For 987 reviews, this critic has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 1.2 points higher than other critics. (0-100 point scale)

Kirk Honeycutt's Scores

  • Movies
Average review score: 60
Highest review score: 100 The Dark Knight
Lowest review score: 0 Your Highness
Score distribution:
  1. Negative: 91 out of 987
987 movie reviews
    • 64 Metascore
    • 80 Kirk Honeycutt
    A fine dramatic comedy with fresh characters, witty dialogue and a keen interest in how relationships must have developed among frontier folks, tyrannical ranchers, no-nonsense lawmen and -- oh, yes -- the complicated women on that frontier.
    • 53 Metascore
    • 80 Kirk Honeycutt
    It's all here: the ingenious, obscenity-laced language, the double crosses that turn into triple crosses, the swaggering characters so in love with themselves. GottaLove RocknRolla!
    • 65 Metascore
    • 80 Kirk Honeycutt
    In watching this film, it's best not to worry much about the film's fidelity to history but rather simply lean back and enjoy one great jam session on film.
    • 58 Metascore
    • 80 Kirk Honeycutt
    The madness of Holocaust survivors is here played mainly for dark comedy. The film's dazzling central performance in a mental institute finds Jeff Goldblum in the role of his career.
    • 69 Metascore
    • 80 Kirk Honeycutt
    The movie is fun, with plenty of intrigue and suspense that will have audiences clutching at their arm rests.
    • 52 Metascore
    • 80 Kirk Honeycutt
    It's entertaining with a crafty mixture of action, humor and drama.
    • 81 Metascore
    • 80 Kirk Honeycutt
    The period sets, costumes and cinematography all superbly recreate the brutal era, grand illusions and everyday suffering of the Poles under both the Nazis and the Soviets.
    • 76 Metascore
    • 80 Kirk Honeycutt
    The result is an insightful, exuberant, probing, long-winded and even exhausting look at what it takes for a performer to have a life in the theater.
    • 61 Metascore
    • 80 Kirk Honeycutt
    Robert Downey Jr. and Jamie Foxx are on fire in the lead roles: They're both charismatic as hell without sacrificing any of the emotional honesty necessary for you to believe that these movie stars are a scruffy reporter and a mentally ill musician.
    • 48 Metascore
    • 80 Kirk Honeycutt
    The cast sparkles especially Simon Baker, a sturdy leading-man type, who is primed to break through any day now, and Paz Vega, already a star in Latin market.
    • 76 Metascore
    • 80 Kirk Honeycutt
    The writing is often clever and the overall production playful and intelligent.
    • 58 Metascore
    • 80 Kirk Honeycutt
    Jessica Biel has great fun with the American adventuress, while Kristin Scott Thomas is truly scary as her nemesis and mother-in-law.
    • 63 Metascore
    • 80 Kirk Honeycutt
    Actors blossom under Frears' direction. There is no false moment or off-key note in this movie.
    • 73 Metascore
    • 80 Kirk Honeycutt
    Marks Disney's rediscovery of a strong narrative loaded with vibrant characters and mind-bending, hilarious situations.
    • 83 Metascore
    • 80 Kirk Honeycutt
    Painfully funny satire of British and American bureaucrats in the days leading up to the Iraq War.
    • 62 Metascore
    • 80 Kirk Honeycutt
    Peter's lightning-fast script and Loncraine's steady direction steer this road picture to the sunny side of the street.
    • 79 Metascore
    • 80 Kirk Honeycutt
    The always surprising Coen brothers have finally made a very serious movie with A Serious Man. It's about God, man's place in the world and the meaning of life, so naturally it's one of their funnier movies.
    • 71 Metascore
    • 80 Kirk Honeycutt
    Part One, at least, is a French "Bonnie and Clyde."
    • 73 Metascore
    • 80 Kirk Honeycutt
    Dabis, a Palestinian-American, has thoroughly re-energized the genre with refreshing wit, honest emotions, incisive observations and a perfect cast.
    • 57 Metascore
    • 80 Kirk Honeycutt
    Few films have so poignantly portrayed a father's relationships with his sons as The Boys Are Back.
    • 67 Metascore
    • 80 Kirk Honeycutt
    A really terrific, intensely focused documentary on a fascinating personality.
    • 63 Metascore
    • 80 Kirk Honeycutt
    Christopher Rouse's rapid-fire editing nervously stitches the stunts, chases, fights and confrontations together. It's a remarkable film.
    • 76 Metascore
    • 80 Kirk Honeycutt
    A fanciful and melancholy portrait of exiled Russian poet Joseph Brodsky.
    • 65 Metascore
    • 80 Kirk Honeycutt
    The guy really goes all out in these performances.
    • 53 Metascore
    • 80 Kirk Honeycutt
    Scott has an eye -- and it's a very good one -- for sieges of castles, charging horsemen, hand-to-hand combat, glistening swords arcing through the air and deadly arrows whistling toward helpless targets.
    • 72 Metascore
    • 80 Kirk Honeycutt
    Despicable doesn't measure up to Pixar at its best. Nonetheless, it's funny, clever and warmly animated with memorable characters.
    • 58 Metascore
    • 80 Kirk Honeycutt
    It took three films, but The Twilight Saga finally nails just the right tone in Eclipse, a film that neatly balances the teenage operatic passions from Stephenie Meyer's novels with the movies' supernatural trappings.
    • 83 Metascore
    • 80 Kirk Honeycutt
    A naturalistic drama rich in psychology and attention to details. There's no glamour here, but one false move by anyone can result in death, so tension fills nearly every scene.
    • 72 Metascore
    • 80 Kirk Honeycutt
    A high school romp that turns a stale genre upside down with sly wit and sharp satire.
    • 61 Metascore
    • 80 Kirk Honeycutt
    An engaging sports movie about the greatest racehorse ever and his female owner who literally bets the farm on his supremacy.