Kimberley Jones
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For 677 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.6 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 The Grand Budapest Hotel
Lowest review score: 0 Someone Like You...
Score distribution:
677 movie reviews
    • 55 Metascore
    • 50 Kimberley Jones
    This latest offering continues a trend toward increasingly mature moviemaking from the actor/writer/director.
    • 55 Metascore
    • 67 Kimberley Jones
    The Hundred-Foot Journey is elevated comfort food. The flavors aren’t complex, but it’s nourishing nonetheless.
    • 55 Metascore
    • 67 Kimberley Jones
    As an experiment in mood, as a love song to Paris and to the French New Wave, as a fun, flirty little number, Charlie provides a giddy satisfaction.
    • Austin Chronicle
    • 55 Metascore
    • 89 Kimberley Jones
    The movie moves episodically, leisurely, through roughly a decade, and that feels like a gift: to nestle in with these extraordinary, ordinary people and get to know them.
    • 55 Metascore
    • 50 Kimberley Jones
    Uneven, ineffective mash-up of sex comedy and artillery-heavy action.
    • 55 Metascore
    • 78 Kimberley Jones
    A spirited and eye-popping stealth charmer.
    • 55 Metascore
    • 67 Kimberley Jones
    Mercifully, the frosted icing-icky title bears little relation to the film's actual content.
    • 55 Metascore
    • 50 Kimberley Jones
    I suppose when you make a movie, however tangentially, about Viagra, you're required to insert at least one scene of its side effects, but the broadness with which Zwick plays it out is like a stake to the heart of the film's hard-earned but fast-lost authenticity.
    • 55 Metascore
    • 50 Kimberley Jones
    Frustrations abound with this limited film, but Wild Horse, Wild Ride does one thing exceptionally well, and that is convey the emotional bond between trainer and horse.
    • 55 Metascore
    • 40 Kimberley Jones
    As the songs pile up and the plot putters along, Romance & Cigarettes wears thin, like a moral for the titular addiction: Sure, there’s the sweet dream of that first drag, but a whole pack’ll do a body bad.
    • 55 Metascore
    • 40 Kimberley Jones
    Liberal Arts is not unlikable: There are some intelligent observations about how humans woo, and the film is so suffused with sincerity you want to give it a pat on the head just for trying so hard.
    • 55 Metascore
    • 40 Kimberley Jones
    Luhrmann has always had a knack with the fever of passion, but here he only catches high fever’s empty gibberish.
    • 54 Metascore
    • 50 Kimberley Jones
    Phillips and co-writer Scot Armstrong waste too much time on a silly love-interest subplot for Wilson; that time is much better served by the frat-boy idiocies, like Frank beer-bonging himself into streaking.
    • 54 Metascore
    • 67 Kimberley Jones
    There is Clooney’s deceptively layered performance, some startling bits of laugh-out-loud absurdity, and the not-at-all-negligible pleasure to be had in a cockeyed point of view.
    • 54 Metascore
    • 50 Kimberley Jones
    Ambling, just-passable picture.
    • 54 Metascore
    • 50 Kimberley Jones
    The Secret Life of Walter Mitty is a very pretty production – pretty colors, pretty scenery, pretty bromides – and a busy one, too, which helps distract us from the sad fact that the movie is generous and humane but not all that interesting.
    • 54 Metascore
    • 40 Kimberley Jones
    Myla Goldberg's novel about spelling-bee fever, a family in chaos, and religious/mystic exploration arrives on the screen with all its faults intact, but few of its charms.
    • 54 Metascore
    • 67 Kimberley Jones
    After the recent rash of superhero end-spectacles as long-winded and self-serious as a term paper, the limited ambition of The Dark World’s climax is a relief. It scuttles all term paper aspirations and instead humbly lobs a thesis statement-slash-open invitation: Let’s have some fun, shall we? And so we did.
    • 54 Metascore
    • 40 Kimberley Jones
    It’s a bold and certainly credible move, but the execution is something of a belly flop. Thanks for Sharing isn’t really about a disease, only the cure, and that bias makes it a plausible picture of the Friend of Bill community-based recovery, but kind of a sham as a portrait of actual human beings.
    • 54 Metascore
    • 50 Kimberley Jones
    Well, we're not in "Chicago" anymore, or even its soundstage approximation, but that hasn't stopped Oscar-nominated director Rob Marshall from fashioning another epic spectacle out of two squabbling women in (a sort-of) show business.
    • 54 Metascore
    • 50 Kimberley Jones
    Sparks, an acting novice, falters when her character must muster gumption or sexual heat. She saves her best for last in a barnburner singing performance, but it's too little, too late – especially with the memory of Houston's one song – a heart-stopping gospel number – still ringing in the ears.
    • 54 Metascore
    • 20 Kimberley Jones
    These days, Allen's pictures are more like snuff films, in which the viewer must suffer both gifted actors committing screen hara-kiri and a once-brilliant filmmaker soldiering on with his long, bullheaded decline.
    • 54 Metascore
    • 50 Kimberley Jones
    If I may presume: Thatcher probably would have preferred more action, less talk.
    • 54 Metascore
    • 40 Kimberley Jones
    The promising-sounding football movie would turn out to be a movie about men talking on phones.
    • 54 Metascore
    • 67 Kimberley Jones
    It's a goofy, tongue-in-cheek, my-gawd-how-could-we-be-so-dumb shrine, but a shrine nonetheless.
    • 53 Metascore
    • 67 Kimberley Jones
    Jet Lag's romantic fluffery is somewhat beneath these old pros, but they make its meet-cute scenario work, mostly -– and most especially when crusty, grumpy, grizzled Jean Reno announces he's "totally in love."
    • 53 Metascore
    • 67 Kimberley Jones
    What a glorious weepie The Notebook might have been if they’d just found a way to get rid of the damned notebook.
    • 53 Metascore
    • 40 Kimberley Jones
    The first act is very nearly unbearable, leaden and doomy and generically plotted.
    • 53 Metascore
    • 40 Kimberley Jones
    The Big Year's biggest disappointment is its inadequacy in elucidating the passion of the birder. What ardency, and what an exceptional, impenetrable world they move in. I for one wanted a better look at it.
    • 53 Metascore
    • 67 Kimberley Jones
    It’s not an altogether convincing portrait, but it is an entertaining, even moving one, and the forcefulness of Bullock's presence goes a long way in pulling the film back from the brink of cuddliness.