For 667 reviews, this critic has graded:
  • 38% higher than the average critic
  • 2% same as the average critic
  • 60% lower than the average critic
On average, this critic grades 3.3 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
Average review score: 56
Highest review score: 100 Before Night Falls
Lowest review score: 0 Ultraviolet
Score distribution:
667 movie reviews
    • 64 Metascore
    • 67 Kimberley Jones
    Manages the neat feat of feeling sweetly inevitable rather than boilerplate predictable.
    • 64 Metascore
    • 78 Kimberley Jones
    A staggering document of the lengths parents will go to for the sake of their child.
    • 64 Metascore
    • 50 Kimberley Jones
    The movie can be funny in fits, but too often the scripters go for the obvious and uninspired.
    • 63 Metascore
    • 11 Kimberley Jones
    It's all infuriatingly simplistic, and the performances help matters little. Quinn and McTeer are wholly uncompelling.
    • 63 Metascore
    • 78 Kimberley Jones
    Good, clean fun, with none of the icky aftertaste so common to “family friendly” ware, Drumline proves irresistible in more ways than one.
    • 63 Metascore
    • 67 Kimberley Jones
    Has very little soul to speak of, but it's got swagger to burn.
    • 63 Metascore
    • 40 Kimberley Jones
    I’m all for ambiguity, but Dear Frankie’s multiple dangling threads indicate incoherent storytelling, not profundity.
    • 63 Metascore
    • 67 Kimberley Jones
    This kind of a dance film lives and dies by the routines, and this one wins: Mixing elements of gymnastics, karate, and break with the almighty step – an exceedingly polite term for what is really an awesome stomp.
    • 63 Metascore
    • 50 Kimberley Jones
    There's no denying the dazzling effect, but a fireworks sequence midfilm only underscores the sad fact that there's no lasting illumination here, only the fast-burn spitzing of bang snaps.
    • 63 Metascore
    • 78 Kimberley Jones
    They don't make women, sexy but regal, like Pfeiffer much anymore, and Cheri is quite a monument to her.
    • 63 Metascore
    • 67 Kimberley Jones
    The middle of a movie is often where filmmakers lose their way, but Friends With Benefits nails this stretch, in which nothing very remarkable happens as two people talk, in bed and out of bed. There's a fine line between fun-dirty and ick-dirty – sometimes you can't identify the line until it's been crossed – and this film keeps its toes on the right side of raunch.
    • 63 Metascore
    • 78 Kimberley Jones
    Boden and Fleck's unabashedly warmhearted film is a sensitively wrought but also very funny portrait of the way we respond to pressure.
    • 63 Metascore
    • 78 Kimberley Jones
    When Les Misérables is good, it is very, very good, and when it is bad, it's usually because Russell Crowe has opened his mouth.
    • 63 Metascore
    • 67 Kimberley Jones
    What we get is more of the same from Ferrell – funny faces, goofy accents, pratfalls aplenty – and that ain't bad. It just could have been a lot better.
    • 63 Metascore
    • 78 Kimberley Jones
    Bruckheimer -– always eager to egg on the public’s thirst for bigger, louder, stupider –- has done a scandalous amount of damage to contemporary cinema, but for once, his dubious talent for big-buck bombast is exploited for good rather than evil.
    • 63 Metascore
    • 67 Kimberley Jones
    Penn's Bicke is often so pitiable it's hard not to want to look away – but what else to expect from perhaps our most compulsively watchable contemporary actor?
    • 63 Metascore
    • 67 Kimberley Jones
    Columbus never quite captures the depth, the rich complexities of Rowling's novels. She's written four Harry Potter books for kids that adults swoon for, too. Columbus has made two Harry Potter movies for kids … and we'll leave it at that. That isn't bad. But I suspect there's something better just around the bend.
    • 63 Metascore
    • 67 Kimberley Jones
    Did I fall in love with Undertow? Not in the least. But I liked it alright, and amidst the mediocrity, even rot, that constitutes 98% of contemporary American movies, that'll do fine.
    • 63 Metascore
    • 50 Kimberley Jones
    Yes, this is the stuff of fiction, where individuals can drift in and out of another's life and make extraordinary, unbelievable things happen.
    • 63 Metascore
    • 67 Kimberley Jones
    Falling in love with the wrong person makes for a far more toothsome melodrama, a fact this small, satisfying picture rightly recognizes.
    • 63 Metascore
    • 67 Kimberley Jones
    Echotone is scattered, for sure (the sound ordinance battle is poorly handled), but as an anecdotal account of Austin in the first decade of a new century, it's rarely anything less than compelling.
    • 63 Metascore
    • 40 Kimberley Jones
    Kit Kittredge is a dutiful bore. Still, I couldn't help but wonder if, in the face of all-out market collapse, it might serve a dual purpose as primer for kiddies on economic depression – because food stamps always taste better with a side order of spunk. Or is it pluck?
    • 63 Metascore
    • 67 Kimberley Jones
    Megamind gets existential, but only in blips, and while it is never anything less than vibrant and exceedingly clever, it is also a rather slight thing for such mega-sized proportions.
    • 63 Metascore
    • 67 Kimberley Jones
    It’s an enjoyable enough exercise in teen angst triumphing.
    • 62 Metascore
    • 67 Kimberley Jones
    Everybody likes to watch the messy guts-stuff of other peoples' lives, if only because we know then we're not alone in our weird ways.
    • 62 Metascore
    • 40 Kimberley Jones
    It’s a curiously inert, workmanlike production: a whole lot of pomp and incircumstance.
    • 62 Metascore
    • 89 Kimberley Jones
    A manic, lithesome thing, 2 Days in New York flexes between broad comedy and a beautifully observed portrait of family life – especially life after death.
    • 62 Metascore
    • 67 Kimberley Jones
    The latest installment in the Austin Powers series has stopped making much sense at all, but it sure gets its giggle on, and good.
    • 62 Metascore
    • 67 Kimberley Jones
    Marshmallow nation, you may now exhale: Rob Thomas did ya right.
    • 62 Metascore
    • 50 Kimberley Jones
    Still, when The Yellow Handkerchief finally hooks into the meat of Hamill’s source story, the narrative tension puts enough wind in the film’s sails to arrive at its corny but sentimentally satisfying conclusion.