For 894 reviews, this critic has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 0 points higher than other critics. (0-100 point scale)

Justin Chang's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Carlos
Lowest review score: 0 Persecuted
Score distribution:
  1. Negative: 92 out of 894
894 movie reviews
    • 72 Metascore
    • 60 Justin Chang
    Will Reiser's semiautobiographical script initially prescribes too artificial a story treatment for its characters but is rescued by a genial, low-key vibe that builds in sensitivity and emotion up through the final reels.
    • 45 Metascore
    • 60 Justin Chang
    Individual moments are not without their felicitous touches -- mainly due to the cast, which is rich to the point of improbability.
    • 61 Metascore
    • 60 Justin Chang
    Even the flaws of Thank You for Playing have the effect of underscoring its humanity; the movie may immortalize a creative endeavor, but it never loses sight of the fact that it’s also honoring a life.
    • 40 Metascore
    • 60 Justin Chang
    Delamarre knows his way around an action scene and keeps the proceedings moving briskly enough, even if the picture clocks in at about 10 minutes longer than its taut, 81-minute predecessor.
    • 59 Metascore
    • 60 Justin Chang
    For all its visual sweep and propulsively violent action, this bloodthirsty rendition of the Old English epic can't overcome the disadvantage of being enacted by digital waxworks rather than flesh-and-blood Danes and demons.
    • 72 Metascore
    • 60 Justin Chang
    This beautifully composed picture brings a robust physicality to tried-and-true source material, but falls short of the sustained narrative involvement and emotional drive its resolutely old-fashioned storytelling demands.
    • 64 Metascore
    • 60 Justin Chang
    It’s an affectionate, sometimes downright slobbery career salute with a soft, unexamined center — a moving experience for all involved, no doubt, but one of limited interest outside the celebrity bubble it depicts.
    • 60 Metascore
    • 60 Justin Chang
    Its fun first hour soon gives way to a leaden, expository approach that unwisely favors emotional stakes over speculative-fiction smarts.
    • 54 Metascore
    • 60 Justin Chang
    A moderately clever dystopian mindbender with a gratifying human pulse, despite some questionable narrative developments along the way.
    • 49 Metascore
    • 60 Justin Chang
    A pair of beautifully mismatched lead performances elevate a predictable drama to unexpected resonance in The Favor.
    • 71 Metascore
    • 60 Justin Chang
    Gibson has made a movie that is somehow both deeply dishonest and crushingly sincere — and still at war with itself, long after the final shot has been fired.
    • 39 Metascore
    • 60 Justin Chang
    As it winds its way toward an unexpectedly grisly final showdown, The Other Woman often feels stranded between gross-out comedy, romantic fantasy and distaff psychodrama in a way that compels fascination and impatience alike.
    • 74 Metascore
    • 60 Justin Chang
    Joe
    A patiently observed, often unsettlingly violent drama that can’t help but feel overly familiar in some of its particulars, rich in rural texture but low on narrative momentum or surprise.
    • 64 Metascore
    • 60 Justin Chang
    This rambunctious paean to pot retains the trademark Apatow sweetness even as it careens from messy vulgarisms to even messier violence.
    • 49 Metascore
    • 60 Justin Chang
    Smith may have some ways to go as a feature filmmaker, but he has given us a world of such grottily realized depravity that it feels like a story unto itself.
    • 53 Metascore
    • 60 Justin Chang
    Writer-director Nick Cassavetes' sprawling dramatization recklessly blurs the line between reconstruction and reality in ways that are admittedly interesting, if more than a little artistically suspect.
    • 52 Metascore
    • 60 Justin Chang
    The crisply made feature delivers an involving if not always persuasive portrait of religious leaders in conflict.
    • 76 Metascore
    • 60 Justin Chang
    The nagging lack of specificity with which the film concludes can’t help but call its entire dramatic construction into question.
    • 75 Metascore
    • 60 Justin Chang
    Revealing without being especially compelling, In Between Days offers a bleak, rigorously naturalistic portrait of an Asian-American teenager's physical and emotional dislocation.
    • 46 Metascore
    • 60 Justin Chang
    Glossy, well cast, and a consistent hoot until it becomes a serious drag, this neo-“9½ Weeks” is above all a slick exercise in carefully brand-managed titillation — edgier than most grown-up studio fare, but otherwise a fairly mild provocation in this porn-saturated day and age.
    • 58 Metascore
    • 60 Justin Chang
    Snakes on a Plane is exactly the sort of tasteless, utterly depraved, no-nonsense sluts-and-guts extravaganza it was meant to be.
    • 47 Metascore
    • 60 Justin Chang
    Those willing to engage may be pleasantly surprised by some of its understated virtues.
    • 62 Metascore
    • 60 Justin Chang
    A serviceable picture that offers all the sumptuous visual pleasures of a historical costume drama, yet little in the way of actual history.
    • 63 Metascore
    • 60 Justin Chang
    ATL
    Higher on stylistic dazzle than originality or coherence.
    • 52 Metascore
    • 60 Justin Chang
    A likable enough lark that rarely achieves outright hilarity.
    • 53 Metascore
    • 60 Justin Chang
    Thoroughly -- and sometimes justifiably -- infatuated with its own cleverness, this mistaken-identity thriller delights in narrative complication and Tarantino-esque self-awareness.
    • 70 Metascore
    • 60 Justin Chang
    While the film is drenched in atmosphere and packs a verbal and visceral punch, its relentless downward spiral makes for an overdetermined, not entirely satisfying character study.
    • 54 Metascore
    • 60 Justin Chang
    A passable, tolerable, not unbearable, totally inoffensive adaptation of Judith Viorst’s beloved 1972 children’s book.
    • 48 Metascore
    • 60 Justin Chang
    Graced with some extra star wattage courtesy of Helen Mirren and Ed Harris, this diminishing-returns sequel sends Nicolas Cage on another quest to strike it rich, get young auds excited about history and solve puzzles that are generally less stimulating than yesterday's Sudoku.
    • 62 Metascore
    • 60 Justin Chang
    It plays less like a meaty mystery than an extended thank-you to the fans who breathed it into existence. Still, it’s smooth and engaging enough on its own compromised terms, clearly informed by Thomas’ genre-savvy storytelling and unpretentious craftsmanship, and not without a certain self-deprecating sense of humor about its own immodest origins.

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