It's the suspense these two leads endure--a suspense Homeland dramatizes in a swift, sure manner and then transfers to the viewer--that makes this show so unnervingly terrific.

Giancarlo Esposito's Gus will prove once again that he is the most shockingly unknowable of villains. Yes, Breaking Bad is back, and bent on upending every expectation you bring to it.

Laura Dern and Mike White continue their bold, hilarious, tremendously moving exploration of Amy Jellicoe's ongoing attempt to give meaning to her life. [18 Jan 2013, p.74]

C.K. is writing, directing, and starring up a storm here, and his usual opening-segment stand-up routine, involving nearsightedness, is funnier than most sitcoms are in an entire season.

It's the fall season's most intriguing, tense puzzler.

Most TV series feel the need to up the ante in their second season, to prove the first one wasn't a fluke. Justified proceeds with such assurance, however, that it can maintain a cool, witty serenity that only enhances its tough-guy drama.

The new season pops with all the visual energy of the first. [4 May 2012, p.67]

The fourth season of Justified gives us exactly what we want: much laconic tough-guy humor from Timothy Olyphant's U.S. marshal Raylan Givens, much grandiloquent nastiness from Walton Goggins' drug dealer Boyd Crowder, and much swift violence.

The new Justified is so tightly plotted that it finds room for all these characters, as well as episodes shinning a spotlight on the series sterling supporting players. [27 Jan 2012, p.63]

This portrait of a profane, low-down egomaniac--excuse me, he prefers "Christ figure"--continues to amaze. McBride's willingness to play depression, amorality, and selfishness for laughs is awesome.

What Buscemi brings to this production is his great gift for channeling neurotic self-consciousness into a man of action. He may fret about retaining his empire, but you believe Nucky Thompson is a lord of venality, right down to his immaculate spats.

It's another level of pop culture wizardry to make such storytelling seem so vivid, so vital, and just plain fun.

Mad Men offers a two-hour season premiere that commences with a muted tone and then explodes in different directions. [23 Mar 2012, p.62]

More and more, this series is looking like a minor classic, which I mean as a major complement. [20 Jan 2012, p.70]

It possesses a different rhythm from any other show on TV. [13 Apr 2012, p.73]

Abrams and Lindelof have created one of only two new shows this season at the end of which I was yearning to see a second hour right away. (The other is ABC's "Desperate Housewives": It could be hoot heaven, could be labored camp.) I was tempted to hedge on my final grade, because Lost is the kind of show that could go anywhere. Then I realized that's exactly why I should commit to the ride.

Talking heads such as Daniel Okrent are eloquently pithy. And narrator Peter Coyote is as soothing as a tumbler of fine Scotch.

This dark-tinged show is frequently very funny, never more so than when the pals gather for a diner meal, to whine and tease one another. The dialogue has a cutting crispness; the hour zips along, no matter how logy its antiheroes may become.

Tremendously clever fun, Masterpiece Mystery! presents the first of three modernizations of the Sherlock Holmes tales.

By concentrating on what it means to practice polygamy in the 21st century, the series again comes close to achieving its goal of defining what it means to be a family.

Rarely does a pilot present a world as completely as Nashville does in its first hour.

As bright-eyed and bushy-tailed as it was in its first season, Girls may now be even spunkier, funnier, and riskier. [11 Jan 2013, p.80]

Some viewers may find The Killing a little too cold and deliberate, but give it time. Its intensity builds steadily, giving the series unexpected power.

Despite all the repetition and longueurs, this Downton Abbey frequently works, as the first one did, as a peppery little trifle.

Certainly, the show is still exciting and thoughtful in the way that it disassembles many pat notions we may have of tribe loyalty, family bonds, and the treachery of the business world.

We know that a guilty, defensive Jackie is the best Jackie to watch.

As sweet as treacle tart, the third season of Downton Abbey arrives reasonably fresh and warm. [11 Jan 2013, p.74]

Danny McBride's Kenny Powers is back for a wild third season.