Kenneth Turan

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For 1,982 reviews, this critic has graded:
  • 64% higher than the average critic
  • 2% same as the average critic
  • 34% lower than the average critic
On average, this critic grades 10.6 points higher than other critics. (0-100 point scale)

Kenneth Turan's Scores

  • Movies
  • TV
Average review score: 71
Highest review score: 100 Out of Sight
Lowest review score: 0 The Green Hornet
Score distribution:
1982 movie reviews
    • 76 Metascore
    • 60 Kenneth Turan
    A tragedy devastating to experience can feel generic when transferred to the screen, and that, despite everyone's best intentions and an outstanding performance by Nicole Kidman, is what happens with Rabbit Hole.
    • 72 Metascore
    • 60 Kenneth Turan
    This melding of two cinematic sensibilities, though effective at moments, is finally not as exciting or involving as it we'd like it to be.
    • 39 Metascore
    • 60 Kenneth Turan
    More science-fiction space opera than superhero epic, it works in fits and starts as its disparate parts go in and out of effectiveness, but the professionalism of the production make it watchable in a comic book kind of way.
    • 71 Metascore
    • 60 Kenneth Turan
    It shows promise but finally hits things so hard, both literally and metaphorically, that it's hard not to feel pummeled yourself by the time it's over.
    • 78 Metascore
    • 60 Kenneth Turan
    Drive is a Los Angeles neo-noir, a neon-lit crime story made with lots of visual style. It's a film in love with both traditional noir mythology and ultra-modern violence, a combination that is not ideal.
    • 58 Metascore
    • 60 Kenneth Turan
    Stays remarkably close to its predecessor in all the ways that count.
    • 66 Metascore
    • 60 Kenneth Turan
    The result is that "Spider-Man" goes in and out of focus. This is a film that is memorable in pieces but not as a whole.
    • 50 Metascore
    • 60 Kenneth Turan
    Rude, rowdy and raunchy, The Campaign gleefully skewers the current sad state of American politics. With a target that tempting, it's not surprising that this cynical and funny film hits more often than it misses.
    • 76 Metascore
    • 60 Kenneth Turan
    A solid, often engrossing film that doesn't engage us overall the way Denzel Washington's work does.
    • 55 Metascore
    • 60 Kenneth Turan
    Hitchcock puts major league star power at the service of its peek-behind-closed-doors premise. But whatever that relationship was like in real life, this is one cinematic portrait of a marriage we could have lived without.
    • 69 Metascore
    • 60 Kenneth Turan
    The Underneath doesn't add up. Made with polish and assurance, capably acted and intricately constructed, its overall impact is less than these parts would indicate. It is good but, against all logic, it is not good enough.
    • 44 Metascore
    • 60 Kenneth Turan
    Sometimes sweet, sometimes scary, sometimes sour, Oz the Great and Powerful is a film that doesn't know its own mind. A partially effective jumble whose elements clash rather than cohere, this solid but not spectacular effort stubbornly refuses to catch fire until it's almost too late.
    • 55 Metascore
    • 60 Kenneth Turan
    Going boldly where no one has gone before is not what it used to be. Contentedly settled into a prosperous middle age, the "Star Trek" series now seems more comfortable retracing its own footsteps, carefully offering its horde of fans interludes that aspire to do no more than fit snugly into the patterns of the past.
    • 62 Metascore
    • 60 Kenneth Turan
    42
    Robinson's combination of fortitude, restraint and passion for the game was stunning. You can't help getting caught up in this story, even as you are wishing the telling was sharper than it is.
    • 40 Metascore
    • 60 Kenneth Turan
    It's a solid, efficient comic book movie that is content to provide comic book satisfactions of the action and violence variety.
    • 52 Metascore
    • 60 Kenneth Turan
    For very much like Peter, it has clearly gotten harder for this director to break free of the lure of material things and believe in simple magic. And whatever problems his Hook has, there are none that making the film on half of its budget wouldn't have cured.
    • 35 Metascore
    • 60 Kenneth Turan
    It may be standard-issue stuff, but it looks great and it almost makes you nostalgic for the days when stuntmen reigned supreme and mayhem and computers never knew how much they had in common.
    • 60 Metascore
    • 60 Kenneth Turan
    The Wolverine is an erratic affair, more lumbering than compelling, an ambitious film with its share of effective moments that stubbornly refuses to catch fire.
    • 61 Metascore
    • 60 Kenneth Turan
    Although the pulp energy that Blomkamp brings to this material makes it consistently watchable, the film doesn't feel as singular as we would have hoped.
    • 66 Metascore
    • 60 Kenneth Turan
    Daniels' pulp instincts do lead to vivid sequences...but this is one significant film where less would have been a whole lot more.
    • 49 Metascore
    • 60 Kenneth Turan
    For a disorganized film that has trouble deciding what it's about, When Comedy Went to School can be a lot of fun.
    • 40 Metascore
    • 60 Kenneth Turan
    Salerno, as if he's unsure of what he's got, goes to great lengths to heighten the drama with crisp editing, a strong score, frequent sound effects and snappy visuals.
    • 49 Metascore
    • 60 Kenneth Turan
    Whenever The Fifth Estate leaves the involving one-on-one drama between Assange and Domscheit-Berg, you wish it wouldn't.
    • 71 Metascore
    • 60 Kenneth Turan
    "Breakdown" gets the music right and has the benefit of strong acting, but its unapologetically melodramatic plot has a tendency to throw everything at you but the kitchen sink.
    • 31 Metascore
    • 60 Kenneth Turan
    Because it is fearlessly sincere and not totally successful, Winter's Tale is easy to mock. But it is also hard not to admire its willingness to go all out in its quest for the grandest of romantic gestures.
    • 48 Metascore
    • 60 Kenneth Turan
    It's an acceptable, play-it-safe version of the first volume in the hugely popular Veronica Roth-written trilogy.
    • 54 Metascore
    • 60 Kenneth Turan
    This is an earnest and way-contrived endeavor that manages, due largely to Costner's efforts, to be genially diverting in a gee-whiz kind of way.
    • 67 Metascore
    • 60 Kenneth Turan
    Though amusing enough to avoid absolutely drowning in schmaltz, it's sad to see a film with potential lose its way in the late innings.
    • 62 Metascore
    • 60 Kenneth Turan
    Even if Dan and Gretta charm each other more than they charm us, the music they make is harder to resist than they are.
    • 44 Metascore
    • 60 Kenneth Turan
    Its story line and performances are no more than serviceable, but those terrible twisters are state of the art.

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