For 1,143 reviews, this critic has graded:
  • 26% higher than the average critic
  • 2% same as the average critic
  • 72% lower than the average critic
On average, this critic grades 10.5 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
Average review score: 49
Highest review score: 100 Wall Street: Money Never Sleeps
Lowest review score: 0 Intruders
Score distribution:
1,143 movie reviews
    • 60 Metascore
    • 60 Joe Neumaier
    Despite a pleasantly laid-back demeanor, you wish it would just get focused.
    • 65 Metascore
    • 60 Joe Neumaier
    Keshavarz's vision is clear and heartfelt, and everyone has an urgency in their eyes.
    • 57 Metascore
    • 60 Joe Neumaier
    Though he has a true appreciation for detail, Joffe has the scar-faced Pinkie so scurvy that Rose ought to run the minute she sees him.
    • 44 Metascore
    • 60 Joe Neumaier
    The jokes are hit-and-miss, but the cast is uniformly game, with Labine stealing the show.
    • 71 Metascore
    • 60 Joe Neumaier
    Has moments of power that push through a fake-out script.
    • 58 Metascore
    • 60 Joe Neumaier
    To see these children of waitresses, salon workers and fathers on disability burdened because they stepped up is humanizing and heartbreaking.
    • 73 Metascore
    • 60 Joe Neumaier
    Lengthy clips of leaders including Angela Davis and Stokely Carmichael bring us back to emotional moments in this country's history.
    • 49 Metascore
    • 60 Joe Neumaier
    Though Lorenz Knauer's film is as thoughtful as his subject - with a break for interviews with Pierce Brosnan and Goodall's fellow UN Goodwill Ambassador Angelina Jolie - the study of chimps is given short shrift.
    • 57 Metascore
    • 60 Joe Neumaier
    Transporting as it is, this doc leaves a bad taste in your mouth, if just for the ill will it drudges up.
    • 64 Metascore
    • 60 Joe Neumaier
    Parents should know that the ending makes the last moments of this family-friendly documentary as tough as "Bambi." But the lessons about friendship are gigantic, indeed.
    • 61 Metascore
    • 60 Joe Neumaier
    Director Mateo Gill's autumnal movie has elements of other late-era Westerns in its blood, but it isn't easily pigeonholed. There are shootouts and standoffs, as well as great scenes like one between the grizzled, perfectly cast Shepard and Rea discussing the cost of criminality and the changing morals of old men.
    • 69 Metascore
    • 60 Joe Neumaier
    There's as much social history of L.A.'s racial divide as there is appreciation for the band's big, genre-crossing sound. It all comes together for a rollicking chronicle of verve and nerve.
    • 49 Metascore
    • 60 Joe Neumaier
    In terms of scares, this old-fashioned Thing is better than most new things.
    • 53 Metascore
    • 60 Joe Neumaier
    This one could have flown over the cuckoo's nest, or smacked into a glass pane, but instead lands in the middle of the road where quirky and popular meet.
    • 70 Metascore
    • 60 Joe Neumaier
    Almodovar makes some missteps in his icky mélange of melodrama and mischief, but the end result is playfully devious.
    • 67 Metascore
    • 60 Joe Neumaier
    One of the many beautiful things about this affecting, informative doc is the opportunity it gives to see the American college sports world through different eyes.
    • 49 Metascore
    • 60 Joe Neumaier
    Carla Gugino has yet to find the right movie that clicks with her spunky outsider appeal, but The Mighty Macs, a gauzy, inspiring true-life drama about a girls' basketball team, at least gets her close and provides a lot of assists.
    • 56 Metascore
    • 60 Joe Neumaier
    Luckily, the cast is comfortable going with the flow. Ribisi is amusingly corrosive, while Jenkins and Rispoli are sweaty, cigar-chomping movie-journalist archetypes.
    • 46 Metascore
    • 60 Joe Neumaier
    Director Nick Hamm's movie is sparky and fun, and full of affectionate pokes at the '80s music scene. It's also, in terms of music biopics, probably better than the real thing.
    • 58 Metascore
    • 60 Joe Neumaier
    This well-made, elegant doc follows the British actress as she travels and discusses life, art, fashion, sex and death with various friends and collaborators, including novelist Paul Auster and photographer Peter Lindbergh.
    • 59 Metascore
    • 60 Joe Neumaier
    At least Leonardo DiCaprio, grounded and sure, has commitment to spare. His portrayal of Hoover is undeniably terrific.
    • 80 Metascore
    • 60 Joe Neumaier
    Lars von Trier's end-of-days drama Melancholia feels as if it's something from another world...but even by his standards this remote yet lovely funereal dirge is in its own orbit.
    • 59 Metascore
    • 60 Joe Neumaier
    It doesn't try too hard, but what The Lie is working at, in its unassuming, amusing way, is a mini-portrait of growing pains in a time of extended adolescence. The truth is, that kind of thing is never easy, no matter what age.
    • 65 Metascore
    • 60 Joe Neumaier
    Peter Mullan and Olivia Colman give such hard-as-nails, lived-in performances in this stark drama directed by Irish actor Paddy Considine ("In America," "Cinderella Man") that it's impossible not to be pulled in.
    • 69 Metascore
    • 60 Joe Neumaier
    All of the actors' vocal performances are spot-on, including McAvoy's gentle Arthur, Nighy's salty GrandSanta and Ashley Jensen's cute stowaway elf Bryony, a chipper little pixie that would make Rudolph's pal Hermey proud.
    • 70 Metascore
    • 60 Joe Neumaier
    Harrelson though, is in every scene, and seeing him burn up Rampart is positively arresting.
    • 44 Metascore
    • 60 Joe Neumaier
    There is also inspiration in watching her find herself by helping others.
    • 68 Metascore
    • 60 Joe Neumaier
    This is a mother's tale, and in Swinton's expert hands, Eva must ultimately deal with the fallout from an uncomfortable truth: She just never liked her kid.
    • 65 Metascore
    • 60 Joe Neumaier
    While the film becomes slightly redundant, the anger and strife its characters cannot overcome is awful, poetic and, frankly, astonishing.
    • 61 Metascore
    • 60 Joe Neumaier
    It's a shame neither actress can truly "go for the jugular," as Alan says at one point. This is a work that would allow for it.