Jonathan Foreman

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For 544 reviews, this critic has graded:
  • 42% higher than the average critic
  • 4% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 6.1 points lower than other critics. (0-100 point scale)

Jonathan Foreman's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 The Endurance
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
544 movie reviews
    • 72 Metascore
    • 63 Jonathan Foreman
    Takes you on a fascinating and picturesque journey into a relatively unfamiliar culture.
    • 59 Metascore
    • 63 Jonathan Foreman
    Its plot and political symbolism manage to be both over-familiar and confusingly muddled.
    • 73 Metascore
    • 63 Jonathan Foreman
    Elegantly photographed family saga that brims with period detail. Unfortunately, the underlying story is less than compelling,
    • 69 Metascore
    • 63 Jonathan Foreman
    A witty and quietly charming road comedy.
    • New York Post
    • 48 Metascore
    • 63 Jonathan Foreman
    The gleeful teen-horror spoof that proves that the Farrelly brothers have no monopoly on outrageous, politically incorrect comedy.
    • 40 Metascore
    • 63 Jonathan Foreman
    Bland, occasionally funny.
    • 64 Metascore
    • 63 Jonathan Foreman
    Fascinatingly, many of the interviewees disagree vehemently about Holmes' personality: some of his co-stars and colleagues found him repellently abusive and selfish.
    • 30 Metascore
    • 63 Jonathan Foreman
    It's not to say that the adolescent humor isn't funny; some of it is hilarious. It's just that this movie lacks the overarching comic sensibility that made "Mary" and even Adam Sandler comedies like "Happy Gilmore" and "The Waterboy" so satisfying.
    • New York Post
    • 72 Metascore
    • 63 Jonathan Foreman
    But given the potentially gripping subject matter, the film is fatally underedited: Every scene feels too long.
    • New York Post
    • 62 Metascore
    • 63 Jonathan Foreman
    When it was first performed in theaters a couple of years after the L.A. riots took place, Twilight: Los Angeles must have been very powerful. Unfortunately, director Mark Levin's filmed version lacks that impact.
    • 59 Metascore
    • 63 Jonathan Foreman
    Unfortunately, you really only hear about prostitution from the side of the pimp.
    • New York Post
    • 75 Metascore
    • 63 Jonathan Foreman
    With its endless takes of characters silently waiting, say, or getting out of bed, this is the kind of film that can be seen only after a full night's sleep. But it is also clever, funny and sometimes moving.
    • 63 Metascore
    • 63 Jonathan Foreman
    While the film contains some terrific, realistically bloody battle scenes, it has a distinctly Germanic feel, both in its epic heaviness and in the peculiar way it revises the history of the American Revolution.
    • 49 Metascore
    • 63 Jonathan Foreman
    By far the best thing about Pitch Black is the cool-looking lighting and photography.

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