For 1,297 reviews, this critic has graded:
  • 27% higher than the average critic
  • 3% same as the average critic
  • 70% lower than the average critic
On average, this critic grades 10.9 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 The Way, Way Back
Lowest review score: 0 5 Days of War
Score distribution:
1,297 movie reviews
    • 82 Metascore
    • 80 Joe Neumaier
    Filled with striking images and the ghosts of lives lived in hardship and war, Incendies is tough but impactful.
    • 86 Metascore
    • 80 Joe Neumaier
    This superb, cerebral film about unchecked belief is a fictionalized and cutting drama hinging on the origins of Scientology. Scratch around a bit, though, and its wider indictments become clear.
    • 56 Metascore
    • 80 Joe Neumaier
    W.
    A measured and thoughtful meditation on a leader who, this terrific movie believes, inadvertently made the world as roiling as his soul.
    • 64 Metascore
    • 80 Joe Neumaier
    Murray is always a delight, but his films with kids (“Meatballs,” “Rushmore,” “The Royal Tenenbaums”) give his unencumbered playfulness even more room to roam.
    • 88 Metascore
    • 80 Joe Neumaier
    Ferguson doesn't aim to entertain; he wants answers, and talks to many of the enabling weasels.
    • 66 Metascore
    • 80 Joe Neumaier
    The man-versus-the-natural world story is in Weir's wheelhouse, and Harris and Farrell get into a scene-stealing duel. Worth the trek.
    • 67 Metascore
    • 80 Joe Neumaier
    Kung Fu Panda 2 plunks down squarely in the spot marked for "chop-socky action with heart."
    • 68 Metascore
    • 80 Joe Neumaier
    What the movie captures overall looks like a scene from a sci-fi, postapocalyptic nightmare.
    • 65 Metascore
    • 80 Joe Neumaier
    Fast-moving, exciting and contains more twists than a tunnel under Checkpoint Charlie.
    • 63 Metascore
    • 80 Joe Neumaier
    The cast is strong, and Damon is a dependable center for all this, a classic American good guy wanting to know what's rotten and why.
    • 58 Metascore
    • 70 Joe Neumaier
    Norton, too, keeps us guessing, though his pseudo-tough-guy line readings (and cornrowed hair) are initially distracting. But his scenes with De Niro -- who fills every twitch or glance with Jack's long-buried guilt -- are the guts of the movie.
    • 64 Metascore
    • 70 Joe Neumaier
    The result is a paper-thin alliance between the old-school Cal and the new-media Della. Crowe, husky and whisky-voiced, is warm amidst all the plot mechanics, and McAdams, perky and efficient, is a smart foil for him.
    • 68 Metascore
    • 70 Joe Neumaier
    Directing the film of Doubt, Shanley is able to put an even finer point on his Tony-and Pulitzer-winning play about suspicion and guilt at a Bronx Catholic grade school in 1964.
    • 61 Metascore
    • 70 Joe Neumaier
    Too bad its wide net ultimately results in diminishing returns.
    • 57 Metascore
    • 70 Joe Neumaier
    The film ends up wrestling itself into a corner, though it's saved by a corrosive central performance from Ryan Gosling and a disconcertingly hypnotic feel.
    • 57 Metascore
    • 70 Joe Neumaier
    This often-witty baby-of-"Broadcast News" tries hard to be liked, like the TV fluff it's built around. The news is that, often, it succeeds.
    • 74 Metascore
    • 70 Joe Neumaier
    Freeman is so in-tune with the former South African president's persona you can't take your eyes off him.
    • 69 Metascore
    • 70 Joe Neumaier
    The Company Men recalls 1946's great post-World War II drama "The Best Years of Our Lives," and the reason isn't simply its trio of protagonists.
    • 65 Metascore
    • 70 Joe Neumaier
    A slow, solid movie that, like Rita, sneaks up on you with its intelligence and pluck.
    • 54 Metascore
    • 70 Joe Neumaier
    While it stops before sliding too far into the darkness,Observe and Report hits a lot of bull's-eyes by aiming for the gut, not easy belly laugh.
    • 61 Metascore
    • 70 Joe Neumaier
    Though this well-observed, wry drama is determined to be quirky, its most endearing quality, like that of its heroines, is a willingness to wallow in foul moods and come out the other side.
    • 82 Metascore
    • 70 Joe Neumaier
    Once Franco's on his own, everything is played across this terrific actor's deceptively goofy face.
    • 43 Metascore
    • 70 Joe Neumaier
    Hawke - continuing an evolution toward stronger, more intense acting than anyone might've predicted from him 20 years ago - drives the movie. He makes Sal a jangled, edgy presence, his conscience torn several ways.
    • 45 Metascore
    • 70 Joe Neumaier
    The three icons ham it up, do some verbal towel-snapping and have fun, which also describes most of this self-conscious adventure movie.
    • 56 Metascore
    • 70 Joe Neumaier
    While the climactic dinner is a bit too much like a circus audition, Roach -- who helmed the "Austin Powers" movies as well as "Meet the Parents" and "Meet the Fockers" -- knows how to enjoy each sideshow.
    • 76 Metascore
    • 70 Joe Neumaier
    The movie may wear its shagginess on its sleeve, but Stiller knows exactly what he’s doing.
    • 74 Metascore
    • 70 Joe Neumaier
    Makes the most of its format, soaring when its young hero rides on his winged reptilian pal, and full of heart and heroism even when its action is grounded.
    • 83 Metascore
    • 70 Joe Neumaier
    Drag Me to Hell is an eyeball-gouging lesson in how to make a genre flick and live to tell about it.
    • 68 Metascore
    • 60 Joe Neumaier
    This is a mother's tale, and in Swinton's expert hands, Eva must ultimately deal with the fallout from an uncomfortable truth: She just never liked her kid.
    • 85 Metascore
    • 60 Joe Neumaier
    Like a more personal, less pretentious version of Alejandro González Iñárritu's "Babel," this spiraling dissection of circumstance, choice and fate is more about thoroughness of vision than tricky storytelling.

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