For 324 reviews, this critic has graded:
  • 54% higher than the average critic
  • 4% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 1.9 points higher than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
Average review score: 61
Highest review score: 100 Before Midnight
Lowest review score: 10 Raze
Score distribution:
  1. Negative: 26 out of 324
324 movie reviews
    • 68 Metascore
    • 50 John DeFore
    More impressionistic than enlightening, Heidi Ewing and Rachel Grady's Detropia introduces us to some interesting citizens of Detroit and gives them a welcome opportunity to speak for themselves, but reveals little we don't already know.
    • 68 Metascore
    • 30 John DeFore
    This film neither really embraces the mechanics of primitive cinema nor creates a coherent syntax of its own.
    • 67 Metascore
    • 70 John DeFore
    More structure and polish doesn't keep Lynn Shelton's latest from being recognizably hers.
    • 67 Metascore
    • 70 John DeFore
    Robot & Frank reminds quirk-hardened veterans that an odd premise and big heart don't have to add up to too-precious awards bait.
    • 67 Metascore
    • 60 John DeFore
    An ordinary look at four extraordinary kids, Scott Hamilton Kennedy's Fame High sticks firmly to convention but will please viewers who can't help but want the doc's sympathetic teens to escape the heartbreak most would-be artists face.
    • 67 Metascore
    • 70 John DeFore
    Adoptees themselves almost certainly will find Somewhere Between an empowering reminder that tens of thousands of kids have walked this path before.
    • 67 Metascore
    • 70 John DeFore
    A must-see for fans of the cult musician and a moving, if sometimes oblique, look at gender-identity issues, it will find many admirers in niche bookings.
    • 67 Metascore
    • 80 John DeFore
    The effective documentary makes her attitudes and techniques look unarguably commonsensical, for the most part; while many distributors will shy away from such graphic material, the film may thrive in niche bookings and will benefit from enthusiastic word-of-mouth on video.
    • 67 Metascore
    • 60 John DeFore
    Clearly intent on inspiring viewers, the informational film makes a fine sum-up for those who've found the last decade's geopolitics too much to keep track of, but isn't promising in commercial terms.
    • 66 Metascore
    • 50 John DeFore
    A great many of these individual scenes are funny... But the film fails to do what those rare, immortal rom-coms get right: take all its individually pleasing ingredients and make a satisfying movie out of them.
    • 66 Metascore
    • 70 John DeFore
    It's easy to imagine exhibitors running scared from the documentary, but audiences who find it will be rewarded with a serious and provocative film.
    • 66 Metascore
    • 70 John DeFore
    An eye-opener about what it's like to live with a variety of mental illnesses, including obsessive-compulsive disorder -- and, however tenuously, to recover from them.
    • 66 Metascore
    • 40 John DeFore
    Sadly, this film's POV conceit -- in which all scenes are shot by the characters, whether they have a plausible reason to hold the camera up or not -- quickly becomes as grating as Kelly herself.
    • 66 Metascore
    • 80 John DeFore
    The good-looking, easygoing doc settles in with its two subjects, offering not just an intimate perspective on the playwright's biography but some touching reflections on the comforts and perils of long-term friendship.
    • 66 Metascore
    • 70 John DeFore
    A compact, effective thriller set in way-rural Ireland, Jeremy Lovering's In Fear makes the most of three actors, a car and a network of narrow roads winding through the woods.
    • 66 Metascore
    • 70 John DeFore
    A quick pace and always-enjoyable lead Joseph Gordon-Levitt will please moviegoers, even if the picture's ticking-clock approach isn't as invigoratingly pulpy here as in the Koepp-penned "Snake Eyes" and "Panic Room."
    • 66 Metascore
    • 80 John DeFore
    Strong, entertaining portrait of a hard-to-pin-down online phenomenon.
    • 66 Metascore
    • 60 John DeFore
    In the absence of sympathetic characters, a little humor would have gone a long way here.
    • 65 Metascore
    • 70 John DeFore
    Jaw-dropping and surprisingly kind-hearted considering the circumstances.
    • 65 Metascore
    • 70 John DeFore
    A history lesson that holds some pleasures even for those who know its material by heart.
    • 65 Metascore
    • 80 John DeFore
    The ritualized presentation of these disasters... adds up to a kind of unsettling spiritual experience, a communion with the dead that demands the quiet participation of a group
    • 65 Metascore
    • 60 John DeFore
    A feel-good picture that is a little less affecting than it might have been, but is entertaining enough.
    • 65 Metascore
    • 70 John DeFore
    Well conceived and unmanipulative, it will play well with auds attuned to its social-justice themes.
    • 65 Metascore
    • 70 John DeFore
    The democratic nature of the project and its exploration here jibes with the story of the Vogels, who (to put it mildly) don't conform to the stereotype of the filthy-rich art patron.
    • 64 Metascore
    • 70 John DeFore
    One of the things making Goon so enjoyable is its fairy-tale suggestion that all humanity's violent impulses can be exorcized in a Zamboni-groomed ice rink.
    • 64 Metascore
    • 60 John DeFore
    Page's no-regrets spirit and the enraptured testimonials from those who knew her in her prime (including some swooning ex-lovers) overpowers clumsy filmmaking.
    • 64 Metascore
    • 70 John DeFore
    Mitt humanizes a man who was never nearly as good with his target audience as he was with his family.
    • 64 Metascore
    • 80 John DeFore
    As entertaining as any showbiz documentary in recent memory.
    • 64 Metascore
    • 70 John DeFore
    Following the template of documentaries bent on scaring viewers silly, Oasis winds up with a segment pointing to glimmers of hope, one of which addresses the marketing challenge of convincing citizens that recycled waste water is safe for drinking.
    • 63 Metascore
    • 80 John DeFore
    Katz has a clear investment in Healy's character and convincingly depicts his choices as inevitable even when they become anything but.