Kirk Honeycutt

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For 987 reviews, this critic has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 0.2 points higher than other critics. (0-100 point scale)

Kirk Honeycutt's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Black Friday
Lowest review score: 0 Your Highness
Score distribution:
  1. Negative: 91 out of 987
987 movie reviews
    • 25 Metascore
    • 30 Kirk Honeycutt
    The film's pretentious style and fractured storytelling preclude any audience involvement in the coy melodrama.
    • 33 Metascore
    • 30 Kirk Honeycutt
    This remake turns a fondly remembered horror/thriller into a mild and tedious suspense film.
    • 46 Metascore
    • 30 Kirk Honeycutt
    The acting is overly broad, so even the dimmest light bulb in the audience gets the gags.
    • 30 Metascore
    • 30 Kirk Honeycutt
    Nothing anchors the lighter-than-air story as it drifts away under the direction of Stephen Norrington ("Blade") into an FX stratosphere where wit, character and vigorous storytelling cease to matter.
    • 32 Metascore
    • 30 Kirk Honeycutt
    Lame sketch comedy, an uninspired performance from Will Ferrell and an overall failure of the imagination turn Brad Silberling's Land of the Lost into a lethargic meander through a wilderness of misfiring gags.
    • 31 Metascore
    • 30 Kirk Honeycutt
    A lackluster affair, devoid of laughs and just about anything else one might construe as entertainment.
    • 47 Metascore
    • 30 Kirk Honeycutt
    Just lousy.
    • 58 Metascore
    • 30 Kirk Honeycutt
    Splinter is a bad idea, borrowing body parts, as it were, from old horror flicks to genuinely unsatisfying results.
    • 17 Metascore
    • 30 Kirk Honeycutt
    The film might amuse some, especially fans of Alfred Hitchcock, but is likely to annoy almost everyone else.
    • 30 Metascore
    • 30 Kirk Honeycutt
    A bottomless pit of lame characters, horror-film cliches and improbable monsters.
    • 56 Metascore
    • 30 Kirk Honeycutt
    This Mexican action flick from director-writer Beto Gómez has all the makings of a great comedy only no one told the filmmakers.
    • 36 Metascore
    • 30 Kirk Honeycutt
    There is no purpose to the film other than random blood splattering amid scenes of bondage, primitive savagery and S&M eroticism. The film is numbing and dumb with its hero indistinguishable from its villains.
    • 36 Metascore
    • 30 Kirk Honeycutt
    For those wearied by cliches about poverty, rote characterizations of minorities and shocks for their own sake, best to avoid "Cracktown."
    • 45 Metascore
    • 30 Kirk Honeycutt
    Fails to exploit the myriad comedic possibilities, settling instead for broad, unconvincing slapstick aimed at 12-year-olds and gags Shakespeare would have rejected as ancient.
    • 30 Metascore
    • 30 Kirk Honeycutt
    What the problem comes down to is a group of filmmakers making misguided choices in an effort to broaden the movie's demographics beyond those who attend X Games.
    • 34 Metascore
    • 30 Kirk Honeycutt
    A laugh-starved comedy that seeks to plug into the comic stylings of Mo'Nique for its energy and humor.
    • 51 Metascore
    • 30 Kirk Honeycutt
    One of the unfunniest comedies ever. Punch lines are lifeless. Characters are borderline catatonic. Running gags can't even walk.
    • 26 Metascore
    • 30 Kirk Honeycutt
    Combining the ludicrous with the lurid, Twisted is twisted all right.
    • 47 Metascore
    • 30 Kirk Honeycutt
    The film seems nearly writer-free. Absolutely no time gets wasted on story, character development or logic.
    • 30 Metascore
    • 30 Kirk Honeycutt
    The scariest thing about this film is how desperate the makers are to earn a scream.
    • 37 Metascore
    • 30 Kirk Honeycutt
    Odd too, for a film that wants to correct impression anyone had as to the abilities of black U.S. soldier in combat, are the ethnic cliches about Italians and Germans, to say nothing of rednecks.
    • 62 Metascore
    • 30 Kirk Honeycutt
    Longing makes you long for a good movie. Tedious and long-winded even at 90 minutes, this German film, written and directed by Valeska Grisebach, tells a mundane tale of adultery that lacks even the slightest insight.
    • 40 Metascore
    • 30 Kirk Honeycutt
    Rarely do films from Hollywood emerge in such an inane manner. Its rote characters are inevitably in predictable situations with no subtext or subtlety to any of their predicaments.
    • 35 Metascore
    • 30 Kirk Honeycutt
    All the while, the music screams and clamors like an ignored child because director Xavier Gens and writer Skip Woods can't pump suspense into this inept mess.
    • 28 Metascore
    • 30 Kirk Honeycutt
    Dirty Deeds is as feeble as a teen comedy can get.
    • 36 Metascore
    • 30 Kirk Honeycutt
    The writing is rudimentary and the direction often awkward, but Mo'Nique would confound a veteran director.
    • 50 Metascore
    • 30 Kirk Honeycutt
    No one on the creative side has his eyes on the characters, so they flounder in a sea of misguided energy.
    • 57 Metascore
    • 30 Kirk Honeycutt
    The lameness of the gags and dialogue and the film's frequent deep dives for the bottom at the expense of real comedy speak to desperation in Hollywood to figure out the audience for contemporary naughty comedy.
    • 41 Metascore
    • 30 Kirk Honeycutt
    Bad enough to create one of the most joyless Christmas movies ever, but then to go for an unearned feel-good ending adds insult to injury.
    • 27 Metascore
    • 30 Kirk Honeycutt
    This thoroughly repetitive, ill-conceived and poorly executed effort -- with an emphasis on the word "effort" -- defeats these two talented people more often than not.

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