Kirk Honeycutt
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For 987 reviews, this critic has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 0.9 points higher than other critics. (0-100 point scale)

Kirk Honeycutt's Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 Ratatouille
Lowest review score: 0 Your Highness
Score distribution:
  1. Negative: 91 out of 987
987 movie reviews
    • 31 Metascore
    • 30 Kirk Honeycutt
    The clumsy and cliched approach by writer-director Bala Rajashekaruni robs the movie of any dramatic punch.
    • 56 Metascore
    • 30 Kirk Honeycutt
    For the most part, the acting is shrill and cartoonish. Indeed, most of the actors appear to be, in the finest desi filmmaking tradition, from the filmmakers' close circle of friends and family.
    • 30 Metascore
    • 30 Kirk Honeycutt
    What the problem comes down to is a group of filmmakers making misguided choices in an effort to broaden the movie's demographics beyond those who attend X Games.
    • 30 Metascore
    • 30 Kirk Honeycutt
    Nothing anchors the lighter-than-air story as it drifts away under the direction of Stephen Norrington ("Blade") into an FX stratosphere where wit, character and vigorous storytelling cease to matter.
    • 48 Metascore
    • 30 Kirk Honeycutt
    What fans of the original movie, "Charlie's Angels," which was fun and good-natured, will make of this sloppy mess is hard to guess.
    • 55 Metascore
    • 30 Kirk Honeycutt
    Casa feels like a miss. The digging into each of these women's lives stays shallow and seldom uncovers anything unexpected.
    • 26 Metascore
    • 30 Kirk Honeycutt
    Combining the ludicrous with the lurid, Twisted is twisted all right.
    • 25 Metascore
    • 30 Kirk Honeycutt
    From its uninspiring title -- and certain turnoff for young males -- to its limp slapstick and uneven acting, A Cinderella Story arrives with a dull thud.
    • 30 Metascore
    • 30 Kirk Honeycutt
    The scariest thing about this film is how desperate the makers are to earn a scream.
    • 31 Metascore
    • 30 Kirk Honeycutt
    A bland, formulaic picture where romance and comedy are noticeably absent. A more wooden and uninspired effort from talented people behind and in front of the camera is difficult to imagine.
    • 27 Metascore
    • 30 Kirk Honeycutt
    This thoroughly repetitive, ill-conceived and poorly executed effort -- with an emphasis on the word "effort" -- defeats these two talented people more often than not.
    • 34 Metascore
    • 30 Kirk Honeycutt
    A laugh-starved comedy that seeks to plug into the comic stylings of Mo'Nique for its energy and humor.
    • 43 Metascore
    • 30 Kirk Honeycutt
    Muddled and uninteresting.
    • 27 Metascore
    • 30 Kirk Honeycutt
    Runs 96 minutes but feels like so much more. There is only one gag.
    • 31 Metascore
    • 30 Kirk Honeycutt
    A lackluster affair, devoid of laughs and just about anything else one might construe as entertainment.
    • 30 Metascore
    • 30 Kirk Honeycutt
    A bottomless pit of lame characters, horror-film cliches and improbable monsters.
    • 28 Metascore
    • 30 Kirk Honeycutt
    Dirty Deeds is as feeble as a teen comedy can get.
    • 39 Metascore
    • 30 Kirk Honeycutt
    Has little to say to moviegoers. Goldberg's direction is all flash and no substance, and his story and characters offer little reason for viewers to empathize with such self-pitying characters.
    • 47 Metascore
    • 30 Kirk Honeycutt
    Just lousy.
    • 45 Metascore
    • 30 Kirk Honeycutt
    Fails to exploit the myriad comedic possibilities, settling instead for broad, unconvincing slapstick aimed at 12-year-olds and gags Shakespeare would have rejected as ancient.
    • 36 Metascore
    • 30 Kirk Honeycutt
    The writing is rudimentary and the direction often awkward, but Mo'Nique would confound a veteran director.
    • 26 Metascore
    • 30 Kirk Honeycutt
    Zoom is a movie that would make Dr. Frankenstein proud. Put together with parts from so many other movies, the thing positively clanks.
    • 46 Metascore
    • 30 Kirk Honeycutt
    Beerfest is tedious and, at 112 minutes, too long to sustain a sophomoric, one-joke comedy even for the presumed target audience of older male teens and the college-age crowd.
    • 55 Metascore
    • 30 Kirk Honeycutt
    The movie strands you in two miserable flats with these cliche-ridden characters and a static love story that is as predictable as it is pedestrian.
    • 67 Metascore
    • 30 Kirk Honeycutt
    Pretentious to the core and lacking any context or credible characterizations.
    • 62 Metascore
    • 30 Kirk Honeycutt
    Longing makes you long for a good movie. Tedious and long-winded even at 90 minutes, this German film, written and directed by Valeska Grisebach, tells a mundane tale of adultery that lacks even the slightest insight.
    • 35 Metascore
    • 30 Kirk Honeycutt
    All the while, the music screams and clamors like an ignored child because director Xavier Gens and writer Skip Woods can't pump suspense into this inept mess.
    • 25 Metascore
    • 30 Kirk Honeycutt
    The film's pretentious style and fractured storytelling preclude any audience involvement in the coy melodrama.
    • 36 Metascore
    • 30 Kirk Honeycutt
    Only Diaz shows spark because the actress knows how to simultaneously play nice and be a nasty character, thereby gaining audience sympathy. Everyone else hits one note, and it isn't nice.
    • 24 Metascore
    • 30 Kirk Honeycutt
    Not only does the film stumble badly from one skit to another, the skits themselves have too much dead air.