For 68 reviews, this critic has graded:
  • 50% higher than the average critic
  • 1% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 12.1 points lower than other critics. (0-100 point scale)

John Anderson's Scores

  • Movies
Average review score: 47
Highest review score: 100 Hard Eight
Lowest review score: 0 Bio-Dome
Score distribution:
  1. Positive: 16 out of 68
  2. Negative: 17 out of 68
68 movie reviews
    • 81 Metascore
    • 90 John Anderson
    Kon's best work yet.
    • 78 Metascore
    • 100 John Anderson
    Anderson, who makes as impressive a directing debut as has been seen in some time, creates a perfectly modulated mystery that doesn't even feel like one. It's a character play, and Hall, Reilly and Paltrow are so convincingly damaged they take on the properties of fine china.
    • 72 Metascore
    • 60 John Anderson
    Veber, also responsible for "The Dinner Game," apparently has a finger on the pulse of French audiences and Gallic-minded Americans, but there's just not a lot of freshness in this Closet.
    • 69 Metascore
    • 80 John Anderson
    Something about Eklavya: The Royal Guard suggests a lost film by David Lean. With some muted echoes of "Hamlet." And a whiff of "Rigoletto."
    • 68 Metascore
    • 60 John Anderson
    Although Born Romantic is sweetly intentioned and staunchly on the side of love, it meanders long to enough to alienate whatever affection it otherwise earns.
    • 66 Metascore
    • 40 John Anderson
    Proyas is trying simultaneously to create a pure thriller and sci-fi nightmare along with his tongue-in-cheek critique of artifice. And this doesn't work out quite so well.
    • 63 Metascore
    • 70 John Anderson
    What she finds is good for her and good for us -- a journey of realization for anyone who's ever felt lost in the crowd.
    • 63 Metascore
    • 80 John Anderson
    Gracefully bittersweet and balanced. [16 April 1999, Calendar, p.F-1]
    • 61 Metascore
    • 50 John Anderson
    The most profound thing the remarkably dread-filled drama Day Night Day Night tells us is what it doesn't tell us.
    • 60 Metascore
    • 70 John Anderson
    Following Woody Allen, Ang Lee and any number of sitcoms, Georgia Lee constructs her well-shot, well-written film around three daughters.
    • 60 Metascore
    • 50 John Anderson
    The difficulty is that Brassed Off operates at an emotional pitch that starts at a crescendo and never relents--rendering almost everything equally inconsequential.
    • 60 Metascore
    • 70 John Anderson
    Steven Soderbergh takes Gray (who appeared in his little-appreciated gem "King of the Hill") places he's never been on-screen. Motion, color and brazen stylizing enhance what is at times a genuinely hysterical work on rationalized terror.[9 May 1997, p.F12]
    • 59 Metascore
    • 40 John Anderson
    That this is the first film for director Joe Mantello, who was nominated for a Tony for directing the stage version, may be compounding the problem. But frankly, if someone wanted to do a parody of a gay film like this, it's hard to imagine the sloganeering being much different.
    • 57 Metascore
    • 60 John Anderson
    Exposes director Khan's stage roots -- he has no feel for the close-up, although his use of the frame itself, and negative space, is occasionally thrilling.
    • 57 Metascore
    • 50 John Anderson
    The cast is really fine, but the script requires a lot of hard swallowing. The story moves along briskly and colorfully but gets further and further from the intimate atmosphere that initially makes it so appealing. [25 Apr 1997]
    • 56 Metascore
    • 40 John Anderson
    A goofball movie, in the way "Malkovich" was, but it tries too hard.
    • tbd Metascore
    • 70 John Anderson
    To resort to strictly ethnocentric references, Fanaa is equal parts MGM extravaganza, Shakespeare lite and James Bond. In their heart of hearts, isn't that what movie audiences really want?
    • 55 Metascore
    • 60 John Anderson
    Hyams the director ("Sudden Death," "Timecop," "The Star Chamber") operates at too much of a fevered pitch for things not to eventually get out of hand -- accelerating violence and horror eventually hit maximum velocity and warp into nonsense, no matter how erudite the script.
    • 55 Metascore
    • 50 John Anderson
    While Amma's teachings of love, inner peace and Karma, or action, resonate in the film -- obviously, Amma is a woman called to God -- her background remains pretty much a mystery. Less National Geographic and more personal history would have added a dimension to "Darshan."
    • 55 Metascore
    • 70 John Anderson
    A virulent but thoroughly entertaining trilogy of tales about the besieged lower classes of Edinburgh, ripe with vulgarity, self-loathing, violence and economic disorder.
    • 54 Metascore
    • 60 John Anderson
    But as Isaac, Rifkin is simply transcendent, giving what is the most accomplished performance of the year. He does not, however, have a completely successful movie around him.
    • 54 Metascore
    • 40 John Anderson
    There's not enough sustained musical momentum to simulate the energy of an actual rave; the characters are likable but unremarkable.
    • 54 Metascore
    • 70 John Anderson
    Odd, funny film.
    • 54 Metascore
    • 60 John Anderson
    It's not that the movie is never funny. It's just that you don't feel very good when it is.
    • 54 Metascore
    • 70 John Anderson
    In addition to its terrifically bratty performance by the epically bratty Posey, House of Yes contains some of the smarter (and smarter-assed) writing of the year.
    • 53 Metascore
    • 40 John Anderson
    The movie thus moves from truly creepy to truly inane, which is, unfortunately, all too common in films of this ilk.
    • 52 Metascore
    • 60 John Anderson
    It's doubtful Milarepa will be opening in Beijing any time soon; all the more reason it deserves a look.
    • 51 Metascore
    • 30 John Anderson
    Has been described as a "midnight-style musical." And perhaps it should be seen that way, with a crowd of kindred knuckleheads and some moshing in the aisles.
    • 51 Metascore
    • 50 John Anderson
    Subtle it is not. Well-intentioned it certainly is. No one but the youngest in the family will care very much about it, though. And they may well be filled with wonderment trying to figure out what this big Babe person is all about.
    • 50 Metascore
    • 60 John Anderson
    A trashy little movie about drinking, football and drinking, is also one of those films that pretends to moralize about the very behavior it milks for every giggle it can get.