Kimberley Jones
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For 706 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Birdman or (The Unexpected Virtue of Ignorance)
Lowest review score: 0 Yu-Gi-Oh!: The Movie
Score distribution:
706 movie reviews
    • 68 Metascore
    • 89 Kimberley Jones
    The film can feel a touch overscripted, but Polley and her actors effect true-to-life rhythms of speech.
    • 67 Metascore
    • 89 Kimberley Jones
    Moon doesn't belabor anything, really, so confidently measured and philosophically nuanced it all plays out (aided by a striking, under-the-skin original score by Clint Mansell).
    • 66 Metascore
    • 89 Kimberley Jones
    Funny and sweet and guaranteed to flood you with good feeling.
    • 65 Metascore
    • 89 Kimberley Jones
    This is a quest movie, with a lot of ground covered, and just as our heroes never stay long in one place or feel safe in their surroundings, neither does the audience.
    • 62 Metascore
    • 89 Kimberley Jones
    The characters in The Claim suffer under the weight of very big things -- betrayal, abandonment, disease, death -- but they do so quietly, stoically, until, by God, they just can't take it anymore.
    • 61 Metascore
    • 89 Kimberley Jones
    A manic, lithesome thing, 2 Days in New York flexes between broad comedy and a beautifully observed portrait of family life – especially life after death.
    • 58 Metascore
    • 89 Kimberley Jones
    God Help the Girl is not so perfectly crafted, but the promise – oh, the promise is irresistible.
    • 55 Metascore
    • 89 Kimberley Jones
    The movie moves episodically, leisurely, through roughly a decade, and that feels like a gift: to nestle in with these extraordinary, ordinary people and get to know them.
    • 53 Metascore
    • 89 Kimberley Jones
    In its cinematic incarnation, Sex and the City has lost none of its bawdiness yet gained a more profound sense of soberness. Parker, especially, who in the last season of the show bordered on insufferable in her affected squeaks and shrieks, is allowed to go to very dark places – to be, in fact, quite unfabulous.
    • 52 Metascore
    • 89 Kimberley Jones
    Sexy, sophisticated comedy that only occasionally falls short of its admirable ambition: that is, to be a fun, fizzy, razzle-dazzle thing. Straight to the moon, indeed.

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