Kimberley Jones
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For 718 reviews, this critic has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 3.7 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 All the Real Girls
Lowest review score: 0 Waiting...
Score distribution:
718 movie reviews
    • 54 Metascore
    • 50 Kimberley Jones
    Phillips and co-writer Scot Armstrong waste too much time on a silly love-interest subplot for Wilson; that time is much better served by the frat-boy idiocies, like Frank beer-bonging himself into streaking.
    • 54 Metascore
    • 50 Kimberley Jones
    Ambling, just-passable picture.
    • 54 Metascore
    • 50 Kimberley Jones
    The Secret Life of Walter Mitty is a very pretty production – pretty colors, pretty scenery, pretty bromides – and a busy one, too, which helps distract us from the sad fact that the movie is generous and humane but not all that interesting.
    • 54 Metascore
    • 40 Kimberley Jones
    Myla Goldberg's novel about spelling-bee fever, a family in chaos, and religious/mystic exploration arrives on the screen with all its faults intact, but few of its charms.
    • 54 Metascore
    • 40 Kimberley Jones
    It’s a bold and certainly credible move, but the execution is something of a belly flop. Thanks for Sharing isn’t really about a disease, only the cure, and that bias makes it a plausible picture of the Friend of Bill community-based recovery, but kind of a sham as a portrait of actual human beings.
    • 54 Metascore
    • 50 Kimberley Jones
    Well, we're not in "Chicago" anymore, or even its soundstage approximation, but that hasn't stopped Oscar-nominated director Rob Marshall from fashioning another epic spectacle out of two squabbling women in (a sort-of) show business.
    • 54 Metascore
    • 50 Kimberley Jones
    Sparks, an acting novice, falters when her character must muster gumption or sexual heat. She saves her best for last in a barnburner singing performance, but it's too little, too late – especially with the memory of Houston's one song – a heart-stopping gospel number – still ringing in the ears.
    • 54 Metascore
    • 50 Kimberley Jones
    If I may presume: Thatcher probably would have preferred more action, less talk.
    • 54 Metascore
    • 40 Kimberley Jones
    The promising-sounding football movie would turn out to be a movie about men talking on phones.
    • 53 Metascore
    • 40 Kimberley Jones
    The first act is very nearly unbearable, leaden and doomy and generically plotted.
    • 53 Metascore
    • 40 Kimberley Jones
    The Big Year's biggest disappointment is its inadequacy in elucidating the passion of the birder. What ardency, and what an exceptional, impenetrable world they move in. I for one wanted a better look at it.
    • 53 Metascore
    • 50 Kimberley Jones
    Rather born to wear a frock coat, Dancy shares the stammer-blush, winning-grin methodology of countryman Hugh Grant, only with more probity and better posture.
    • 53 Metascore
    • 50 Kimberley Jones
    Wanderlust is flawed, too, but for its exploration of financial ruin and alternative lifestyles, it shows once again that Aniston, at the very least, knows which way the wind is blowing.
    • 53 Metascore
    • 50 Kimberley Jones
    Luhrmann wants it all – comedy and tragedy, bombast and wet-eyed sentimentality. When it works, his kid-in-a-candy-store giddiness is infectious. When it doesn't – when he goes from silly to turgid in 60 seconds flat – he punctures Australia's proportions down from epic to simply overwrought.
    • 53 Metascore
    • 40 Kimberley Jones
    Doesn't do much to further distinguish Lehmann's career. As for those of us waiting for the year's first worthwhile date movie, the wait continues.
    • 52 Metascore
    • 50 Kimberley Jones
    The film is by no means a disaster. Possession is prettily performed, prettily put-together. Yet, for a story set so firmly in the center of a fire, LaBute and his players have suited themselves in some mighty flame-retardant threads.
    • 52 Metascore
    • 50 Kimberley Jones
    It's kinda funny and pretty cute. Sometimes that's all it takes.
    • 52 Metascore
    • 40 Kimberley Jones
    Kiddos: I'm sighing, too, but only from relief it's all behind us now.
    • 52 Metascore
    • 50 Kimberley Jones
    Gondry’s well-meaning but too soft, too structure-less picture.
    • 52 Metascore
    • 40 Kimberley Jones
    Either you like your movies to be, well, movie-like: imitations of life, with musical accompaniment and artificial lighting and tracking shots and looped dialogue; or you like them to be re-creations of life, sans the artifice. The King Is Alive clearly falls into the latter camp.
    • 52 Metascore
    • 40 Kimberley Jones
    The bland script and direction are spruced up by a likable cast.
    • 52 Metascore
    • 50 Kimberley Jones
    There are momentary pleasures, to be sure – a corker of a kiss here, an Otis Redding-backed barroom slink there – but frankly, I'm a little weary of Wong wearing "that same old shaggy dress."
    • 52 Metascore
    • 40 Kimberley Jones
    Saint Laurent gets across how isolating celebrity can be, how exhausting it is to keep a toehold on top of a mountain that keeps shifting underfoot. But the film is allergic to insight: It’s as numbed-out as its hero addict.
    • 51 Metascore
    • 40 Kimberley Jones
    The soundtrack is a boisterous blast from the past, and there's a quiet pleasure to watching Zoe and Daly let their composure loose like scrambled eggs, but there's little else to hold dear here.
    • 51 Metascore
    • 50 Kimberley Jones
    The film never recovers its initial fizzy-pop charms, owing largely to pacing that turns positively molasses-slow in the second act.
    • 51 Metascore
    • 50 Kimberley Jones
    Size matters, too, in Live From New York!, a portrait of SNL at 40, but in inverse: 82 minutes isn’t nearly long enough to consider every angle – or even many angles – of a cultural institution.
    • 51 Metascore
    • 40 Kimberley Jones
    There are flashes of wit and flair here, including two stylish sequences detailing the French obsession with food and scarves, but they are but brief respites from the film’s near-pathological drear.
    • 51 Metascore
    • 50 Kimberley Jones
    I COULD do without "Dancing Queen" stuck in my head, but that will unstick soon enough, and with any luck so too will the memory of Streep noodling on an air guitar.
    • 51 Metascore
    • 50 Kimberley Jones
    Despite his character's fondness for mugging and mouthing like Michael Corleone, Spacey (and by extension, his director and writer Norman Snider) can't quite catch the operatic wallop of Corleone's arc, possibly because the film is played top-to-bottom like a caprice.
    • 51 Metascore
    • 50 Kimberley Jones
    It goes down easy, with likable performances and a laudable emphasis on love and compassion.

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