For 1,222 reviews, this critic has graded:
  • 27% higher than the average critic
  • 3% same as the average critic
  • 70% lower than the average critic
On average, this critic grades 10.5 points lower than other critics. (0-100 point scale)

Joe Neumaier's Scores

  • Movies
  • TV
Average review score: 49
Highest review score: 100 Trashed
Lowest review score: 0 Nymphomaniac: Volume I
Score distribution:
1,222 movie reviews
    • 61 Metascore
    • 70 Joe Neumaier
    Too bad its wide net ultimately results in diminishing returns.
    • 43 Metascore
    • 70 Joe Neumaier
    Hawke - continuing an evolution toward stronger, more intense acting than anyone might've predicted from him 20 years ago - drives the movie. He makes Sal a jangled, edgy presence, his conscience torn several ways.
    • 76 Metascore
    • 70 Joe Neumaier
    The movie may wear its shagginess on its sleeve, but Stiller knows exactly what he’s doing.
    • 74 Metascore
    • 70 Joe Neumaier
    Makes the most of its format, soaring when its young hero rides on his winged reptilian pal, and full of heart and heroism even when its action is grounded.
    • 56 Metascore
    • 70 Joe Neumaier
    While the climactic dinner is a bit too much like a circus audition, Roach -- who helmed the "Austin Powers" movies as well as "Meet the Parents" and "Meet the Fockers" -- knows how to enjoy each sideshow.
    • 45 Metascore
    • 70 Joe Neumaier
    The three icons ham it up, do some verbal towel-snapping and have fun, which also describes most of this self-conscious adventure movie.
    • 58 Metascore
    • 70 Joe Neumaier
    Norton, too, keeps us guessing, though his pseudo-tough-guy line readings (and cornrowed hair) are initially distracting. But his scenes with De Niro -- who fills every twitch or glance with Jack's long-buried guilt -- are the guts of the movie.
    • 69 Metascore
    • 70 Joe Neumaier
    The Company Men recalls 1946's great post-World War II drama "The Best Years of Our Lives," and the reason isn't simply its trio of protagonists.
    • 82 Metascore
    • 70 Joe Neumaier
    Once Franco's on his own, everything is played across this terrific actor's deceptively goofy face.
    • 57 Metascore
    • 70 Joe Neumaier
    This often-witty baby-of-"Broadcast News" tries hard to be liked, like the TV fluff it's built around. The news is that, often, it succeeds.
    • 65 Metascore
    • 70 Joe Neumaier
    A slow, solid movie that, like Rita, sneaks up on you with its intelligence and pluck.
    • 57 Metascore
    • 70 Joe Neumaier
    The film ends up wrestling itself into a corner, though it's saved by a corrosive central performance from Ryan Gosling and a disconcertingly hypnotic feel.
    • 83 Metascore
    • 60 Joe Neumaier
    Avatar clears the hurdle in terms of being optical candy. Its story, though, is pure cheese.
    • 43 Metascore
    • 60 Joe Neumaier
    If you're going to pick the werewolf as your favorite monster, there's a lot to appreciate in the shaggy, imperfect but still fun new version of The Wolf Man.
    • 82 Metascore
    • 60 Joe Neumaier
    Haneke's superb cast provide beautifully measured hints at the disconnect between the ribbon's symbolism and the entire town's unspoken atrocities.
    • 73 Metascore
    • 60 Joe Neumaier
    Part of the problem with "P&F" is that Tiana and Naveen's connection feels superficial.
    • 73 Metascore
    • 60 Joe Neumaier
    The action-comedy Zombieland works because it's played with an emphasis on the living, not the undead.
    • 58 Metascore
    • 60 Joe Neumaier
    Once it's high-concept plot kicks in, Gervais' hilariously self-deprecating persona is really all that keeps it grounded.
    • 68 Metascore
    • 60 Joe Neumaier
    A "Blair Witch"-y creepshow that owes a lot to Japanese horror.
    • 86 Metascore
    • 60 Joe Neumaier
    Trippy in the right way, and wholly enchanting.
    • 66 Metascore
    • 60 Joe Neumaier
    Has two aces going for it: Soderbergh's poking at the maze­like holes in American business and Damon's whirling dervish performance.
    • 70 Metascore
    • 60 Joe Neumaier
    You see the spark of 'this is cool!,' but you don't sense a purpose. The underconceived Public Enemies suffers from that lack of drive, though Johnny Depp is so urgent and charismatic as John Dillinger, he provides enough firepower to make the film legit.
    • 76 Metascore
    • 60 Joe Neumaier
    Adventureland has the structure of a Tilt-a-Whirl ride: It goes where you expect, and may fill you with dread.
    • 56 Metascore
    • 60 Joe Neumaier
    The most pleasant surprise in the movie adaptation of "Watchmen" is the pop-art fusion set off by placing superheroes in a "real" world. The film's biggest challenge – and accomplishment – was making that plausible.
    • 50 Metascore
    • 60 Joe Neumaier
    Director Nimrod Antal’s grungy gang-of-thieves pic is tough and, for this genre, surprisingly ethical.
    • 35 Metascore
    • 60 Joe Neumaier
    Hey, Michael: It's the robots, stupid. Despite all the mechanical mayhem, none of the Transformers stand out.
    • 69 Metascore
    • 60 Joe Neumaier
    Giamatti is one of the few guys who could take a joke about a chickpea-sized soul and make a meal of it.
    • 67 Metascore
    • 60 Joe Neumaier
    Hoffman, Morton and Jon Brion's aching score somehow capture the all-too-human need to get things right. If you're in a certain frame of mind, those moments make up for all the stagecraft.
    • 82 Metascore
    • 60 Joe Neumaier
    An emotionally devastating drama that isn't for the squeamish.
    • 73 Metascore
    • 60 Joe Neumaier
    Overlong but ambitious, Woo proves he's as good at tactical maneuvers as he is at close-quarters combat.

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