For 579 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 0.7 points higher than other critics. (0-100 point scale)

Justin Chang's Scores

  • Movies
Average review score: 60
Highest review score: 100 The Cove
Lowest review score: 0 Persecuted
Score distribution:
  1. Negative: 50 out of 579
579 movie reviews
    • 49 Metascore
    • 60 Justin Chang
    If they never fully sell the situation, the actors nonetheless deliver strong, emotionally accessible work.
    • 56 Metascore
    • 60 Justin Chang
    Evocatively lensed, skillfully made and duly attentive to the mercurial qualities of its daunting source material, Walter Salles' picture pulses with youthful energy but feels overly calculated in its bid for spontaneity, attesting to the difficulty and perhaps futility of trying to reproduce Kerouac's literary lightning onscreen.
    • 34 Metascore
    • 60 Justin Chang
    Safe Haven offers an unsurprising but not unsatisfying tour through recognizable Sparkville terrain.
    • 79 Metascore
    • 60 Justin Chang
    Observing the situation at an icy remove, Beyond the Hills never builds the palpable menace and pressure-cooker anxiety of "4 Months," and its dramatic progression feels obvious, even predictable, by comparison.
    • 44 Metascore
    • 60 Justin Chang
    This elaborate exercise in visual Baum-bast nonetheless gets some mileage out of its game performances, luscious production design and the unfettered enthusiasm director Sam Raimi brings to a thin, simplistic origin story.
    • 54 Metascore
    • 60 Justin Chang
    A moderately clever dystopian mindbender with a gratifying human pulse, despite some questionable narrative developments along the way.
    • 47 Metascore
    • 60 Justin Chang
    Bloated but energetic, entertaining but interminable, tortured but strangely satisfying, Fists of Legend spends two-and-a-half hours unraveling the knotty saga of three middle-aged fighters, their shared dark past and their rocky road to redemption.
    • 74 Metascore
    • 60 Justin Chang
    Computer Chess is ultimately too slack and scattershot to work consistently well as a comedy.
    • 77 Metascore
    • 60 Justin Chang
    There’s a certain pleasure to be had in seeing a revered auteur go off the disreputable deep end, and there’s no denying A Touch of Sin packs a visceral wallop.
    • 47 Metascore
    • 60 Justin Chang
    While Bruce Willis, John Malkovich, Helen Mirren, et al. are still good for a few chuckles as a gang of superannuated government assassins, this globe-trotting action-comedy diversion applies a bigger-is-better philosophy across the board, upping the stakes, the firepower and the travel budget, but keeping real thrills and laughs at a modest trickle.
    • 41 Metascore
    • 60 Justin Chang
    As diverting as this action-packed caper often is, it feels not just weightless but emotionally and morally stunted whenever it veers into grown-up dramatic territory.
    • 57 Metascore
    • 60 Justin Chang
    Resolutely sappy and sometimes amateurish, the briskly paced doc remains heartfelt and direct about the same admirable mission Wampler had in making the climb.
    • 68 Metascore
    • 60 Justin Chang
    Undeniably impressive as a visual-psychological construct, The Double is ultimately a rigid, one-joke movie that feels hard pressed to sustain any sort of momentum over the course of its 92-minute running time.
    • 73 Metascore
    • 60 Justin Chang
    Joe
    A patiently observed, often unsettlingly violent drama that can’t help but feel overly familiar in some of its particulars, rich in rural texture but low on narrative momentum or surprise.
    • 50 Metascore
    • 60 Justin Chang
    The crazed intensity of Franco’s filmmaking, while duly evocative of Haze’s primitive state, is ultimately too hectic and unmodulated for anything to burrow deep and stay there.
    • 60 Metascore
    • 60 Justin Chang
    Working from a tightly compressed screenplay by David Nicholls, director Mike Newell strikes the beats of a deservedly oft-told tale with dour competence but little in the way of dramatic inspiration or visual flair.
    • 53 Metascore
    • 60 Justin Chang
    Director Kimberly Peirce’s intermittently effective third feature eschews De Palma’s diabolical wit and voluptuous style in favor of a somber, straight-faced retelling, steeped in a now-familiar horror-movie idiom of sharp objects, shuddering sound effects and dark rivulets of blood.
    • 67 Metascore
    • 60 Justin Chang
    The film conveys key information and makes important distinctions not generally known, and its effectiveness probably depends on the viewer’s tolerance for poorly executed kitsch and manic physical intrusions by the filmmaker.
    • 48 Metascore
    • 60 Justin Chang
    Lemmons advances this story with straight-faced conviction, orchestrating narrative and spectacle with a grandiosity that proves easier to admire from a distance than it is to engage with onscreen.
    • 53 Metascore
    • 60 Justin Chang
    The Japanese action aesthete plays it cool and smooth in a picture that exerts a steadily tightening grip, though not until after a first hour of near-impenetrable gangster gab that may leave the uninitiated feeling stranded.
    • 62 Metascore
    • 60 Justin Chang
    It plays less like a meaty mystery than an extended thank-you to the fans who breathed it into existence. Still, it’s smooth and engaging enough on its own compromised terms, clearly informed by Thomas’ genre-savvy storytelling and unpretentious craftsmanship, and not without a certain self-deprecating sense of humor about its own immodest origins.
    • 49 Metascore
    • 60 Justin Chang
    This hyperactive toon extravaganza has color, flair and energy to burn. But it’s the sort of relentless juggling act that finally proves more exhausting than exhilarating.
    • 65 Metascore
    • 60 Justin Chang
    A pleasant if fairly pedestrian viewing experience, one that more or less gets the job done in terms of balancing the requisite ooh-ahh moments with another unsurprising reminder of man’s capacity for selfishness and destruction.
    • 56 Metascore
    • 60 Justin Chang
    A low-budget horror-thriller that’s resourceful enough to wring a few fresh chills from a slender premise and a less-than-novel formal conceit.
    • 47 Metascore
    • 60 Justin Chang
    Those willing to engage may be pleasantly surprised by some of its understated virtues.
    • 39 Metascore
    • 60 Justin Chang
    As it winds its way toward an unexpectedly grisly final showdown, The Other Woman often feels stranded between gross-out comedy, romantic fantasy and distaff psychodrama in a way that compels fascination and impatience alike.
    • 40 Metascore
    • 60 Justin Chang
    Delamarre knows his way around an action scene and keeps the proceedings moving briskly enough, even if the picture clocks in at about 10 minutes longer than its taut, 81-minute predecessor.
    • 49 Metascore
    • 60 Justin Chang
    [A] thin but engaging portrait.
    • 64 Metascore
    • 60 Justin Chang
    It’s an affectionate, sometimes downright slobbery career salute with a soft, unexamined center — a moving experience for all involved, no doubt, but one of limited interest outside the celebrity bubble it depicts.
    • 73 Metascore
    • 60 Justin Chang
    Bristling with arguments about the complexities of black identity in a supposedly post-racial America, this lively and articulate campus-set comedy proves better at rattling off ideas and presenting opposing viewpoints than it does squeezing them into a coherent narrative frame.