For 1,253 reviews, this critic has graded:
  • 27% higher than the average critic
  • 3% same as the average critic
  • 70% lower than the average critic
On average, this critic grades 10.7 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 The Social Network
Lowest review score: 0 Goats
Score distribution:
1,253 movie reviews
    • 53 Metascore
    • 60 Joe Neumaier
    The problem with Russell Crowe's new take on the legend is that it has one muddy boot in history and the other in fantasy. The middling result is far from a bull's-eye.
    • 63 Metascore
    • 60 Joe Neumaier
    Interviews with survivors fill us in on the personalities of the lost, but the background of K2, with archival footage from 1954, is equally gripping.
    • 76 Metascore
    • 60 Joe Neumaier
    And always there’s Wojtowicz himself, who died in 2006. His patter and persona must be seen to be believed. This guy was a piece of work, and so is The Dog.
    • 65 Metascore
    • 60 Joe Neumaier
    While the film becomes slightly redundant, the anger and strife its characters cannot overcome is awful, poetic and, frankly, astonishing.
    • 60 Metascore
    • 60 Joe Neumaier
    Unfortunately, the fantasy-thriller they're in eventually falls apart, becoming a much sillier, less substantial movie than its lead actors deserve.
    • 83 Metascore
    • 60 Joe Neumaier
    The movie’s spell is solid, even if it doesn’t soar to the heights it could.
    • 73 Metascore
    • 60 Joe Neumaier
    Part of the problem with "P&F" is that Tiana and Naveen's connection feels superficial.
    • 69 Metascore
    • 60 Joe Neumaier
    A snapshot of several New York eras that coincide with the Internet's growing pains, We Live in Public focuses on entrepreneur, party-thrower and dot.com bubble participant Josh Harris.
    • 60 Metascore
    • 60 Joe Neumaier
    The film winds up as a chronicle of uneasy forgiveness.
    • 72 Metascore
    • 60 Joe Neumaier
    Like its antiheroes, this slacker tragedy has moments of calm and originality that are sadly obliterated by a tendency toward the extreme. Still, in a kind of reverse apocalypse, the movie's toughest stretch is its first two-thirds, a navel-gazing, semi-romantic nothing-a-thon that falls away in time for the movie to emerge from the ashes.
    • 55 Metascore
    • 60 Joe Neumaier
    Any movie with food as a motif runs the risk of pouring on the metaphor, and that happens here, too.
    • 74 Metascore
    • 60 Joe Neumaier
    Joe
    Joe and director David Gordon Green find a middle ground between the old, vulnerable Cage and the one that seemed to eat that other guy. Good to have him back.
    • 55 Metascore
    • 60 Joe Neumaier
    Without pushing too heavily, Green makes the parallels between Enrique and Michael's situations genuine.
    • 57 Metascore
    • 60 Joe Neumaier
    Spottiswoode relays this tragic story with respect and sadness. But Michael Donovan's script is stuffed with clichés, and Dupuis is unable to convey the depth of Dallaire's emotions.
    • 58 Metascore
    • 60 Joe Neumaier
    Here, it's all Bardem, and this great actor's careworn face and sensitive presence counts for a lot. He ultimately can't save the soul of Biutiful, but he makes the journey easier.
    • 77 Metascore
    • 60 Joe Neumaier
    Saulnier accomplishes something rare here. He has an ability to convey depth of feeling and ominousness without tricks or even musical cues.
    • 72 Metascore
    • 60 Joe Neumaier
    Pieced together, these behind-the-scenes moments are a thrill for history buffs. From the moon landing to the resignations, this is raw Nixon.
    • 56 Metascore
    • 60 Joe Neumaier
    There's just some great imitations of what remains an acquired taste.
    • 68 Metascore
    • 60 Joe Neumaier
    Scenes of Favreau at the grill bantering with Leguizamo and Cannavale could almost sustain an entire movie.
    • 61 Metascore
    • 60 Joe Neumaier
    While Lomborg is an engaging though sometimes smug subject, director Ondi Timoner allows a coterie of scientists to spend too much time puncturing Gore than propping up Lomborg - who comes off as charismatic and engaged but, ultimately, merely a contrarian.
    • 56 Metascore
    • 60 Joe Neumaier
    Luckily, the cast is comfortable going with the flow. Ribisi is amusingly corrosive, while Jenkins and Rispoli are sweaty, cigar-chomping movie-journalist archetypes.
    • 45 Metascore
    • 60 Joe Neumaier
    Any film as politically specific as Miral needs to be addressed on two levels, as a movie and as, from a certain viewpoint, a polemic. If a viewer can separate one from the other - and some may not - there's an intense, novelistic drama here.
    • 55 Metascore
    • 60 Joe Neumaier
    Whether it works is a matter of taste, but the fact that Burton's revisit unearths enough fun while feeling like four films in one is testament to the source's seductive bloodline.
    • 39 Metascore
    • 60 Joe Neumaier
    Before it devolves into typical American-style action, there’s an intriguing, European-style complexity to Dead Man Down.
    • 61 Metascore
    • 60 Joe Neumaier
    Unfortunately, Elysium devolves. It doesn’t address the ramifications of making everyone healthy for eternity, or what it is on Earth they’re making or digging up that fuels whatever economy is left on the space station. For such a well thought-out premise, there’s not a mention of how capitalism works in this futureworld.
    • 49 Metascore
    • 60 Joe Neumaier
    Leave it to Spike Lee to deliver one of the strangest, most off-putting movies for the Thanksgiving holiday.
    • 56 Metascore
    • 60 Joe Neumaier
    The movie covers all the bases, but doesn’t advance the story.
    • 55 Metascore
    • 60 Joe Neumaier
    In a pleasing contrast to Fey's sharpness, Poehler keeps her performance unpredictable and fuzzy. In this just-add-water comedy, a very funny movie star is born.
    • 58 Metascore
    • 60 Joe Neumaier
    The modern, gritty Western Frontera takes a lot of the clichés and delicately upends them to tell a tale about undocumented immigrants.
    • 60 Metascore
    • 60 Joe Neumaier
    Nachmanoff fills the movie with a sense of gripping, '70s-style grittiness that helps undercut the web-of-evil tone.

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