Kimberley Jones
Select another critic »
For 692 reviews, this critic has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 3.4 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Force Majeure
Lowest review score: 0 View from the Top
Score distribution:
692 movie reviews
    • 64 Metascore
    • 78 Kimberley Jones
    You don't just root for Harold and Kumar to get the girl, get the weed, and, above all, get the burger – you want to hang out with them while they' doing it, and see if they'e free next Friday night, too.
    • 64 Metascore
    • 40 Kimberley Jones
    Warmed my heart about as much as the cold cream Angèle slathers all over her wrinkling clients.
    • Austin Chronicle
    • 64 Metascore
    • 40 Kimberley Jones
    In manipulating its many disparate characters to bump into each other and set plot lines in motion, Intermission walks a fine line between clever and contrived, with the scale tipping more often toward contrived.
    • 64 Metascore
    • 78 Kimberley Jones
    The film, a distinctly secular take on Waugh's religiosity, is far more interested in the battle of blind faith vs. rigid unbelief and its devastating effects. Herein, everyone is complicated – by their station, their philosophy, their God – and everyone is complicit.
    • 64 Metascore
    • 78 Kimberley Jones
    All told, The Young Victoria is a very well-made if not especially memorable picture, moving with all the grace and steadfastness of a waltz Victoria and Albert share, but absent any urgency or anything particularly exclamatory.
    • 64 Metascore
    • 78 Kimberley Jones
    For a film about looking for a sign, looking for solace, Room quite brazenly offers neither. It isn't an easy film, but the world's already got plenty of easy and easily digestible films.
    • 64 Metascore
    • 67 Kimberley Jones
    It neither embarrasses the original, nor is superior to it in any way.
    • 64 Metascore
    • 78 Kimberley Jones
    A film that is at once elegant and sublimely silly.
    • 64 Metascore
    • 67 Kimberley Jones
    The film stumbles a bit in its third act, when war kills the good times for good.
    • 64 Metascore
    • 30 Kimberley Jones
    A stiff drink or maybe some pharmaceutical assistance might have made me overlook the film's sour tone, or the unremarkableness of its direction.
    • 64 Metascore
    • 67 Kimberley Jones
    Manages the neat feat of feeling sweetly inevitable rather than boilerplate predictable.
    • 64 Metascore
    • 78 Kimberley Jones
    A staggering document of the lengths parents will go to for the sake of their child.
    • 64 Metascore
    • 50 Kimberley Jones
    The movie can be funny in fits, but too often the scripters go for the obvious and uninspired.
    • 64 Metascore
    • 50 Kimberley Jones
    The movie lumbers on some more, reiterating the obvious and relying on overfamiliar imagery. Audiences have a long year to wait for Part 2. Would it not have been better to leave them breathless than heaving a sigh?
    • 63 Metascore
    • 11 Kimberley Jones
    It's all infuriatingly simplistic, and the performances help matters little. Quinn and McTeer are wholly uncompelling.
    • 63 Metascore
    • 78 Kimberley Jones
    Good, clean fun, with none of the icky aftertaste so common to “family friendly” ware, Drumline proves irresistible in more ways than one.
    • 63 Metascore
    • 67 Kimberley Jones
    Has very little soul to speak of, but it's got swagger to burn.
    • 63 Metascore
    • 40 Kimberley Jones
    I’m all for ambiguity, but Dear Frankie’s multiple dangling threads indicate incoherent storytelling, not profundity.
    • 63 Metascore
    • 67 Kimberley Jones
    This kind of a dance film lives and dies by the routines, and this one wins: Mixing elements of gymnastics, karate, and break with the almighty step – an exceedingly polite term for what is really an awesome stomp.
    • 63 Metascore
    • 50 Kimberley Jones
    There's no denying the dazzling effect, but a fireworks sequence midfilm only underscores the sad fact that there's no lasting illumination here, only the fast-burn spitzing of bang snaps.
    • 63 Metascore
    • 78 Kimberley Jones
    They don't make women, sexy but regal, like Pfeiffer much anymore, and Cheri is quite a monument to her.
    • 63 Metascore
    • 67 Kimberley Jones
    The middle of a movie is often where filmmakers lose their way, but Friends With Benefits nails this stretch, in which nothing very remarkable happens as two people talk, in bed and out of bed. There's a fine line between fun-dirty and ick-dirty – sometimes you can't identify the line until it's been crossed – and this film keeps its toes on the right side of raunch.
    • 63 Metascore
    • 78 Kimberley Jones
    Boden and Fleck's unabashedly warmhearted film is a sensitively wrought but also very funny portrait of the way we respond to pressure.
    • 63 Metascore
    • 78 Kimberley Jones
    When Les Misérables is good, it is very, very good, and when it is bad, it's usually because Russell Crowe has opened his mouth.
    • 63 Metascore
    • 67 Kimberley Jones
    What we get is more of the same from Ferrell – funny faces, goofy accents, pratfalls aplenty – and that ain't bad. It just could have been a lot better.
    • 63 Metascore
    • 78 Kimberley Jones
    Bruckheimer -– always eager to egg on the public’s thirst for bigger, louder, stupider –- has done a scandalous amount of damage to contemporary cinema, but for once, his dubious talent for big-buck bombast is exploited for good rather than evil.
    • 63 Metascore
    • 50 Kimberley Jones
    Wright is terrific – sensitive and alert – in the live-action opening. But that opening runs more than 45 minutes long, a way too heavy-handed preamble to the crazed animation to come, and the actress’ vocal delivery – soft-spoken, gently bewildered – is too soporific to pull off lines like, “Look at me, I’m your prophet of doom.”
    • 63 Metascore
    • 67 Kimberley Jones
    Penn's Bicke is often so pitiable it's hard not to want to look away – but what else to expect from perhaps our most compulsively watchable contemporary actor?
    • 63 Metascore
    • 67 Kimberley Jones
    Columbus never quite captures the depth, the rich complexities of Rowling's novels. She's written four Harry Potter books for kids that adults swoon for, too. Columbus has made two Harry Potter movies for kids … and we'll leave it at that. That isn't bad. But I suspect there's something better just around the bend.
    • 63 Metascore
    • 67 Kimberley Jones
    Did I fall in love with Undertow? Not in the least. But I liked it alright, and amidst the mediocrity, even rot, that constitutes 98% of contemporary American movies, that'll do fine.

Top Trailers