Kenneth Turan

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For 2,137 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.7 points higher than other critics. (0-100 point scale)

Kenneth Turan's Scores

  • Movies
  • TV
Average review score: 71
Highest review score: 100 Talk to Her
Lowest review score: 0 Lethal Weapon 4
Score distribution:
2137 movie reviews
    • 82 Metascore
    • 100 Kenneth Turan
    People fall in love in every country, but nowhere is the experience put on film with the flawless style, empathy and emotion the French provide. Mademoiselle Chambon is the latest in that line of deeply moving romances, an exquisite chamber piece made with the kind of sensitivity and nuance that's become almost a lost art.
    • 87 Metascore
    • 100 Kenneth Turan
    Popular filmmaking at its smartest and most persuasive.
    • 91 Metascore
    • 100 Kenneth Turan
    Ida
    Spare, haunting, uncompromising, Ida is a film of exceptional artistry whose emotions are as potent and persuasive as its images are indelibly beautiful.
    • 81 Metascore
    • 100 Kenneth Turan
    Larraín told his producers he wouldn't do Jackie unless Natalie Portman agreed to take on the role, and her superb performance, utterly convincing without being anything like an impersonation, vindicates his determination.
    • 94 Metascore
    • 100 Kenneth Turan
    45 Years is a quietly explosive film, a potent drama with a nuanced feel for subtlety and emotional complications.
    • 90 Metascore
    • 100 Kenneth Turan
    Disturbing, disorienting, quietly terrifying, it's one of the least known of the world's great horror movies and, in its own dark way, a startlingly beautiful and artful piece of cinema as well.
    • 100 Metascore
    • 100 Kenneth Turan
    These despairing, ambiguous pieces are always emotionally unsettling, and that is due in part to Kieslowski's complete assurance as a director. His spare, minimal visual preferences dominate each episode. The camera work is fluid and precise, and the films are so rich they seem to be feature-length though they're not.
    • 83 Metascore
    • 100 Kenneth Turan
    A beautifully done adaptation of the novel, polished, elegant and completely cinematic. It is also a bit distant, a film that doesn't wear its feelings on its sleeve, but given the effects it's after, that would be counterproductive. [17 Sept 1993, Calendar, p.F-1]
    • Los Angeles Times
    • 75 Metascore
    • 100 Kenneth Turan
    It is Scott's work as the savagely articulate Roger, a tireless would-be seducer, bottomlessly self-confident and oblivious to rejection, that is the film's glistening and provocative centerpiece.
    • 86 Metascore
    • 100 Kenneth Turan
    Like taking a drug everyone says is dynamite and impatiently wondering why the heck it's not kicking in. The kick in fact turns out to be real, and as powerful as advertised, but it doesn't necessarily hit you in any way you anticipated.
    • 84 Metascore
    • 100 Kenneth Turan
    Made with palpable energy, intensity and excitement, it compellingly creates a world gone mad that is uncomfortably close to the one we live in. It is a "Blade Runner" for the 21st century, a worthy successor to that epic of dystopian decay
    • 73 Metascore
    • 100 Kenneth Turan
    Impeccably made and uncompromisingly adult, Claude Chabrol's A Girl Cut in Two is unquestionably the work of a master.
    • 90 Metascore
    • 100 Kenneth Turan
    Adventurous, provocative, even daring.
    • 90 Metascore
    • 100 Kenneth Turan
    Made by a first-time feature director working with a microscopic budget and a tiny, 11-year-old protagonist, it’s a 72-minute wonder, a self-assured, gently mysterious little film that is hypnotic in unexpected ways.
    • 78 Metascore
    • 100 Kenneth Turan
    It's the film's glowing visual qualities, a striking performance by Denzel Washington and the elegant control Carl Franklin has over it all that create the most exotic crime entertainment of the season.
    • 86 Metascore
    • 100 Kenneth Turan
    The most convincing war movie ever made.
    • Los Angeles Times
    • 91 Metascore
    • 100 Kenneth Turan
    Nearly three hours long, and deliberately paced at that, this first feature ever in the Inuit language is a demanding experience. But the rewards for those who risk the journey are simply extraordinary.
    • 80 Metascore
    • 100 Kenneth Turan
    Set in an enchanting locale where the potential for magic is everywhere, this impeccable animated film puts its complete trust in the spirit of make-believe.
    • 81 Metascore
    • 100 Kenneth Turan
    Masterfully put-together, made with confidence, intelligence and command.
    • 77 Metascore
    • 100 Kenneth Turan
    This delicious satire about aging hipsters and their discontents is everything we've come to expect from the best of Noah Baumbach, as well as several things more.
    • 86 Metascore
    • 100 Kenneth Turan
    Nebraska offers something deeper and more mature, the ability to make us care about its characters and their story on a different level than Payne has given us before.
    • 78 Metascore
    • 100 Kenneth Turan
    This is a film that insinuates itself deeply into our awareness. It's that rare pulp story with something on its mind, an unnerving, socially conscious thriller with a killer sense of narrative drive.
    • 94 Metascore
    • 100 Kenneth Turan
    Inside Out manages to be honest and unafraid but never cheaply sentimental where emotion is concerned, evoking a largeness of spirit whose ability to be moving sneaks up and takes us by surprise.
    • 87 Metascore
    • 100 Kenneth Turan
    A revelatory, strikingly emotional look at a complex, troubled, enormously gifted man.
    • 91 Metascore
    • 100 Kenneth Turan
    An intense, nihilistic thriller as well as a model of implacable storytelling, this is a film you can't stop watching even though you very much wish you could. That's because No Country escorts you through a world so pitilessly bleak, "you put your soul at hazard," as one character says, to be part of it.
    • 74 Metascore
    • 100 Kenneth Turan
    His is a triumph of pure filmmaking, a pitiless, unrelenting, no-excuses war movie so thoroughly convincing it's frequently difficult to believe it is a staged re-creation.
    • 77 Metascore
    • 100 Kenneth Turan
    The Ghost Writer is the kind of impeccable adult entertainment, able to alternate edge-of-your-seat episodes with bleakly comic moments, that Hitchcock used to specialize in and that Polanski himself realized so successfully in "Chinatown" and "Rosemary's Baby."
    • 73 Metascore
    • 100 Kenneth Turan
    [A] crackerjack thriller, at once brooding, claustrophobic and unbearably tense.
    • 77 Metascore
    • 100 Kenneth Turan
    As essential in its own way as Anton Karas' celebrated zither work was to "The Third Man," Lola's music is perfectly suited to the film's aims and just about addictive in its throbbing, insinuating rhythms.
    • 89 Metascore
    • 100 Kenneth Turan
    This is a police procedural, if you will, about what's been called the artistic crime of the century.

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