For 433 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 1.6 points higher than other critics. (0-100 point scale)

John DeFore's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Before Midnight
Lowest review score: 10 I Kissed a Vampire
Score distribution:
  1. Negative: 33 out of 433
433 movie reviews
    • 71 Metascore
    • 70 John DeFore
    Fans will love its intimate mood and class-act portrayal of its subject; Dion Beebe's cinematography boasts the expected polish, but the film will likely be most popular on small screens.
    • 71 Metascore
    • 80 John DeFore
    Steph Green's first feature has more going for it than a solid dramatic turn by Will Forte.
    • 71 Metascore
    • 70 John DeFore
    The filmmakers prefer, smartly, to focus on the people in present-tense need, making them not statistics to be debated but human stories.
    • 70 Metascore
    • 70 John DeFore
    Capturing the spirit of an artist and the quickly-fading moment in media history when his work could have real nationwide impact, Michael Stevens' Herblock: The Black & The White pays homage to the great editorial cartoonist with testimonials from a who's-who of D.C. journalists and opinion-makers.
    • 70 Metascore
    • 70 John DeFore
    Becker is now completely paralyzed, unable even to speak. But Vile keeps him almost entirely offscreen until the last thirty minutes, preferring to introduce him as he once was: Uncommonly positive and single-minded in his obsession with the electric guitar.
    • 70 Metascore
    • 70 John DeFore
    Portrait of Wally may be too narrowly focused for some viewers, but offers an engaging narrative and high-profile subject that should attract audiences at fests and in specialized theatrical bookings.
    • 70 Metascore
    • 70 John DeFore
    Convincingly argued and extremely polished, it has theatrical potential for auds whose reservoir of worry about humanity's future hasn't already run dry.
    • 70 Metascore
    • 70 John DeFore
    A film whose fascination with bees and their mammoth impact on the global food chain extends far beyond the subject of colony collapse disorder. Arthouse audiences will eat it up.
    • 70 Metascore
    • 80 John DeFore
    Jaume BalabuerĂ³'s effective thriller Sleep Tight puts more value on slow-building bad vibes than on pulled-curtain shock, but its treatment of mental illness and voyeurism, lightly salted with pitch-black humor, will feel pleasingly familiar to fans of the older film.
    • 70 Metascore
    • 80 John DeFore
    In tracing the origins of this restaurant staple, Ian Cheney's The Search for General Tso is as much an immigration history as a culinary one, observing how a people who were demonized as low-wage laborers found entrepreneurial success in small and large towns across the country.
    • 70 Metascore
    • 90 John DeFore
    The force of Darby's personality -- a rich stew of righteousness, arrogance and self-delusion -- gives the doc a psychological appeal independent of politics.
    • 70 Metascore
    • 70 John DeFore
    An enjoyably naughty trip through Divine's career that happily makes time to introduce us to Glenn Milstead, the sweet kid and fledgling hairdresser who transformed himself so daringly.
    • 70 Metascore
    • 50 John DeFore
    Kids with healthy attention spans may warm to its (literally) colorful characters and outside-the-frame action, but most will find it as lifeless as their parents do.
    • 70 Metascore
    • 40 John DeFore
    While a composited scene, in which has-been Lenny lectures his younger self about work ethic and wisdom, has an undeniable poignancy, actual tragedy remains far beyond the film's grasp -- as does any illumination beyond the unsurprising suggestion that Cooke just didn't want success as much as peers like LeBron James.
    • 70 Metascore
    • 80 John DeFore
    Carbone's script doesn't tell a story so much as watch the fluctuations in emotional energy here, quietly observing activities both directly and indirectly related to the loss. As a director he's patient but never sluggish, taking time to appreciate the still landscapes his characters move through.
    • 69 Metascore
    • 60 John DeFore
    The movie doesn't really focus on many individuals long enough to make them compelling screen characters.
    • 69 Metascore
    • 60 John DeFore
    Though the film addresses some questions that remain a sticking point in helping abused women, it sheds little new light on them for viewers who've spent any time thinking about this upsettingly widespread phenomenon.
    • 69 Metascore
    • 80 John DeFore
    A very funny Kiwi take on vampire lore and its application to the modern world.
    • 69 Metascore
    • 70 John DeFore
    The city isn't the star of the film, nor is Lehane's excellent dialogue, and neither is Roskam, here making a sure-footed jump to America after his Belgian debut Bullhead. The picture belongs to Tom Hardy, whose astonishingly sensitive performance even the great James Gandolfini steps gently around.
    • 68 Metascore
    • 70 John DeFore
    Comic subplots are less zany than flatly hopeless, occasionally acting as deflating metaphors for army life.
    • 68 Metascore
    • 70 John DeFore
    Though it mostly summarizes available arguments instead of uncovering new facts, it's an accessible primer.
    • 68 Metascore
    • 70 John DeFore
    The film will appeal to art lovers, but some viewers who can hardly tell their Cezannes from Chagalls will find the story fascinating as well.
    • 68 Metascore
    • 70 John DeFore
    In the last 15 minutes of the film, he burns up some of the credibility he established by not pushing extreme situations too far earlier on.
    • 68 Metascore
    • 80 John DeFore
    Batmanglij balances emotional tension with practical danger nicely, a must in a story whose activist protagonists can make no distinction between the personal and the political.
    • 68 Metascore
    • 80 John DeFore
    A thrill-stuffed sports doc whose daredevil subject will quickly endear himself even to viewers who've never heard his name.
    • 68 Metascore
    • 70 John DeFore
    If certain pieces of the last act are less convincing than what precedes it, the themes underlying the illicit emigration resonate with the viewer's knowledge that, in the real world, two of these Cubans actually did escape.
    • 68 Metascore
    • 70 John DeFore
    Warm-hearted and entertaining, if more sad than its quirky premise suggests.
    • 68 Metascore
    • 70 John DeFore
    Despite the familiarity of this setup, Way Back is a charmer, putting refreshingly little emphasis on Duncan's romantic needs and allowing family melodrama to erupt and simmer down without pat resolution.
    • 68 Metascore
    • 60 John DeFore
    The easygoing comedy keeps a familiar story going despite minor plot hiccups.
    • 68 Metascore
    • 50 John DeFore
    More impressionistic than enlightening, Heidi Ewing and Rachel Grady's Detropia introduces us to some interesting citizens of Detroit and gives them a welcome opportunity to speak for themselves, but reveals little we don't already know.

Top Trailers