the male psyche and the human capacity for self-deceit.
    • 64 Metascore
    • 80 Joe Neumaier
    Intense and, yes, depressing - and earns every minute that it rattles inside your head.
    • 57 Metascore
    • 80 Joe Neumaier
    Downey has a winning take on Holmes: He's always on.
    • 68 Metascore
    • 80 Joe Neumaier
    Has a mature tapestry of characters, a welcome sense of humor and, most crucially, a lovely Juliette Binoche.
    • 85 Metascore
    • 80 Joe Neumaier
    Watch Mulligan's face as she goes from weary to awakened, and see it all come together.
    • 67 Metascore
    • 80 Joe Neumaier
    The late King of Pop delivers.
    • 63 Metascore
    • 80 Joe Neumaier
    The cast is strong, and Damon is a dependable center for all this, a classic American good guy wanting to know what's rotten and why.
    • 47 Metascore
    • 80 Joe Neumaier
    Here, the actor (Di Niro) dials it down and wins us over.