Kirk Honeycutt
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For 987 reviews, this critic has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 0.9 points higher than other critics. (0-100 point scale)

Kirk Honeycutt's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Black Friday
Lowest review score: 0 Your Highness
Score distribution:
  1. Negative: 91 out of 987
987 movie reviews
    • 35 Metascore
    • 30 Kirk Honeycutt
    Simply weird. The funny has gone missing.
    • 19 Metascore
    • 30 Kirk Honeycutt
    Insipid, predictable, broad comedy mixed with Disney Family Values makes for one exasperating sit.
    • 17 Metascore
    • 30 Kirk Honeycutt
    A viewer is challenged to guess what the filmmakers thought they were doing. A 1930s screwball comedy with a modern sensibility? A misguided valentine to those who march to the beat of a different drummer?
    • 41 Metascore
    • 30 Kirk Honeycutt
    Director Alex Proyas resolutely thinks in B-movie terms. Even with an A-list budget, he oversells every plot point and gooses the thrills with hokey lighting, bombastic music and serious overacting.
    • 27 Metascore
    • 30 Kirk Honeycutt
    Runs 96 minutes but feels like so much more. There is only one gag.
    • 31 Metascore
    • 30 Kirk Honeycutt
    A lackluster affair, devoid of laughs and just about anything else one might construe as entertainment.
    • 30 Metascore
    • 30 Kirk Honeycutt
    A bottomless pit of lame characters, horror-film cliches and improbable monsters.
    • 28 Metascore
    • 30 Kirk Honeycutt
    Dirty Deeds is as feeble as a teen comedy can get.
    • 39 Metascore
    • 30 Kirk Honeycutt
    Has little to say to moviegoers. Goldberg's direction is all flash and no substance, and his story and characters offer little reason for viewers to empathize with such self-pitying characters.
    • 47 Metascore
    • 30 Kirk Honeycutt
    Just lousy.
    • 45 Metascore
    • 30 Kirk Honeycutt
    Fails to exploit the myriad comedic possibilities, settling instead for broad, unconvincing slapstick aimed at 12-year-olds and gags Shakespeare would have rejected as ancient.
    • 36 Metascore
    • 30 Kirk Honeycutt
    The writing is rudimentary and the direction often awkward, but Mo'Nique would confound a veteran director.
    • 26 Metascore
    • 30 Kirk Honeycutt
    Zoom is a movie that would make Dr. Frankenstein proud. Put together with parts from so many other movies, the thing positively clanks.
    • 46 Metascore
    • 30 Kirk Honeycutt
    Beerfest is tedious and, at 112 minutes, too long to sustain a sophomoric, one-joke comedy even for the presumed target audience of older male teens and the college-age crowd.
    • 67 Metascore
    • 30 Kirk Honeycutt
    Pretentious to the core and lacking any context or credible characterizations.
    • 35 Metascore
    • 30 Kirk Honeycutt
    All the while, the music screams and clamors like an ignored child because director Xavier Gens and writer Skip Woods can't pump suspense into this inept mess.
    • 25 Metascore
    • 30 Kirk Honeycutt
    The film's pretentious style and fractured storytelling preclude any audience involvement in the coy melodrama.
    • 36 Metascore
    • 30 Kirk Honeycutt
    Only Diaz shows spark because the actress knows how to simultaneously play nice and be a nasty character, thereby gaining audience sympathy. Everyone else hits one note, and it isn't nice.
    • 24 Metascore
    • 30 Kirk Honeycutt
    Not only does the film stumble badly from one skit to another, the skits themselves have too much dead air.
    • 51 Metascore
    • 30 Kirk Honeycutt
    One of the unfunniest comedies ever. Punch lines are lifeless. Characters are borderline catatonic. Running gags can't even walk.
    • 37 Metascore
    • 30 Kirk Honeycutt
    Odd too, for a film that wants to correct impression anyone had as to the abilities of black U.S. soldier in combat, are the ethnic cliches about Italians and Germans, to say nothing of rednecks.
    • 31 Metascore
    • 30 Kirk Honeycutt
    A banal revenge melodrama-cum-detective story, but fans of the video game on which it is based should not be alarmed.
    • 58 Metascore
    • 30 Kirk Honeycutt
    Splinter is a bad idea, borrowing body parts, as it were, from old horror flicks to genuinely unsatisfying results.
    • 41 Metascore
    • 30 Kirk Honeycutt
    Bad enough to create one of the most joyless Christmas movies ever, but then to go for an unearned feel-good ending adds insult to injury.
    • 17 Metascore
    • 30 Kirk Honeycutt
    The film might amuse some, especially fans of Alfred Hitchcock, but is likely to annoy almost everyone else.
    • 30 Metascore
    • 30 Kirk Honeycutt
    What finally undoes the struggle to maintain suspense is Goyer's dialogue, which is consistently hokey.
    • 38 Metascore
    • 30 Kirk Honeycutt
    We can be grateful to a stellar cast and some discipline on the part of Matt Aselton, a commercials director making his feature debut, that Gigantic doesn't go completely overboard. Nevertheless, the film will appeal mostly to festivals and adventurous audiences.
    • 32 Metascore
    • 30 Kirk Honeycutt
    Lame sketch comedy, an uninspired performance from Will Ferrell and an overall failure of the imagination turn Brad Silberling's Land of the Lost into a lethargic meander through a wilderness of misfiring gags.
    • 36 Metascore
    • 30 Kirk Honeycutt
    For those wearied by cliches about poverty, rote characterizations of minorities and shocks for their own sake, best to avoid "Cracktown."
    • 30 Metascore
    • 30 Kirk Honeycutt
    The new gimmick here is that all the flying body parts and absurd impalements come in 3D. And that's about as inspired as anything gets in this edition. Story and character get chucked to the sidelines as the arena has room for only death scenes.

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