Kimberley Jones
Select another critic »
For 692 reviews, this critic has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this critic grades 3.4 points lower than other critics. (0-100 point scale)

Kimberley Jones' Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Force Majeure
Lowest review score: 0 View from the Top
Score distribution:
692 movie reviews
    • 72 Metascore
    • 78 Kimberley Jones
    Screenwriters Roberto Orci, Alex Kurtzman, and fanboys’ favorite whipping boy, Damon Lindelof, keep the film moving at a quippy clip; there’s really no fat here until the film feints a climax only to lurch the coaster-car back up the hill again.
    • 80 Metascore
    • 78 Kimberley Jones
    Sweetgrass’ unbroken shots of often-repetitive activity have a beguiling quality to them, their very monotony encouraging a deeper absorption and reflection, but hard facts aren’t easy to come by.
    • 74 Metascore
    • 78 Kimberley Jones
    It gives the illusion of a conclusion and cuts to black before it has to answer for how many more questions have been raised.
    • 61 Metascore
    • 78 Kimberley Jones
    Maybe someday there will be a better commercial comedy about a girl taking charge of her sexual education, but for now, this is the only one we’ve got, and it’s a filthy-fun charmer.
    • 82 Metascore
    • 78 Kimberley Jones
    An outstanding cast have crafted a delicate, eloquent picture of believable humans in so many gradations of hurt, but it stops just shy of catharsis.
    • 79 Metascore
    • 78 Kimberley Jones
    An ambitious comedy with not-negligible dramatic depth, but Bell, a first-time feature writer and director, is frankly too generous with her large cast.
    • 81 Metascore
    • 78 Kimberley Jones
    The World’s End affectionately takes a page from our Fifties sci-fi films.
    • 71 Metascore
    • 78 Kimberley Jones
    Much has been made of the fact that Swanberg has cast for the first time bona fide movie stars and not just his mumblecore pals: In fact, it's the making of the movie. If you're going to build an entire film on microexpressions, then a certain innate magnetism is required. Swanberg gets it in spades from his top-shelf cast.
    • 59 Metascore
    • 78 Kimberley Jones
    High spirits mark the first half of the film; quite simply, these guys are just fun to be around – most especially Howard, all half-lidded, cat-who-got-the-cream coolness.
    • 62 Metascore
    • 78 Kimberley Jones
    It’s the funniest, friskiest date movie in a good long while.
    • 59 Metascore
    • 78 Kimberley Jones
    The spirit of the thing – the way it champions intellectual curiosity and critical thinking – warmed this nerd’s heart tremendously.
    • 74 Metascore
    • 78 Kimberley Jones
    There are no hard truths to be found in Finding Vivian Maier (really, how could there be?), but it’s an engrossing doc nevertheless – a portrait of an American artist hiding in plain sight, a mystery with too few clues, and a sincere inquiry into how best to divine the wishes of the dead.
    • 56 Metascore
    • 78 Kimberley Jones
    The filmmakers have cast their underdogs well: Madhur Mittal plays the anxious, upright Dinesh; Suraj Sharma is the loose-limbed, pizza-loving Rinku; and they’re both funny and endearing, two words that apply to the whole of the supporting cast.
    • 69 Metascore
    • 78 Kimberley Jones
    Elgort’s performance is more mannered than Woodley’s open-faced, direct line to the heart, but it works.
    • 76 Metascore
    • 78 Kimberley Jones
    I laughed, I cried, I longed for a pet dragon to call my own.
    • 87 Metascore
    • 78 Kimberley Jones
    Sweet-spirited and sometimes meandering but always working in the service of its young protagonists’ perspective, We Are the Best! might come off as slight if you aren’t paying attention, or you pay too much attention to the too-cute closing credits montage.
    • 73 Metascore
    • 78 Kimberley Jones
    Forget divining who’s predator and who’s prey. Everybody’s chum here.
    • 76 Metascore
    • 78 Kimberley Jones
    Guardians of the Galaxy is an outlier: a space opera in a largely earthbound movie cycle (excepting the occasional red-eye to another dimension in the Thor pictures), candy-colored and bopping where the other Marvel movies are muted and imposing, and the funniest one to date, without a doubt.
    • 68 Metascore
    • 78 Kimberley Jones
    The film provides invaluable context in its detailing of institutional racism in the Sixties and Seventies and in its emphasis on Ellis as an advocate for equality and as a righteous shit-stirrer.
    • 61 Metascore
    • 78 Kimberley Jones
    As much a portrait of a community as of its brilliant, de facto mayor, Harmontown is a stirring tribute to the restorative power of finding your people.
    • 76 Metascore
    • 78 Kimberley Jones
    Wild lands some hard punches, but it can’t sustain the impact. Some of that lies in its inherited arc: Strayed found some peace – the whole point of the trek – but arriving-at-peace is less provocative than the struggle, at least in a movie.
    • 58 Metascore
    • 67 Kimberley Jones
    With all its emphasis on beat, Brown Sugar can't maintain a steady one, yet when it finds it, the film surely soars.
    • 30 Metascore
    • 67 Kimberley Jones
    As obvious as they get, and it wears its message on its bloodied jersey.
    • 48 Metascore
    • 67 Kimberley Jones
    Franklin injects life into a flat format and has in the process done something nearly unheard of in Hollywood as of late: He's brought class back to the genre film.
    • 51 Metascore
    • 67 Kimberley Jones
    Funny and friendly and all-inclusive and unremarkable.
    • 62 Metascore
    • 67 Kimberley Jones
    Everybody likes to watch the messy guts-stuff of other peoples' lives, if only because we know then we're not alone in our weird ways.
    • 52 Metascore
    • 67 Kimberley Jones
    Makes for a playfully enthralling hour and a half.
    • 73 Metascore
    • 67 Kimberley Jones
    It's the tortoise and the hare, Nepalese-style, and it's surprisingly dramatic.
    • 62 Metascore
    • 67 Kimberley Jones
    A nice-looking, nice-feeling exercise in conventionalism that sure could use a couple of transvestites and maybe a house falling from the sky.
    • 52 Metascore
    • 67 Kimberley Jones
    Ao relentlessly, gleefully dumb -- without being the slightest bit sardonic -- that you just can't help but guffaw … or groan … but probably both.

Top Trailers